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Cast
Adam Christian Clark | ... |
Astor Williams Stevenson
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Jennifer Kim | ... |
Izzy
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Molly C. Quinn | ... |
Valerie
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Anna Jacoby-Heron | ... |
Madeline Stevenson
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Rémy Bennett | ... |
Francine
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Greg Gilreath | ... |
Lawrence
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Raychel Diane Weiner | ... |
Maria
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Marguerite Moreau | ... |
Charlee
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Alexandra Skye | ... |
Belle
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Jennifer Prediger | ... |
Emily
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Jasmin Savoy Brown | ... |
Taylor Touring
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Austin Fryberger | ... |
Greg
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Lindsey Kraft | ... |
Jackie
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Christopher Redman | ... |
David
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Micah Stock | ... |
Shane
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Rest of cast listed alphabetically: | |||
James Achille | ... |
Party Member
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Scott Alda Coffey | ... |
Party Member
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Christa Boarini | ... |
Regina
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Dana Byrne | ... |
Wiki
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Kelsey Carthew | ... |
Theater Performer
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Sara Coates | ... |
Cheryl
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Christopher DiBernardo | ... |
Party Member
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Alexis Floyd | ... |
Theater Performer
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Dasha Flynn | ... |
Mary Wexler
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Kevin Parker Flynn | ... |
Neighbor
(as Kevin Flynn)
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Jeremy Hois | ... |
Theater Performer
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Max Hollingshead | ... |
Party Member
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Nick Hurt | ... |
Party Member
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Anthony Jeselnik | ... |
Anthony
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Olivia Lemmon | ... |
Theater Performer
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Justin Lerner | ... |
Henry
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Talia Shea Levin | ... |
Irina
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Nick Lima | ... |
Party Member
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Riki Lindhome | ... |
Riki
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Aliza Pearl | ... |
Gloria
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Brendon Read | ... |
Party Member
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Gina Reichardt | ... |
Lisa Stevenson
(as Gina Novish)
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Kim Sherman | ... |
May
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Lauren Silverstein | ... |
Party Member
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Andrew Spieler | ... |
James
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Adria Tennor | ... |
Waitress
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David Grove Churchill Viste | ... |
Max
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Benjamin Welmond | ... |
Party Member
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Ilana Wolpert | ... |
Party Member
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Jackie Zender | ... |
Sam
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Directed by
Adam Christian Clark |
Written by
Adam Christian Clark | ... | () |
Produced by
James Dahl | ... | producer |
Greg Gilreath | ... | producer (produced by) |
Adam Hendricks | ... | producer (produced by) |
John H. Lang | ... | producer (produced by) |
Justin Lerner | ... | co-producer |
Jordan Michaud-Scorza | ... | producer (produced by) |
Cinematography by
Christopher Hamilton |
Editing by
Alex O'Flinn |
Editorial Department
Charles Bunnag | ... | finishing artist |
Michael Dillon | ... | finishing producer |
Juan Flores | ... | finishing assistant |
Ladd Lanford | ... | sales executive |
Steven J. Scott | ... | supervising finishing artist |
Stephen Tonti | ... | post production intern |
Casting By
Amey René |
Production Design by
Stephanie Hamilton |
Costume Design by
Lindsay Monahan |
Makeup Department
Sara Meddick | ... | key hair stylist |
Sound Department
Michael Baird | ... | supervising sound designer / supervising sound editor |
Jason Dotts | ... | dialogue editor |
Jessica Engel | ... | post-production sound accountant |
Joseph Fiorillo | ... | sound mixer (as Joe Fiorillo) |
Houston Guy | ... | additional production sound |
Jeff King | ... | assistant re-recording mixer |
Paul B. Knox | ... | sound effects editor (as Paul Knox) |
Brian Long | ... | engineering services |
Josh Lowden | ... | general manager: executive staff, Skywalker Sound |
Steve Morris | ... | head of engineering: executive staff, Skywalker Sound |
Jon Null | ... | head of production: executive staff, Skywalker Sound |
David Peifer | ... | digital editorial support |
Carrie Perry | ... | scheduling |
Eva Porter | ... | client services |
Brandon Proctor | ... | re-recording mixer / sound designer |
Ronald G. Roumas | ... | audio/video transfer |
Mario Silvas | ... | additional production sound |
James Wasserman | ... | additional production sound |
Mike Lane | ... | production service (uncredited) |
Visual Effects by
Eric M. Levy | ... | visual effects |
Camera and Electrical Department
Dimitri Christoforidis | ... | key grip |
Aaron Gantt | ... | steadicam op |
Sam Needham | ... | additional grip |
Christiaan Tahyar | ... | first assistant camera |
Jeffrey Taylor | ... | gaffer |
Casting Department
Helen Cavanaugh | ... | casting assistant |
Lisa Gaviglio | ... | casting assistant |
Megan Rosenfeld | ... | casting associate |
Music Department
Julie Sessing | ... | music supervisor (as Sessing Music Services) / music supervisor |
Script and Continuity Department
Dorsey Britton III | ... | script supervisor (as Dorsey Britton) |
Additional Crew
Patrick Braley | ... | production assistant |
Talia Shea Levin | ... | production coordinator / theatre performance created by |
Zac Locke | ... | sales agent |
Production Companies
- Divide/Conquer
- Blueberry (in association with)
- Modern Man Films (in association with)
Distributors
- Gravitas Ventures (2018) (United States)
Special Effects
Other Companies
- HiFi Foley (FOLEY)
- Nelson J. Salon (hair services provided by)
- Skywalker Sound (POST-PRODUCTION SOUND SERVICES BY)
- Skywalker Sound (acknowledgement)
- Sundance Institute (acknowledgement: This film was supported by the Sundance Institute Feature Film Program.)
- Technicolor (DIGITAL INTERMEDIATE BY)
- Technicolor (acknowledgement)
Storyline
Plot Summary |
American filmmaker Adam Christian Clark directs and stars in this jet-black comedy centered around the LA dating scene, as a self-obsessed filmmaker who finds himself on the market once again. The film is darkly funny and sometimes brutal. After ridiculing his girlfriend, director Astor Williams Stevenson finds himself single and trying to discover what exactly he wants. At the same time, he attempts to get a film off the ground and soon learns that his creative vision will not align with that of his crew. As Astor goes on a number of dates, his abrasiveness and cynical attitude towards life seems to become ever more crystallized. The film's centerpiece is a fearless performance from Clark as he embodies a man whose self-loathing is hidden by arrogance. Yet, for all his bluff and bluster Clark manages to add a sheen of vulnerability to make Astor a compelling and sympathetic character. While the film is reminiscent of great American cinema of the 1970s (with some slight echoes of the works of Woody Allen) with a somewhat staccato structure made up of disparate moments, this is still a thoroughly modern affair replete with some graphic sexuality and an often-harsh takedown on modern views of dating. Despite its moments of cynicism, this also manages to be a witty, funny must for all those who appreciate strong voices in American cinema. Written by Laurence Boyce |
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