- 5 wins & 26 nominations.
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Photos and Videos
Complete, Cast awaiting verification
Colin Farrell | ... |
Corporal McBurney
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Nicole Kidman | ... |
Miss Martha
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Kirsten Dunst | ... |
Edwina
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Elle Fanning | ... |
Alicia
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Oona Laurence | ... |
Amy
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Angourie Rice | ... |
Jane
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Addison Riecke | ... |
Marie
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Emma Howard | ... |
Emily
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Wayne Pére | ... |
Captain
(as Wayne Pere)
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Matt Story | ... |
Confederate Soldier
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Joel Albin | ... |
Cavalry Man
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Rest of cast listed alphabetically: | |||
Rebecca Hyland | ... |
Mrs. Scurry (uncredited)
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Eric Ian | ... |
Confederate Soldier (uncredited)
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Directed by
Sofia Coppola |
Written by
Sofia Coppola | ... | (screenplay by) |
Thomas Cullinan | ... | (based on the novel by) |
Albert Maltz | ... | (and the screenplay by) and |
Irene Kamp | ... | (and the screenplay by) (as Grimes Grice) |
Produced by
Roman Coppola | ... | executive producer |
Sofia Coppola | ... | producer (produced by) |
Youree Henley | ... | producer (produced by) |
Robert Ortiz | ... | executive producer |
Fred Roos | ... | executive producer |
Anne Ross | ... | executive producer |
Music by
Phoenix | ... | (music by: based on Monteverdi's "Magnificat") |
Cinematography by
Philippe Le Sourd | ... | director of photography |
Editing by
Sarah Flack | ... | film editor |
Editorial Department
Peter Boychuk | ... | digital intermediate producer |
Richard Caputo | ... | nextlab operator |
Mary Chamberlain | ... | senior dailies producer |
Nate Davis | ... | digital restoration |
Ryan Duffy | ... | digital intermediate color assist |
Ray Gallagher | ... | restoration |
Dan Garsha | ... | colorist: nextLab dailies |
Clark Henderson | ... | senior vice president theatrical services |
Ross Hendrickson | ... | restoration |
Eric Horwitz | ... | digital intermediate engineer |
Keith Jenson | ... | conform artist |
Ladd Lanford | ... | account manager |
Stacey Lee | ... | data manager |
Eric Luszcz | ... | digital restoration |
Randy Main | ... | digital intermediate engineer |
Cara Manise | ... | post producer |
Morgan Miller | ... | digital restoration |
Carlos Monfort | ... | technical operations manager |
Benjamin Murray | ... | vice president creative services: Technicolor Postworks (as Ben Murray) |
Andrew K. Ruotolo | ... | post-production coordinator |
Chad Rupnarine | ... | data manager |
Zachary A. Schwartz | ... | first assistant editor |
Damien Vandercruyssen | ... | digital intermediate colorist (as Damien van der Cruyssen) |
Natalie Westerfield | ... | digital intermediate producer |
Brian Woos | ... | restoration |
Sergey Zontak | ... | data manager |
Casting By
Courtney Bright | ||
Nicole Daniels |
Production Design by
Anne Ross |
Art Direction by
Jennifer Dehghan |
Set Decoration by
Amy Beth Silver | ... | (as Amy Silver) |
Costume Design by
Stacey Battat |
Makeup Department
Kimberly Amacker | ... | key makeup artist |
Lawrnell Bell-Rattler | ... | hair stylist |
Odile Gilbert | ... | hair design |
Mia Goff | ... | makeup artist |
Elvis Jones | ... | special effects makeup |
Stacy Kelly | ... | makeup department head |
Shandra Page | ... | hair department head |
Adam Walls | ... | special effects makeup |
Tony Ward | ... | hair department head |
