Jesus (2016)
Jesús (original title)Reference View | Change View
- Unrated
- 1h 25min
- Drama
- 01 Sep 2017 (USA)
- Movie
When the flesh of your flesh is rotten, will you go to any extent to protect your own? Or will you cut them loose? Jesus is a story of the ultimate betrayal.
Director:
Writer:
Awards:
- 2 wins & 7 nominations.
- See more »
Photos and Videos
Cast
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Nicolás Durán | ... |
Jesús
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| Alejandro Goic | ... |
Héctor
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| Gastón Salgado | ... |
Beto
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| Sebastián Ayala | ... |
Pizarro
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Esteban González | ... |
Raúl
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Constanza Moreno | ... |
Aylín
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Pablo Gutiérrez | ... |
Gonzalo
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Carlos Espinoza | ... |
Vendedor Celular
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Diego Cardona | ... |
Guardia
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Gloria Granja | ... |
Marta
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Nick Bolt | ... |
Cantante Discoteque
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Nicolás Oliva | ... |
Grupo Kpop Rebirth
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Directed by
| Fernando Guzzoni | ||
Written by
| Fernando Guzzoni | ... | () |
Produced by
| Jacques Bidou | ... | producer |
| Diana Bustamante | ... | co-producer |
| Sandra Del Valle Casals | ... | line producer |
| Marianne Dumoulin | ... | producer |
| Jorge Forero | ... | co-producer |
| Titus Kreyenberg | ... | co-producer |
| Giancarlo Nasi | ... | producer |
| Marco Pizarro | ... | field producer (as Marcos Pizarro) |
| Paola Andrea Pérez | ... | co-producer |
Cinematography by
| Barbara Alvarez | ||
Editing by
| Andrea Chignoli | ||
Editorial Department
| Gregory Arvanitis | ... | colorist |
Casting By
| Alejandra Alaff | ||
| Moira Miller | ||
Production Design by
| Rodrigo Bazaes Nieto | ... | (production design) |
Art Direction by
| Rodrigo Bazaes Nieto | ... | (as Rodrigo Bazaes) |
Costume Design by
| Francisca Román | ||
Second Unit Director or Assistant Director
| Sebastian Lavados | ... | third assistant director |
Art Department
| Victor Contreras | ... | assistant set decorator |
Sound Department
| Andrés Carrasco | ... | boom operator |
| Roberto Espinoza | ... | sound |
| Camilo Jimenez | ... | sound effects editor |
| Carlo Sanchez | ... | sound recordist / sound |
| Jean-Guy Veran | ... | foley recordist / re-recording mixer |
Visual Effects by
| Giannis Ageladopoulos | ... | visual effects supervisor |
Stunts
| Wernher Schurmann | ... | fight choreographer / stunt coordinator |
| Jorge Vergara | ... | assistant fight coordinator / assistant stunt coordinator |
Camera and Electrical Department
| Julian Carrascal | ... | gaffer |
| Marco Chile Contreras | ... | first assistant camera |
Script and Continuity Department
| Casandra Campos | ... | script supervisor |
| Miguel Machalski | ... | script consultant |
Additional Crew
| Marietta von Hausswolff von Baumgarten | ... | script consultant |
| Marc Helfrich | ... | social media (uncredited) |
| Scott Motisko | ... | publicist (uncredited) |
Production Companies
- Burning Blue
- Graal Films (co-production)
- JBA Production
- Quijote Films
- unafilm
Distributors
- Breaking Glass Pictures (2017) (United States) (theatrical) (subtitled)
- Optimale (2018) (France) (theatrical)
- novemberfilm (2017) (Sweden) (theatrical)
Special Effects
Other Companies
- Arrow Media Services (Digital asset servicing, DCP production services)
Storyline
| Plot Keywords | |
| Taglines | One Betrayal is Enough See more » |
| Genres | |
| Parents Guide | View content advisory » |
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Additional Details
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| Official Sites | |
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Did You Know?
| Trivia | The sex scenes in this movie are totally real, there is no prosthesis. Director Fernando Guzzoni explained, "Regarding the decision to film and show, I also felt that the film could not be modest, I could not make a suggestive thing and stay halfway and try to appeal to a generation or to some characters in particular that have immoderate violence or sexuality and be conservative when it comes to filming it [...] That's why the first thing I did was to tell Nicolás (Durán), or Sebastián (Ayala), or Coni (Constanza Moreno) "there are sex scenes that I want to be explicit, I want to see genitalia". Sex is genital and I don't think there is anything dark or ominous in that, that is a cultural construct. I thought it was nice to show it, that was the decision. They are brave actors, generous people with me who understood that this was not an arbitrary decision or a whim. It was at the service of a search." See more » |