1-20 of 54 items from 2017 « Prev | Next »
Lyon, France — Lyon’s International Classic Film Market brought into focus the opportunities and challenges of heritage film in Greece, Hungary and Latvia on Wednesday, presenting stark differences in the three territories.
“There is a market in Greece for classical films and this year we decided to jump in,” Damianakis said.
Neo Films, whose current contemporary releases include Gabe Klinger’s “Porto,” starring the late Anton Yelchin, and Joshua Z Weinstein’s “Menashe,” released the 1954 Marlon Brando-starrer “On the Waterfront” and Luc Besson’s 1988 “The Big Blue” this summer – the key season in Greece for classic films, which draw crowds to open-air cinemas.
Cinema-going habits change drastically from summer to winter, Laetitia Kulyk, audiovisual attaché at Greece’s Institut Français, explained. Multiplexes focusing on mainstream blockbusters dominate the winter »
- Ed Meza
The nominations for the 27th annual Gotham Independent Film Awards have been announced today, with Jordan Peele’s acclaimed directorial feature Get Out leading the pack with nods in four categories – Best Feature, Breakthrough Director (Peele), Best Screenplay (Peele) and Best Actor.
Get Out will contest the Best Feature award against Call Me By Your Name (three nominations in total), The Florida Project (three nominations in total), Good Time (two nominations in total) and I, Tonya (two nominations in total).
Via Deadline, here’s a full list of the nominations…
- Gary Collinson
Despite the insanity of announcing year-end award nominations with still well over two months to go in 2017, we have to give it to the annual Ifp Gotham Awards for being more on-point than most trophy ceremonies this season.
They’ve now unveiled the nominations for their 27th edition and leading the pack is Jordan Peele’s social thriller Get Out. Also among the stellar group of Best Feature nominations are Call Me by Your Name, The Florida Project, I, Tonya, and Good Time.
Check out the full list of nominations below, including Columbus, Ex Libris, Rat Film, Lady Bird, Marjorie Prime, and more of the best films of the year. If The Academy takes just a few notes from this group come next year, we’ll be mightily pleased.
Ex Libris – The »
- Jordan Raup
“Get Out” scored a nod for best feature, along with nominations for breakthrough director, best screenplay, and best actor (Daniel Kaluuya). Other nominees for the top feature award were Luca Guadagnino’s “Call Me by Your Name,” Sean Baker’s “The Florida Project,” Josh and Benny Safdie’s “Good Time,” and Craig Gillespie’s “I, Tonya.”
Nominated titles to score three nods apiece included Greta Gerwig’s “Lady Bird” (breakthrough director and best screenplay for Gerwig, plus an acting nom for Saoirse Ronan);”Call Me by Your Name” (feature, screenplay, and breakthrough actor for Timothee Chalamet); Kogonada’s “Columbus” (director, screenplay, and actress Haley Lu Richardson), and “The Florida Project” (feature, actor for Willem Dafoe, and breakthrough actor for Brooklynn Prince).
- Gordon Cox
Consider awards season officially started. The Independent Filmmaker Project (Ifp), the nation’s premier member organization of independent storytellers, has announced the nominees for its 27th Annual Ifp Gotham Awards. For 2017, ten competitive awards will be presented to independent features and series.
This year’s nominees are lead by Jordan Peele’s “Get Out,” which pulled in four nominations (including Best Feature, Breakthrough Director, Best Screenplay, and Best Actor), but the breakout debut is trailed by four other hot contenders, each with three nominations to their name. Those include Greta Gerwig’s “Lady Bird,” Luca Guadagnino’s “Call Me by Your Name,” Kogonada’s “Columbus,” and Sean Baker’s “The Florida Project.”
The Gothams also heaped nomination glory on other films that are expected to contend this season, including Craig Gillespie’ “I, Tonya,” the Safdie brothers’ “Good Time,” and Dee Rees’ “Mudbound,” which will be receiving a special ensemble awards. »
- Kate Erbland
Our resident VOD expert tells you what's new to rent and/or own this week via various Digital HD providers such as cable Movies On Demand, Amazon, iTunes, Vudu, Google Play and, of course, Netflix. Cable Movies On Demand: Same-day-as-disc releases, older titles and pretheatrical Spider-Man: Homecoming (umpteenth superhero-franchise reboot; Tom Holland, Zendaya, Michael Keaton, Bokeem Woodbine, Tyne Daly, Marisa Tomei, Robert Downey Jr.; rated PG-13) Girls Trip (comedy; Regina Hall, Tiffany Haddish, Larenz Tate, Mike Colter, Kate Walsh, Jada Pinkett Smith, Queen Latifah; rated R) Lady Macbeth (romantic drama; Florence Pugh, Cosmo Jarvis; rated R) Menashe (drama; Menashe Lustig, Ruben Niborski; rated PG) Step (documentary about an inner-city Baltimore dance team...
