Directed by
| Jessica Lytton | ||
Writing Credits
| Jessica Lytton | ||
| Ali Jahani | ... | (original idea by) |
Cast (in credits order)
Produced by
| Cathy Henkel | ... | executive producer |
| Andrew Lewis | ... | executive producer |
| Brad Nisbet | ... | producer (as Bradley Nisbet) |
Music by
| Danielle Carlow | ||
| Mason Vellios | ||
Cinematography by
| Xiao Jason Liu | ||
Editing by
| Jarrod Burton | ||
Production Design by
| Katelyn Collins | ||
Makeup Department
| Phillipa Waller | ... | makeup artist |
| Pip Waller | ... | key makeup artist |
Production Management
| A.B. Morrison | ... | unit manager |
Second Unit Director or Assistant Director
| Gabby Ho | ... | third assistant director |
| Ali Jahani | ... | behind the scene director |
| Suzanne Ryan | ... | second assistant director |
Art Department
| Marnie Allen | ... | props |
| Brenton Cooney | ... | art assistant |
Sound Department
| Matt Clark | ... | boom operator / sound editor |
| Benjamin Morris | ... | supervising sound editor (as Ben Morris) |
| Billy Ward | ... | boom operator |
| Alex Wilson | ... | sound recordist |
Stunts
| Peter West | ... | stunt coordinator |
Camera and Electrical Department
| Dion Borrett | ... | gaffer |
| Jacob Charles | ... | grip (as Jacob Abercromby) |
| Quentin Curzon | ... | second assistant camera |
| Brendan Docherty | ... | grip |
| Zac Holmes | ... | lighting technician |
| Balázs Kajcsa | ... | best boy |
| David Morgan-Brown | ... | digital imaging technician |
| Hayley Wilson | ... | first assistant camera |
Costume and Wardrobe Department
| Elizabeth Ball | ... | costume supervisor |
| Remy Benn | ... | costume supervisor |
Editorial Department
| Georgia Nottage | ... | colorist |
Location Management
| Suzanne Ryan | ... | location manager |
Additional Crew
| Natalie Bell | ... | head of production |
| Jordan Edmeades | ... | runner/driver |
| Ashlee Ishak | ... | unit assist |
| Mahmudul Raz | ... | technical director |
| Ella Wright | ... | production support |
Thanks
| Martin Quinn | ... | special thanks |
| Clare Toonen | ... | special thanks |