Directed by
Phil Bogdan |
Writing Credits (in alphabetical order)
Phil Bogdan | ... | (writer) |
Cast
Marshall Bean | ... | Grandfather | |
Shannon Brown | ... | Father | |
Suzette Brown | ... | Mother | |
Will Clinger | ... | The Pimply Man | |
Quinn Sitt | ... | Edgar | |
Angela Sprinkle | ... | Pink Lady | |
Joette Waters | ... | Grandmother |
Produced by
Matt Brassil | ... | producer |
Music by
Michael Oldham |
Cinematography by
Joey Richardson |
Editing by
Ryan Patrick Brennan |
Production Design by
Sean Richard Budde | ||
Sarah Jeanne Perry |
Set Decoration by
Tim Au | ||
Derek Bishé |
Costume Design by
Kelsey Welker |
Makeup Department
Rynicka Hawkins | ... | hair stylist / makeup artist |
Pamela Turnmire | ... | special makeup effects artist |
Production Management
Amanda Pflieger | ... | production manager |
Second Unit Director or Assistant Director
Jeffrey Fidler | ... | second assistant director |
Nick Serpico | ... | second assistant director |
Quinn Wilson | ... | assistant director |
Art Department
Alex Furlin | ... | swing gang |
Kaitlin Martin | ... | set designer |
Sound Department
Matt Davison | ... | sound editor / sound mixer |
Josh Knapp | ... | boom operator |
Diana Moya-James | ... | sound editor |
Ryan Smith | ... | sound mixer |
Visual Effects by
Brian P. Harris | ... | digital effects |
Matt Kowynia | ... | digital effects |
Camera and Electrical Department
Brooke Berbari | ... | assistant camera |
Cameron Ciesil | ... | assistant camera |
Rob Dolan | ... | gaffer |
Bianca Garcia | ... | assistant camera |
Lauren Gingras | ... | additional grip |
Mickey Jacobs | ... | dolly grip |
Sam Knapp | ... | additional photography / best boy / camera operator |
Joseph Kosty | ... | grip |
Jason Muzzo | ... | additional grip |
Grant Wieland | ... | dolly grip |
Robby Zagoudis | ... | key grip |
Script and Continuity Department
Tori Scott | ... | script supervisor |
Additional Crew
Mitch Luster | ... | production assistant |