- Robert B. DeSalvo
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we’ve taken it upon ourselves to highlight the titles that have recently hit platforms. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of streaming titles (new and old) across platforms such as Netflix, iTunes, Amazon, and more (note: U.S. only). Check out our rundown for this week’s selections below.
78/52 (Alexandre Philippe)
There’s been documentaries that analyze entire cinematic movements, directors, actors, writers, specific films, and more aspects of filmmaking, but it’s rare to see a feature film devoted to a single scene. With 78/52, if the clunky title addition didn’t tell you already, it explores the infamous shower scene in Alfred Hitchcock’s Psycho with exacting precision and depth. Featuring interviews with Jamie Lee Curtis, Guillermo del Toro, »
- Jordan Raup
In 2017, we’ve seen five specialized subtitled films gross over $1 million. But the languages aren’t French, or German, or from anywhere in western Europe: The winners are Turkish, Farsi, Yiddish, and Hebrew.
These films came from Turkey, Iran, Israel, and even the United States, and played at conventional “art house” theaters (as opposed to releases from India, China, Mexico, and elsewhere, which aim at ethnically similar audiences).
Once upon a time, $100 million and more (in adjusted grosses) was possible for films like “La Dolce Vita,” “Life Is Beautiful,” and “Crouching Tiger, Hidden Dragon”: more recently, “Amelie,” “Pan’s Labyrinth,” and “The Motorcycle Diaries” easily surpassed $20 million. However, over the last few decades we’ve seen the subtitled market shift from decline to near collapse.
Read More:Why French Cinema Faces an Uncertain Future in America
What happened this year shows some revival in the market, but with some twists. »
- Tom Brueggemann
What kind of man is Menashe? A valid question, considering his own initial apparent fluidity on the rigidity of his own cultural rules and restrictions. In a deeply sensitive portrayal by the talented Menashe Lustig in his debut role, the film tells the story of a down-on-his-luck widower who’s bucking the rules of his devoutly Hasidic Jewish culture in his efforts to retain custody of his adolescent son. The arbitrators of his insular modern-day community, nestled in the beating heart of New York City, have deemed him an incapable father, an unmotivated nonstarter, and a directionless slob. Never mind that he only wants to raise his son… What if they're right?? Also, there are rules. Including a big rule, stating that a child must be...
[Read the whole post on screenanarchy.com...] »
As the Summer season winds down, a new independent flick enters the box office arena concerning the challenges of single parenting. Oh, and this is from a male viewpoint, but it’s not a heart-tugging comedy that will make moviegoers recall The Courtship Of Eddie’S Father (the flick with Glenn Ford or the TV version with Bill Bixby), which helped inspire several sitcoms like “Bachelor Father” and “My Three Sons”. Yes, it’s about a widower, thought its main concern isn’t the search for a new mate (it does factor in a bit). The film is set in New York, but its language gives the story a decided foreign feel. Most of the dialogue (about 95%) is in Yiddish, as the world of Brooklyn’s ultra-orthodox Jewish community is the home of a man (well, almost a Mensch) named Menashe.
The story begins in the bustling early morning hours »
- Jim Batts
“The Rider,” which world premiered at Cannes’ Directors Fortnight and nabbed the Art Cinema Award, centers on a young cowboy who embarks on a road trip across America after suffering a near fatal head injury.
“Mary” stars a Chris Evans as a single man raising his child prodigy niece who is drawn into a custody battle with his mother.
Several competition films deal with race relations in America. Daryl Wein’s “Blueprint,” for instance, centers around a young Black man in South »
- Elsa Keslassy
Chicago – We all belong to something, be it a family, workplace, congregation or (expansively) a tribe. But within all that belonging is a sometimes nagging feeling of being an outsider. There is not a human being in existence that hasn’t felt that way, and a new film expresses that feeling in “Menashe.”
The title is a character, a Hasidic Orthodox Jewish man whose wife had died, and due to tribal/religious tradition has lost the right to care for his son. He is the outsider in a very strict religious order, with a dogma that affects virtually every element of his difficult life. In another world, that type of individual would simply walk away, but within this closed society Menashe fights to exist and express, often taking matters destructively into his own hands. The film is unique, funny, sad and wise, plus gives audience outsiders a glimpse into »
- firstname.lastname@example.org (Adam Fendelman)
Ifp’s signature event, Ifp Week, has this year expanded to include a slew of public screenings, talks, meet ups, and exhibitions, all centered on cutting-edge independent content for the big screen, small screen, and Internet. This year will play home to faces old and new — including a number of exciting speakers who return to Ifp Week after launching their careers at the annual event, including speakers like Barry Jenkins and Dee Rees.