Natalie Christine Johnson | ... | makeup artist (uncredited) |
Carlos Savant | ... | special makeup effects artist (uncredited) |
Production Management
Robert Ortiz | ... | unit production manager |
Louis Phillips | ... | executive in charge of production |
Jeff Robinson | ... | post-production supervisor |
Mark Van Horne | ... | production services manager: Fotokem |
Second Unit Director or Assistant Director
Steve Lonano | ... | second assistant director (as Stephen LoNano) |
Gerson Paz | ... | second second assistant director |
Paul Uddo | ... | first assistant director (as Paul B. Uddo) |
Art Department
Michael A. Ainsworth | ... | construction foreman |
Alice Alward | ... | assistant art director |
Cecile Aymami | ... | scenic foreman |
Gail Briant | ... | standby painter (as P. Gail Briant) |
Jill Broadfoot | ... | set decoration buyer |
Kenneth Chauvin | ... | set dresser |
Ashley Clements | ... | props assistant |
Jeremy Dabog | ... | greensman |
Walter Dickerson | ... | set dresser |
Russ Doyle | ... | lead greens |
Alexander Eldimiati | ... | on set greens |
Marian Evans | ... | art production assistant (as Marian Gay) |
Robert Guillot | ... | propmaker |
Michael A. Johnson | ... | leadman |
Joshua Jones | ... | greensman |
Rob Joy | ... | on set greens |
Dave Kelsey | ... | set designer |
Austin T. LeValley | ... | on set greens |
Michael S. Martin | ... | property master (as Michael Martin) |
Brian Mccolgan | ... | set dresser |
Patrick McGuire | ... | set dresser |
Robert J. Moore Jr. | ... | set dresser (as Robert Moore Jr.) |
Jason Oertling | ... | lead scenic |
Jorin Ostroska | ... | assistant property master |
Jason Perlander | ... | set dresser |
Alixandra Petrovich | ... | on set dresser (as Alix Petrovich) |
Mauricio Ruiz | ... | concept artist |
Shelly Sanchez | ... | set dresser |
John R. Schaefer III | ... | propmaker (as John Schaefer) |
Kelly Smith | ... | scenic |
Ira Stone III | ... | propmaker |
Chuck Stringer | ... | construction coordinator |
Peter Vancoutren | ... | plasterer |
Greg White | ... | scenic gang boss (as Gregory White) |
Matt Zaff | ... | set dresser |
Sound Department
Richard Beggs | ... | sound designer / supervising sound editor & re-recording mixer |
Rachel Grissom | ... | boom operator |
Heather Gross | ... | foley editor |
Bobby Johanson | ... | adr mixer |
Pietu Korhonen | ... | foley mixer |
Heikki Kossi | ... | foley artist |
Paul Ledford | ... | production sound mixer |
Tony Martinez | ... | adr editor |
Charlie Mascagni | ... | sound utility |
Eric McAllister | ... | assistant sound editor |
Alyssa Nevarez | ... | assistant sound editor |
Michael Rivera | ... | adr recordist |
Roger Sacdalan | ... | mix technician: theatrical trailer (as Roger J. Sacdalan) |
Tricia Schultz | ... | adr coordinator |
Julia Shirar | ... | supervising dialogue editor |
Paul Tirone | ... | mix technician |
Roy Waldspurger | ... | co-supervising sound editor / re-recording mixer |
Kari Vähäkuopus | ... | foley mixer (uncredited) |
Special Effects by
Stefon Bergeron | ... | special effects technician |
Kyle Casler | ... | special effects foreman |
Matthew Brady Harris | ... | special effects coordinator (as Mattie Harris) |
Mik Kastner | ... | pyro foreman |
Mark Lowry | ... | special effects technician |
Visual Effects by
Peter Miles | ... | title design |
Joe J Oberle | ... | visual effects supervisor: Gotham Digital FX, Inc. (as Joseph J. Oberle) |
Sean Perry | ... | visual effects artist |
Wilson Tang | ... | digital restoration |
Stunts
Jeff Galpin | ... | stunt coordinator |
Lloyd Pitts | ... | stunt double: McBurney |
Camera and Electrical Department
Austin Alward | ... | first assistant camera: "b" camera |
Gerald Autin | ... | dolly grip (as Gerald J. Autin Jr) / dolly grip: "a" camera |
Bob Bates | ... | gaffer |
Zachary Blosser | ... | b second assistant camera |
Scott Calcagno | ... | rigging grip |
Morgan Davis | ... | crane technician |
Rowland Egerton | ... | best boy rigging grip |
