I love the work of French creators like Marcel Pagnol and Jean Renoir, surely ranking near the top of all-time Greats among film directors. I suspect that veteran pornographer Marc Dorcel is also an admirer, as witness this example of one of many of his releases following in the the tradition of Pagnol's classic rural romances.
It's a companion film to the Dorcel release "Les Filles de la campagne", sharing the same location and overlapping cast members. That feature, which also starred Tarra White, had a semblance of plot, but no such luck in this spin off also directed by Dorcel's house hack Herve Bodilis.
Instead we get the girls humping on a picture-postcard beautiful little bridge over calm waters, in a hayloft, out on the grass courtesy of Jean Renoir but rarely indoors. The atmosphere is what makes this work, and causes it to rise above the level of generic porn.
No dialog is necessary, with the six sex vignettes briefly set up by femme narration. Tarra White gets star billing, but the other lovely members of the Eastern Euro femme ensemble share the spotlight equally with her.
It's a companion film to the Dorcel release "Les Filles de la campagne", sharing the same location and overlapping cast members. That feature, which also starred Tarra White, had a semblance of plot, but no such luck in this spin off also directed by Dorcel's house hack Herve Bodilis.
Instead we get the girls humping on a picture-postcard beautiful little bridge over calm waters, in a hayloft, out on the grass courtesy of Jean Renoir but rarely indoors. The atmosphere is what makes this work, and causes it to rise above the level of generic porn.
No dialog is necessary, with the six sex vignettes briefly set up by femme narration. Tarra White gets star billing, but the other lovely members of the Eastern Euro femme ensemble share the spotlight equally with her.