Set over one summer, the film follows precocious 6-year-old Moonee as she courts mischief and adventure with her ragtag playmates and bonds with her rebellious but caring mother, all while living in the shadows of Disney World.
In a story depicted in oil painted animation, a young man comes to the last hometown of painter Vincent van Gogh to deliver the troubled artist's final letter and ends up investigating his final days there.
Lucky is an old US Navy veteran of rigid habits and attitudes in a small town. When his routine is interrupted by a sudden collapse at home, Lucky finds himself realizing that his remarkably healthy old age is going to face an inevitable decline and he has to accept it. In that difficult reassessment, Lucky must face up to what he believes in and how much it compares to his neighbors' priorities. In doing so, Lucky finds that his life has its positive side as he searches for some meaning that he can accept. Written by
Kenneth Chisholm (email@example.com)
David Lynch has directed & starred with Harry Dean Stanton in his own previous projects. Notably Wild at Heart (1990), Twin Peaks: Fire Walk With Me (1993), Hotel Room (1991), and Inland Empire (2006). See more »
Beams crack through the window, and a radio sparks a tune. Lucky twirls the dial to cut off the morning theme, reaching for a cigarette to breathe. Hybrid yoga calisthenics disrupt his lung blackening, and a digital coffee pot blares a preset time. A ritualized beginning slowly bleeds all meaning.
Lucky earned his name by doing nothing much at all. His non- combative post in the Navy as a backseat soldier birthed this apt moniker. A suitable title, for even his physician cannot fathom the stock of good fortune the old bastard possesses. With the health of an oxen, Lucky seems doomed to an immortal life sentence.
A word fiend by heart, he has a dictionary of biblical proportions enthroned on a sunlit pulpit. The morning paper offers a grid of linguistic possibilities to quench his lust for articulation. Each day comes with a new pillar of language that Lucky attaches a melodramatic but charming significance to.
Stopping by predictable spaces, his daily proceedings have a cyclical and absolute geography. The diner feeds his hunger for camaraderie. The grocery outlet fills his calcium and nicotine addictions. And the tavern houses a captive audience that will occasionally entertain his existential ramblings.
Howard might be the only friend left that resonates with Lucky's twilight nightmares. Ascribing galactic meaning to his tortoises, Howard chooses to be in awe at every possible moment. Lucky still has a knack in upsetting the open-minded Howard, but only due to his brash form of prophecy.
Not a particularly wise man, Lucky gains insight that is indecipherable to his peers. A deteriorating man stuck in a town that shrinks whenever his knowledge expands. A mortal coil suffocates his desire to thumb through etymology, and sends him into the desert to examine callous cacti.
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