Photos and Videos
Cast
Adnan Maral | ... |
Kenan
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Esther Schweins | ... |
Sissi
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Gizem Emre | ... |
Aysel
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Aram Arami | ... |
Can
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Jeanne Goursaud | ... |
Sofie Weidinger
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Juliane Köhler |
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Richy Müller | ... |
Wolfgang
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Stefan Wilkening | ... |
Bankdirektor Schneider
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Franziska Maral | ... |
Sekretärin Christina
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Berivan Kaya | ... |
Gül Özbek
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Konstantin Moreth | ... |
Bauarbeiter Günter
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Jochen Strodthoff | ... |
Brandmeister Franz
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Directed by
Peter Gersina |
Written by
Enno Reese | ... | () |
Mike Viebrock | ... | () |
Produced by
Hamid Baroua | ... | producer |
Adnan Maral | ... | producer |
Music by
Markus Lehmann-Horn | ... | composer |
Cinematography by
Jochen Stäblein |
Editing by
Magdolna Rokob |
Editorial Department
Anna Porth | ... | assistant editor |
Jules Rückert | ... | colorist |
Tanja Schott | ... | assistant editor |
Marcel Tieste | ... | colorist |
Casting By
Karimah El-Giamal |
Production Design by
Andreas Rudolph |
Costume Design by
Maria Dimler |
Makeup Department
Mechthild Schmitt | ... | makeup artist |
Production Management
Winfried Demuss | ... | production manager |
Tim Luecker | ... | post-production manager |
Second Unit Director or Assistant Director
Ulrike Schürhoff | ... | first assistant director |
Art Department
Georg Bülling | ... | carpenter |
Miriam Hanke | ... | assistant property master: indoor |
Kira Held | ... | trainee props |
Thomas Höltzel | ... | property master: outdoor |
Wolfgang Küchler | ... | property master: indoor |
Julia Steinhauser | ... | trainee props |
Sound Department
Sascha Fernsel | ... | foley recording engineer |
Bastian Gerner | ... | foley artist |
Christian Neff | ... | re-recording mixer |
Hans R. Weiss | ... | sound |
Paul Wilke | ... | sound designer |
Camera and Electrical Department
Thorsten Baier | ... | gaffer |
Anian Bernrieder | ... | camera unit: b |
Laura Gehrke | ... | first assistant camera |
Erika Hauri | ... | still photographer |
Micha Lang | ... | additional electrician |
Johannes Obermaier | ... | camera operator |
Inga Riedel | ... | electrician |
Christian Weber | ... | key grip |
Holger Welter | ... | best boy |
Jens Wenzel | ... | first assistant camera |
Martin Wildgruber | ... | additional electrician |
Costume and Wardrobe Department
Melanie Flath | ... | additional wardrobe |
Alina Scheiler | ... | wardrobe |
Location Management
Jeanette Wohlfahrt | ... | location scout |
Script and Continuity Department
Melanie Kühn | ... | continuity |
Transportation Department
Michael Heimings | ... | production driver |
Additional Crew
Louis Dickhaut | ... | assistant set manager |
Dagmar Lucke | ... | production assistant |
Production Companies
Distributors
Special Effects
Other Companies
Storyline
Plot Summary |
Kenan and Lissi live fence to fence in a Munich semi-detached house - and yet in different worlds. He is an orderly petty bourgeois who does not tolerate a speck of dust in his house and meticulously dedicates himself to growing roses in the garden. No wonder that she, a bestselling author and bon vivant, has little use for the philistine next door. There is only one thing that connects them both: Lissi is the landlady of Kenan's semi-detached house. When the bank threatened to sell her foreclosure because of outstanding installment payments, it naturally affected him too. The widower definitely doesn't want to move. So he has to help Lissi with her problems and even take her in after an apartment fire. Kenan, a construction manager by trade, sees only one solution to the common problem: Lissi has to deliver the last part of her romance novel trilogy as quickly as possible. However, she suffers from writer's block, the result of breaking up with her unfaithful ex-husband and publisher Wolfgang. Giving him a happy ending in book form - Lissi doesn't even want to think about that. Ironically, through Kenan, whom his adult children Aysel and Can want to pair off with a Turkish woman, Lissi's petrified emotional world is now moving. Her daughter Sofie doesn't like that any more than Kenan's son. They want to ensure that the community of convenience does not become more. Written by ARD Das Erste |
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