Corey Erwin | ... | best boy electric |
Jim Firios | ... | set lighting technician (as James Firios) |
Melanie Gates | ... | loader |
Jesse Goodman | ... | grip |
Mike Grace | ... | set lighting technician |
Brad 'Mo' Gremillion | ... | rigging electrician (as Brad Gremillion) |
Franklin Jones II | ... | key rigging grip |
Frankie Jones | ... | key rigging grip |
Vic Keatley | ... | rigging gaffer (as Vic Keatley IV) |
Corey Kirkling | ... | grip (as Corey Kirklig) |
T. Nick Leon | ... | key grip (as Nick Leon) |
Ian Lynch | ... | b camera operator |
Jade Maggio | ... | rigging grip |
Bryce Marshall | ... | a second assistant camera (as Bryce van der Marshall) |
Lee McLemore | ... | best boy grip |
Brandon Morgan | ... | rigging electrician |
Lewis 'Duck' Pieratt | ... | grip (as Lewis Pieratt) |
Jason Prowell | ... | rigging electrician |
Craig Rice | ... | remote head technician |
Jonathan E. Robinson | ... | camera utility (as Jonathan Robinson) |
Hector Rodriguez | ... | a first assistant camera |
Donald Roth | ... | rigging grip |
Ben Rothstein | ... | still photographer |
Nate Selee | ... | set lighting technician |
James Allen Sheppard | ... | video assist operator |
Rob Skuse | ... | rigging grip (as Robert Skuse) |
Jon Tenholder | ... | set lighting technician |
Tedd Underwood | ... | best boy rigging electric |
Melvin J. Walker | ... | grip |
Ryan Watson | ... | rigging grip |
Ryan Watson | ... | rigging grip |
James Welch | ... | videographer |
Ryland Witten-Smith | ... | grip |
Justin Wright | ... | set lighting technician |
Joshua Anderson | ... | additional lighting technician (uncredited) |
Casting Department
Brent Caballero | ... | extras casting coordinator |
Meagan Lewis | ... | local casting |
Kelsey White | ... | extras casting assistant |
Costume and Wardrobe Department
Lilik Antonyan | ... | tailor |
Marilyn Brum | ... | costumer |
Colette Delacroix | ... | seamstress (as Colette de Lacroix) |
Julia Gombert | ... | ager/dyer: Los Angeles |
Margaret Guerrero | ... | cutter/fitter |
Aurora Knox | ... | seamstress |
Susan Mayes | ... | ager/dyer |
Andrew Salazar | ... | costume buyer |
Patty Spinale | ... | key costumer |
Jen Wasson | ... | costume supervisor |
Lorelei Llee | ... | stitcher (uncredited) |
Muto-Little | ... | costume maker (uncredited) |
Location Management
Ruth Caffery | ... | location scout |
Batou Chandler | ... | location manager |
Joe Hagg | ... | assistant location manager |
Desiree Stevenson | ... | assistant location manager |
Ted Voorhies | ... | location assistant |
Music Department
Kris Dirksen | ... | trailer music |
Laura Karpman | ... | source music arranger |
Meghan Swartz | ... | music consultant |
Script and Continuity Department
Sasha Vitelli | ... | script supervisor |
Transportation Department
David Adkison | ... | driver |
Alex Allen | ... | driver |
Larry Arceneaux | ... | driver |
Oscar Austin | ... | driver (as Oscar Austin Jr) |
Kevin Banks | ... | driver |
Chris Barthelemy | ... | driver |
Daryle Bartney | ... | transportation captain |
Zandra Batiste | ... | driver |
Emmitte Bergeron | ... | driver |
Donald Bertrand | ... | driver |
Emile Blackburn | ... | driver |
Velvet Braswell | ... | dispatcher |
Edward Dorsey III | ... | driver (as Edward Doresy) |
Steven Fugler | ... | driver |
Devin Green | ... | driver |
Calvin Hall | ... | driver |
Trameka Howard | ... | driver |
Wayne E. Jolla Sr. | ... | driver (as Wayne Jolla) |
Lyonel Jordan | ... | driver |
Welch Lambeth | ... | transportation coordinator |
Bruce Lane | ... | driver |
Leroy Minor Jr. | ... | driver (as Leroy Minor) |
Farin Smith | ... | driver |
Marc Uddo | ... | driver: cast |
William Varnado | ... | driver |
Lauren Walter | ... | dot (as Lauren Walter-Green) |
June Wischler | ... | driver |
Additional Crew
Amy Agzarian | ... | production accountant |
John Alfred | ... | finance executive |
Nicole Bagood | ... | legal services |
