Reviews written by registered user
|9 reviews in total|
This is a cross between sci-fi,Philip K. Dick style,hard edged cop
thriller,and some jiu jitsu martial arts thrown in as well.It is really
brutal at times,but not gratuitous.The lighting is cold throughout,but
it's never really dark.The colour seems washed out,and added to the
lighting it's almost black and white at times.But I really liked the
style.Despite being set in Paris,almost every scene is somewhat
claustrophobic.There is rarely a view of the Eiffel Tower,and very
few,if any,crowd scenes.Most scenes are in the police
staion,underground,science lab,or apartment blocks.
This is an intense psychological film that demands your attention,and you will be rewarded if you stick with it.
An elderly spinster piano teacher in a womens prison,Mrs.Kruger, takes
one of the inmates,Jenny,under her wing.The teacher loves music but
can't connect with people.Jenny is young and absolutely gifted,but
hates playing because it brings back a personal trauma from her
past.The teacher tries to teach the student about respect,whilst the
student reminds the teacher what it's like to be young and emotional.
There are sub plots concerning both of their respective past personal lives but basically,it is just about two characters from vastly different generations and backgrounds who form an uneasy alliance in a harsh environment,and both of them benefit from the experience.
Keep a box of tissues handy because the film is an emotional roller-coaster.I have no doubt that if they remade this in Hollywood with A-list stars, (which they probably eventually will),that it would clean up at the Oscars.But I guarantee that it would not be as good as this movie.
Four Minutes (Vier Minuten) is actually about 110 minutes,and pretty much every one of them is worthy.A must see movie.
I had pretty low expectations of this film just because of the
ridiculous title,but this was even worse than expected.It was one of
the the worst films I've seen all year,or any year.Quite frankly,it is
**** of the highest order.I was hoping for enjoyable,tongue in cheek
nonsense like Snakes On A Plane,but this was outrageously bad.I don't
know which was the more embarrassing,the rubber looking shark or
Stephen Baldwin's man boobs.
Seriously,there is nothing whatsoever to recommend this film apart from the fairly catchy title.I just dread the day when we see films like The Great Thames Piranha Invasion, or Silverback Gorillas Take Manhattan....
It may be called Shark In Venice,but it was actually made in Bulgaria.Judging this film,I will be careful to avoid any 'Bullywood' films in the future.
I could not praise this film enough.It is quite frankly stunning! I had
never read any reviews of the film and quite honestly,after the first
ten minutes or so,where the characters just seemed to be milling around
doing random things,I wondered what the point was.But when the
storyteller asked the first apparently hypothetical question,I sat up
and took notice.As the conversation grew more intense and the story
grew more outlandish,I was totally immersed.And when he dropped the
bombshell of atomic proportions,I was quite literally blown away!! This
is not a film you watch with a group of friends and a six pack.It
demands your complete attention,it pulls you into the room with the
assembled cast so you are sitting there with them,open mouthed at this
most incredible story.I have seen at least ten multi million dollar
blockbuster movies this year that have left me literally angry with
disappointment.Yet here is a low budget,practically no budget film,
with only eight people in it, set almost entirely in one small room,and
it was one of the most satisfying and gripping films I have seen for
A picture is worth a thousand words,but several hundred words strung together in an intelligent and articulate way are worth a million CGI effects.
Pour yourself a glass of your favourite drink,open your mind,and be taken on a mind trip of epic proportions.I really can not get this film out of my head at the moment.Just amazing.
*** This review may contain spoilers ***
It seems that the success of the LOTR series has gone to Peter
Jackson's head,and he believes that he can make any old nonsense and
the public will buy it.Well not this member.This film was downright
embarrassingly bad at times.Like what are the chances of ANYONE
surviving after running a mile underneath a rampaging herd of
Brontosaurus.Like Naomi Watts doing a song and dance act in front of a
25 foot gorilla in the middle of the jungle......like a guy shooting
giant insects off another guy from about ten feet away,with an antique
machine gun (without hitting the other guy)......Like Kong sliding
across the ice in a totally deserted Central Park five minutes after he
turned the city to hell (there are not even any sirens in the
background).....like why did we not see Kong fall at the end of the
movie....like etc,etc.I could go on all night quite frankly.Also,the
Skull Island set was just leftovers from the LOTR films.Jackson put no
imagination into this film whatsoever,yet it was still at least half an
hour too long.Good special effects are important,but if the story is so
lame,who is going to care? 8th wonder of the world my ass.
