The title of this Adam & Eve Pictures release stumped me, as the collection of fairly random scenes shot circa 2005 have no common theme or hook. Moniker would imply lesbian sex or perhaps working women (staff) at some institution, but no such luck.
The 16 scenes have attractive femmes from the A&E stable, such as Carmen Luvana, Ava Rose and Nikita Denise, but my main beef is that most are from story films, with story and context jettisoned here. That reminds me of a lesser label, like Smash Pictures, where DVDs are routinely sequenced so that the viewer can choose between watching all-sex or sex plus story. I find this insulting and counter productive -it seems many in the industry are hellbent, like lemmings, in plunging off the cliff into a generic sex future where they will all be out of business, as raw sex footage by the millions is available free on the internet.
Another pet peeve is the fiction that these compilations are directed, this one being credited to one "Miss Divine". As stated before, the editing or compilation process is random enough in this case not to merit a "director" credit, especially since individual directors shot these features, excerpted herein, in the first place.
The 16 scenes have attractive femmes from the A&E stable, such as Carmen Luvana, Ava Rose and Nikita Denise, but my main beef is that most are from story films, with story and context jettisoned here. That reminds me of a lesser label, like Smash Pictures, where DVDs are routinely sequenced so that the viewer can choose between watching all-sex or sex plus story. I find this insulting and counter productive -it seems many in the industry are hellbent, like lemmings, in plunging off the cliff into a generic sex future where they will all be out of business, as raw sex footage by the millions is available free on the internet.
Another pet peeve is the fiction that these compilations are directed, this one being credited to one "Miss Divine". As stated before, the editing or compilation process is random enough in this case not to merit a "director" credit, especially since individual directors shot these features, excerpted herein, in the first place.