Yvette D. Bennett | ... | asset manager (as Yvette Bennett) |
Russell Blanchard | ... | assistant: to Ms. Kidman |
Jennifer L. Brooks | ... | first assistant accountant (as Jennifer Brooks) |
Jennifer Brown | ... | medic |
Jason Chandler | ... | set production assistant |
Darron Cunningham | ... | animal wrangler |
Don Dakin | ... | key craft service |
Jean Dalsin | ... | set production assistant |
Robert Darwell | ... | legal services |
Leon Dvorak | ... | catering chef: assistant |
Alison J. Forest | ... | assistant: to Mr. Farrell (as Alison Forest) |
Christina Gan | ... | assistant: to Ms. Coppola |
Bryan Gardiner | ... | assistant production coordinator |
Christian Ghera | ... | catering chef |
Bernadette Gonzales | ... | production coordinator |
Rebecca Gruber | ... | technical operations |
Melina Hayum | ... | assistant: to Mr. Henley & Ms. Coppola |
Elizabeth Himelstein | ... | dialect coach (as Liz Himelstein) |
Letitia Hoaas | ... | studio teacher |
Ashley Kravitz | ... | clearance coordinator |
Theo Le Sourd | ... | production assistant |
Anne Loosvelt | ... | payroll accountant |
Cristen Martemucci | ... | assistant: to Ms Fanning |
Cheramie Martin | ... | stand-in |
Laura McGehee | ... | payroll clerk |
Kara Fox Moffitt | ... | office production assistant |
Luis Montenegro | ... | catering chef: assistant |
Christopher Neil | ... | rehearsal advisor |
ThuyVi Nguyen | ... | second assistant accountant |
Timothy Pickles | ... | historical consultant |
Betty Rabe | ... | etiquette instructor |
Adele Richardson | ... | accounting clerk |
Josh Sage | ... | assistant craft service |
Leomil Salalila | ... | catering chef: assistant |
Kelsey Schuyler | ... | post-production accountant |
Greta Seacat | ... | acting coach |
Diane Slattery | ... | unit publicist |
Rieve Stanford | ... | office production assistant |
Jeannie Sui Wonders | ... | assistant: to Mr. Henley & Ms. Coppola |
Tiffany Tiesiera | ... | production executive |
Marc Uddo | ... | assistant: to Ms Dunst |
Stephen Daniel Wayne | ... | set production assistant |
C.E. Whitaker III | ... | assistant: Mr. Farrell |
Losel Yauch | ... | production assistant |
Pamela Kay | ... | photo double: Kirsten Dunst (uncredited) |
Thanks
Anne Basu | ... | thank you |
Xan Cassavetes | ... | thank you |
Eleanor Coppola | ... | thank you |
Francis Ford Coppola | ... | thank you (as Francis Coppola) |
Barry Hirsch | ... | thank you |
Tamara Jenkins | ... | thank you |
Louis Licari | ... | thank you |
Anahid Nazarian | ... | thank you: American Zoetrope Research Library |
Steven Soderbergh | ... | thank you |
Fabrizio Viti | ... | thank you |
Bart Walker | ... | thank you |
Production Companies
Distributors
- Focus Features (2017) (United States) (theatrical)
- Universal Pictures International (UPI) (2017) (Non-US) (theatrical)
- Universal Pictures International (UPI) (2017) (United Kingdom) (theatrical)
- United International Pictures (UIP) (2017) (Norway) (theatrical)
- United International Pictures (UIP) (2017) (Sweden) (theatrical)
- Universal Pictures International (UPI) (2017) (France) (theatrical)
- Universal Pictures International (UPI) (2017) (Germany) (theatrical)
- Universal Pictures International (UPI) (2017) (Italy) (theatrical)
- Universal Pictures International (UPI) (2017) (Netherlands) (theatrical)
- Universal Pictures Home Entertainment (2017) (Germany) (DVD)
- Universal Pictures (2017) (Germany) (DVD)
- Universal Pictures Home Entertainment (2017) (Germany) (Blu-ray)
- Universal Pictures (2017) (Germany) (Blu-ray)
- United International Pictures (UIP) (2017) (Greece) (theatrical)
- Columbia Pictures (2017) (Philippines) (theatrical)
- United International Pictures (UIP) (2017) (Singapore) (theatrical)
- Andes Films (2017) (Chile) (theatrical)
- United International Pictures (2017) (Argentina) (theatrical) (through)
- Universal Pictures Argentina (2017) (Argentina) (theatrical) (through United International Pictures)
- Universal Pictures (2017) (Brazil) (theatrical)