Me and Naomi Watts,a cheap hotel,and a bottle of chloroform.I could wonder about that all night........
These guys are anything but the Usual Suspects! They are a total bunch of
likeable oddballs who you want to see get away with it,but they are so
hapless that there is very little chance of that.No one is better than
William H Macy at portraying the man with a big heart but down on his
luck.This is probably his best performance since Fargo.Sam Rockwell played
the meathead boxer to perfection,and the rest of the gang were uniformly
good also.Luis Guzman brought some great comic relief as Cosimo,and George
Clooney stole every scene in his cameo role.The heist scene at the end was
The direction was also spot on by the Russo brothers.There was certainly a Coen brothers feel to the film throughout and it will be interesting to see how they will develop their careers.They have a long way to go to match the Coen's but this is an excellent start and I look forward to their next celluloid outing. ......."Yo mutha's a whore"!
1.Read a book
2.Write a Haiku
3.Watch the Cleveland Indians (CC,Omar,Milton-you guys
4.....Drink a pint of beer-(25 times)
Frankly,I cannot recommend this movie on any level.The pace is tedious,special effects are less than ordinary,and the whole film is grainy throughout,particularly in the dark scenes.Apparently,the film was shot using digital cameras,to give the film a "really real look".It looks horrendous,particularly on DVD.And the worst thing about this film is that it is not the least bit scary,which is sadly true of the large majority of horror films made these days (in mainstream Hollywood at least).The actual premise is indeed scary,but it does not translate to the screen.Zombie movies have been done to death,quite literally.George A.Romero owns this genre and everyone else should stop even trying to come up with anything new.Even he resorted to rehashing his own material in the end.
Dead movie,dead genre.Give it a miss.
--Now is the time to get drunk! To stop being the martyred slaves of time, to get absolutely drunk - on wine, poetry, or on virtue, as you please!--
I have never personally read the books or anything else by Tolkien,and as
such I didn't have any expectations of the film one way or the other.But I
could hardly avoid all the general hype that preceded it.Unfortunately in
opinion,it did not live up to it,not even close.The pace of the film was
laboured throughout.Just when things looked like they were really going to
get going,it just went off on another tangent.I think Elijah Wood is a
decent enough young actor,but he did seem out of his depth in this
And I'm glad that Liv Tyler only had a cameo role,because I really don't
rate her too highly as an actress at all. Otherwise,I found the acting to
pretty competent.The British trio of Ian Mc Kellen,Ian Holm,and Christopher
Lee were all excellent.Sean Bean too made the most of his part.My favourite
performance though was from Viggo Mortensen.A really heroic part,well
performed.He was no Han Solo,but for me his character was the highlight of
It may be unfair to compare this film in any way to the Star Wars saga,but one of the things I remember about all the pre opening hype was that it was compared to it,and very favourably.But Star Wars was a phenomenon,the first true blockbuster.It has since become the yardstick to which every new potential blockbuster is compared to and not many,if any,have lived up to that.Even though Star Wars-Episode One had some major flaws,I still found it a much more exhilarating viewing experience than this movie.
But this is the first of a trilogy and the series should really be judged after every film has been released.It does look to have potential and hopefully this is the director staying as true as he can to the novels.It is an epic and you cannot cram everything into one movie.I'm looking tentatively forward to the next part of the series,hoping for a bit more pace to the film. 6 out of 10 from me for this one.
Why oh why did they bother making this movie? The first one was a horror suspense classic,but this is a total non event.There is nothing right about this movie at all.It is a total bunch of nonsense from the sleep inducing start through to the downright risible ending.Nothing against the lead actors,they were watchable enough.Hopkins was his usual reliable self,but the whole premise of the movie made his performance almost a parody of the first one,and Julianne Moore was very good as well.She didn't have the vulnerability of Jodie Foster's portrayal of the character in the first movie which gave that film the extra depth,but since this film takes place ten years after,that is perfectly understandable.The character would no doubt have changed alot in that amount of time,especially being in such a high profile and male dominated profession such as the FBI. The rest of the cast though were just there to make up the numbers or to be fodder for Hopkins.Gary Oldman was more over the top even than usual,and Ray Liotta seemed lobotomised long before the ending.How can David Mamet,the same man who wrote the sublime Glengarry Glenross be involved in a movie with such poor characterisation as was on show here? And as for Ridley Scott,perhaps he should go back to making TV ads and pop promos,which is what most of his films resemble nowadays. The first film left enough scope for a sequel but this has come far too late and at the expense of some great talent.What a waste.