Samuel West carries this episode with Callum Woodhouse acquitting himself ably in response. The Siegfried/Tristan relationship has been well-developed, and though some scenes depicted would be highly unusual for a real Yorkshire family in the 1940s, it's hard to begrudge the culmination of something that feels earned after 3 seasons.
I'm less sold on how the show handled Mrs. Hall and Gerald in the end (slow motion, really?), and if Eva the all too precocious to be convincing child becomes a regular she could very easily make this show jump the shark. This reboot's sentiment is part of its charm, but it's starting to ladle it on too thickly. They can get away with grown men talking to horses and dipping into some topics that are socially worthwhile, but part of what makes All Creatures work in all its forms is that special Northern way the bitterness cuts the sweetness and enhances the flavor.
I'm less sold on how the show handled Mrs. Hall and Gerald in the end (slow motion, really?), and if Eva the all too precocious to be convincing child becomes a regular she could very easily make this show jump the shark. This reboot's sentiment is part of its charm, but it's starting to ladle it on too thickly. They can get away with grown men talking to horses and dipping into some topics that are socially worthwhile, but part of what makes All Creatures work in all its forms is that special Northern way the bitterness cuts the sweetness and enhances the flavor.
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