Poster

(TV Series)

Das Recht, sich zu sorgen ()


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In the bone collection at the Anatomical Institute of the University of Würzburg, a young doctoral student discovers a skull that does not match the rest of the skeleton with which it was sorted. The skull is significantly younger than... See more »

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Cast

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Dagmar Manzel ...
Paula Ringelhahn
...
Felix Voss
...
Wanda Goldwasser
Andreas Leopold Schadt ...
Sebastian Fleischer
Matthias Egersdörfer ...
Michael Schatz
...
Prof. Magdalena Mittlich
Stefan Merki ...
Polizeipräsident Dr. Mirko Kaiser
...
Agnieszka Lies
Jan Krauter ...
Präparator Lando Amtmann
Lotti Kreitmeyr ...
Romy
...
Steffi Schwinn
Tesie Tellmann ...
Lydia Eichbaum
Jörg Witte ...
Holger Schwinn
Nils Strunk ...
Doktorand Philip
Theresa Hanich ...
Polizistin (Empfang)
Benjamin Griebel ...
Gerichtsmediziner Lutz Kranich
Tania Carlin ...
Frau Diemel
Frank Scharrer ...
Student
Nadine Badewitz ...
Institutsmitarbeiterin
Yohan Kirschner ...
Student
Uschi Kirsch ...
Studentin
Jürgen Berndt ...
Student
Sonja Tille ...
Andrea Schwinn
Rest of cast listed alphabetically:
Rainer Denk ...
Konferenzteilnehmer
...
Harley Fahrer
Franz Rügamer ...
Junggeselle
...
SEK Beamter (uncredited)

Directed by

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Andreas Senn

Written by

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Beate Langmaack ... ()

Produced by

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Jakob Claussen ... producer
André Koebner ... producer
Jens Oberwetter ... line producer
Ulrike Putz ... co-producer

Music by

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Fabian Römer

Cinematography by

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Holly Fink

Casting By

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An Dorthe Braker

Costume Design by

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Gitti Fuchs

Makeup Department

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Martine Flener ... makeup department head
Mechthild Schmitt ... makeup department head

Production Management

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Daniela Ebeling ... assistant production manager
Max Locher ... set manager

Sound Department

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Dieter Desinger ... re-recording mixer
Friedrich M. Dosch ... sound designer
Andreas Schneider ... foley artist

Special Effects by

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Sebastian Bulst ... special effects supervisor

Camera and Electrical Department

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Hagen Keller ... still photographer

Music Department

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Udo Lindenberg ... Drummer: theme music (uncredited)

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Special Effects

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Storyline

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Plot Summary

In the bone collection at the Anatomical Institute of the University of Würzburg, a young doctoral student discovers a skull that does not match the rest of the skeleton with which it was sorted. The skull is significantly younger than stated in the mortuary papers. That same morning, twenty-year-old Steffi wants to complain to her mother that she didn't wake her up. But Andrea Schwinn lies strangled in the dining room of the inn that the family has run for generations. The father, Holger Schwinn, cannot be found. One of his hunting weapons is missing. While chief inspector Felix Voss and his colleagues, chief inspector Paula Ringelhahn, inspectors Wanda Goldwasser, Sebastian Fleischer and the head of forensics, Michael Schatz, are investigating in the inn, an elderly woman pitches a small tent on Jakobsplatz directly in front of the Nuremberg police headquarters because she does not want to put up with the fact that the police refuse to take action in the case of her missing adult son. Professor Mittlich, the head of the Anatomical Institute, seeks advice from Police President Dr. Kaiser, whom she knows privately. Should she cover up the discovery of the unknown skull? Kaiser is strictly against it. His homicide squad will be investigating undercover at the institute. But is it actually a homicide? Is the husband the killer? Meanwhile, the innkeeper Schwinn becomes the focus of the investigation. Felix Voss suspects that he has holed up in the huge forest near the inn. At night he goes there and calls for him. He doesn't find the fleeting Schwinn, but in the dining room he immerses himself in the silent witnesses of a family tragedy that has been brewing for years. In this house everyone seems to have been 'too alone'. The investigations in the Anatomical Institute confront Voss, Ringelhahn and Goldwasser with the inevitability of death beyond homicide. Paula learns that the man's heart weighs heavier than the woman's, while Wanda falls in love with the graduate student who started it all rolling. What remains of us after death? How does the daily handling of corpses change employees? And what is a little girl in red rubber boots doing in this environment? The older woman, who has now been camping in front of the police headquarters for 48 hours, raises completely different questions. Chief of Police Kaiser wants to clear the tent, but Voss and Ringelhahn are against it. Is there a right to worry? Who doesn't long for the opposite of loneliness? The events in the Anatomical Institute ultimately demanded a high degree of power of deduction, intuition and interrogation skills from Voss, Ringelhahn and their team. Because the skull belongs to a human who was killed in an almost perfect way. But only almost perfect. Written by ADR Das Erste

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Additional Details

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Also Known As
  • Das Recht, sich zu sorgen (Germany)
Runtime
  • 88 min
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