Read More:Why the Safdie Brothers Decided to Put Robert Pattinson in Their Gritty World of New York Amateurs
Under the leadership of Head of Programming Amy Dotson and producer Erik Luers, the Ifp Week talks and events will run September 17 – 21 in and around Brooklyn, NY at Bric, The William Vale Hotel, and Ifp’s headquarters, Made in NY Media Center by Ifp.
- Kate Erbland
Directed by Joshua Z. Weinstein.
Within Brooklyn’s ultra-orthodox Jewish community, a widower battles for custody of his son. A tender drama performed entirely in Yiddish, the film intimately explores the nature of faith and the price of parenthood.
Spoken primarily in Yiddish and subtitled in English, Menashe explores a closed off area of Hasidic Jews living in Brooklyn, New York (and was even filmed in secret there) attempting to maintain their conservative, and quite frankly occasionally backward, religious and livelihood beliefs. It’s a film where a woman nervously mentions that it is a negative thing that some people within the community are opening up to the idea of females driving, and while there is a slight bit of humor to be found laughing at the old stereotype of women being dangerous behind the wheel, it’s a scary thought that »
- Robert Kojder
You have never seen a movie quite like Joshua Weinstein‘s “Menashe.” The film was shot by Weinstein on a low-budget, in near cinema-verite style, deep in the heart of New York City’s Hasidic community, and it’s presented in Yiddish with English subtitles. Talk about a gamble even for an indie production.
The film chronicles the trials and tribulations of recently widowed Hasidic Jew Menashe (Menashe Lustig in his big-screen debut) whose community forces his son to be raised by his openly contemptuous brother in-law.
- Jordan Ruimy
- Jazz Tangcay
A humane and unsentimental character study of a man struggling to take care of his son after his wife’s death also offers a fascinating look inside a secretive pocket of Brooklyn
For many Brooklynites, there’s a lingering curiosity surrounding Borough Park, an area south of the many hipster-dwelling enclaves that have cropped up in recent years. Despite being within jogging distance of the many cold brew and avocado smash-serving cafes, it remains refreshingly devoid of gentrification, for it’s home to an ultra-Orthodox Jewish community, one of the largest in the Us.
It’s an understandably secretive and self-contained part of the city, but in the charming new Yiddish language drama Menashe, director Joshua Z Weinstein offers us a rare glimpse inside, focusing on the life of one schlimazel (that means an “unlucky man”) and taking us with him through an alternately pedestrian and emotionally impactful week in his life. »
- Benjamin Lee
Before making the film Menashe, documentarian Joshua Weinstein donned a yarmulke and explored Brooklyn’s Borough Park, getting to know the stories and personalities of New York’s Hasidic Jews. That was the easy part of the process. It was trickier when Weinstein returned to the neighborhood with a camera crew to work with the locals he’d hired for his cast. In this insular society—which for the most part has kept itself purposefully cut off from popular culture—the whole Menashe project seemed morally suspect. Weinstein reportedly lost locations and actors as the shoot went on, and left some people’s names out of the credits so that they wouldn’t bring shame to their families.
- Noel Murray
Menashe Director: Joshua Z. Weinstein Written by: Joshua Z. Weinstein, Alex Lipschulz, Musa Syeed Cast: Menashe Lustig, Ruben Niborski, Yoel Weisshau, Meyer Schwartz Screened at: Critics’ link, NYC, 7/24/17 Opens: July 28, 2017 When Rabbi Menachem Schneerson died in 1994, people asked me whether I had gone to his funeral. Schneerson, whom some in his […]
The post Menashe Movie Review appeared first on Shockya.com. »
- Harvey Karten
The Sarajevo International Film Festival (August 11-18) has unveiled the line-up for its Kinoscope programme, with 17 titles competing.
The non-competitive strand, which first launched in 2012, selects titles from around the globe and excludes territories featured in the main competition.
Among this year’s cohort are major titles to have competed at Cannes including the Palme d’Or-winner The Square, Michael Haneke’s latest feature Happy End and Andrey Zvyagintsev’s well-received Loveless.
The 2017 Kinoscope Line-up
France, 2017, 105 min.
Director: Léa Mysius
Gabriel And The Mountain / Gabriel E A Montanha
Brazil, France, 2017, 127 min.
Director: Fellipe Gamarano Barbosa
USA, 2017, 93 min.
Director: David Lowery
Godspeed / Yi Lu Shun Feng
Taiwan, 2016, 111 min.
Director: Mong-Hong Chung
France, Austria, Germany »
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