November 1918. A few days before the Armistice, Édouard Péricourt saves Albert Maillard's life. These two men have nothing in common but the war. Lieutenant Pradelle, by ordering a ... See full summary »
Nahuel Pérez Biscayart,
Danger of losing his business, Anthony Roca, an ordinary man, develops a scam that will become the heist of the century. Overtaken by the crime, he will have to deal with betrayal, murder and settling.
From his childhood in Poland to his adolescence in Nice to his years as a student in Paris and his tough training as a pilot during World War II, this tragi-comedy tells the romantic story ... See full summary »
The scene is set one Summer in La Ciotat, a town near Marseille which used to be prosperous thanks to its huge dockyard but has been in decline since its closing 25 years before. It is in ... See full summary »
Pierre is marrying Héléna and he wants his wedding party to be first rate. For that he has reserved the services of Max Angély, a seasoned caterer, and his team. The reception is to take place in a sumptuous 17th century leisure castle and its beautiful park and the music to be supplied by an excellent DJ. The rich arrogant bridegroom demands that everything go according to plan. Max assures him that will be the case but what he fails to tell him is that his team is not absolutely above reproach. For instance, Etienne (as James), a second-rate entertainer, has replaced the top-level DJ; Adèle, Max's short-tempered assistant, keeps causing embroilment ; Guy, the wedding photographer is a free-loading has been; Josiane, Max's close collaborator and also lover, is on the verge of breaking up with him; Julien, a depressive ex-teacher turned waiter, once had a date with - the bride; Samy, an additional waiter, proves quite worthless. But Max, whose motto is "Always adapt!" is the ... Written by
"C'est la vie" is a hilarious movie, but also very french, which is both a great thing, as its humour captures very well some subtleties about the french, and a weakness, as some north-American critics may not appreciate these subtleties, as they aren't as "in your face" as often seen. But from a French pov, this is an absolute pleasure. First and foremost, Jean-Pierre Bacri does "du Bacri", and this from the onset. The laughs are loud, the control and pace perfect. From that point on, this great ensemble will carry the movie from surreal situations to absurd quid pro quo leaving the audience in tears from laughs and deeply satisfied. In days and age where everything is so serious, don't feel guilty to enjoy this joyful parenthesis.
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