- Asmik Ace Entertainment (2018) (Japan) (theatrical)
- Star Channel Movies (2018) (Japan) (theatrical)
- Universal Pictures International (UPI) (2017) (Spain) (theatrical)
- Film1 (2018) (Netherlands) (tv) (limited)
- SBP (2018) (Argentina) (DVD)
- Tohokushinsha Film Corporation (TFC) (2017) (Japan)
- Universal Pictures Home Entertainment (2018) (Argentina) (Blu-ray)
- Universal Pictures Home Entertainment (2018) (Argentina) (DVD)
- Universal Pictures Home Entertainment (2018) (Netherlands) (Blu-ray)
- Universal Pictures Home Entertainment (2018) (Netherlands) (DVD)
- Universal Pictures (2018) (Netherlands) (Blu-ray)
- Universal Pictures (2018) (Netherlands) (DVD)
Special Effects
Other Companies
- Brauer & Co. (film tax credits)
- Caballero Casting (extras casting)
- Cannes Film Festival (festival)
- Chapman/Leonard Studio Equipment (camera dollies)
- Chapman/Leonard Studio Equipment (hydrascope telescoping crane arm)
- Chapman/Leonard Studio Equipment (remote camera systems)
- Chapman/Leonard Studio Equipment (stabilized remote camera systems)
- Gotham Sound and Communications (audio equipment provided by)
- H5 Film Sound (foley studio)
- Hollywood Trucks (entertainment transportation)
- Louisiana Entertainment (logo)
- MBS Equipment Co. (grip and lighting equipment)
- Panavision (camera equipment provided by)
- Peter Miles Studio (title design)
- Sheppard, Mullin, Richter & Hampton (legal services)
- Silver Screen Rentals (location production services)
- Technicolor Postworks New York (digital intermediate services)
- Trevanna Post (post-production accounting)
- Warner Bros. Sound (re-recording mix facility)
Storyline
Plot Summary |
Three years into the American Civil War, in 1864, the dilapidated mansion of Miss Martha Farnsworth's Seminary for Young Ladies is still running, occupied by the matriarch, a teacher, and five students in Spanish-moss-draped Virginia. However, when a young student stumbles upon Corporal John McBurney, a wounded Union deserter on the verge of death, the already frail balance of things will be disrupted, as the hesitant headmistress decides to take him in to heal from his injury. Little by little, as the unwelcome guest arouses an uneasy sexual excitation among the women of the secluded boarding school, it is not before long that they will find themselves competing for the alluring man's favour. Undoubtedly, this handsome devil is a manipulator; nevertheless, will the ladies stay forever beguiled by his charm? Written by Nick Riganas |
Plot Keywords | |
Taglines | Innocent, until betrayed. See more » |
Genres | |
Parents Guide | View content advisory » |
Certification |
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Additional Details
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Official Sites | |
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Sound Mix | |
Filming Locations |
Box Office
Budget | $10,500,000 (estimated) |
Opening Weekend United States | $3,163,472, 02 Jul 2017 |
Cumulative Worldwide Gross | $15,871,398, 13 Aug 2017 |
Did You Know?
Trivia | Contrary to popular belief, McBurney's heritage was not changed to suit Colin Farrell's natural accent. The character is Irish in the book. Farrell was not initially going to use his Dublin accent but pushed to have the movie accurate to the original story. See more » |
Goofs | Corporal McBurney sets about sharpening a tool on a whetstone wheel in the garden during his rehabilitation. However, he spins the wheel towards himself as he begins to get it going. This is incorrect. The wheel should be spun away from the user, so that the tool "skims" over the surface, and doesn't have a chance of digging into the wheel and jamming the tool into the user. See more » |
Movie Connections | Featured in Episode #46.4 (2017). See more » |
Soundtracks | Lorena See more » |
Quotes |
[from trailer]
John McBurney: [screaming] What have you done to me, you vengeful bitches? See more » |