Set over one summer, the film follows precocious six-year-old Moonee as she courts mischief and adventure with her ragtag playmates and bonds with her rebellious but caring mother, all while living in the shadows of Disney World.
In Northern Italy in 1983, seventeen year-old Elio begins a relationship with visiting Oliver, his father's research assistant, with whom he bonds over his emerging sexuality, their Jewish heritage, and the beguiling Italian landscape.
Thirty years after they served together in Vietnam, a former Navy Corpsman Larry "Doc" Shepherd re-unites with his old buddies, former Marines Sal Nealon and Reverend Richard Mueller, to bury his son, a young Marine killed in the Iraq War.
Allison Janney had seriously trained to become a figure skater throughout her childhood and adolescence. However, when she was 17, she accidentally walked into a sliding glass door and gravely injured her right leg. In 2014, during an interview on "Fresh Air," Janney told interviewer Terry Gross that her leg came close to being amputated. "I lost like three-quarters of my blood. I lost an artery and cut tendon....I was in the hospital for like seven--seven, eight weeks. I missed my first year of college. You know, and after that, of course, I didn't really--I didn't skate for a very long time." See more »
During the scene where Diane Rawlinson approaches Tonya to convince her to try out for the Olympics again at the back of the diner where Tonya works, you can see the electric meter behind Tonya is a "smart meter". These digital meters did not exist at this time of the movie. See more »
First, I'm stating that it's the best film of the year, and I just barely care about women's figure skating. So you know that it's phenomenal. For me, it edges out "Dunkirk," which was my favorite 2017 film until the night I saw it.
Director Craig Gillespie is obviously a Scorsese protégé, and unlike Martin McDonagh's cheap ripoff of the Cohen brothers, he manages to pay homage to the man without imitating him. Like Scorsese (and Bob Fosse) he meshes documentary with realistic drama seamlessly well.
Margot Robbie and Sebastian Stan deliver good performances. Allison Janney and especially Paul Walter Hauser deliver OUTSTANDING performances. In fact, I didn't feel like Hauser was even acting as much as he was just BEING. These performances are also a credit to Gillespie.
Almost every scene is well-paced, has little "fat," conveys meaning and adds to the narrative, which indicates great video editing. The editing was so good that I didn't even check the time, which is rare for me. Outstanding pacing.
When I entered the theater, I didn't think that I was going to get even slightly emotional about Tonya Harding's story. But she is truly a sympathetic character without feeling sorry for herself, which is rare nowadays. Nowadays, everyone seems to be competing for who has it worst and who is the most pathetic victim. In Tonya's world, it's just her life, and it's presented as factual rather than maudlin and soap operatic. As Tonya basically says at the end of the film, "s--t happens. Deal with it."
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