Pakistan-born comedian Kumail Nanjiani and grad student Emily Gardner fall in love but struggle as their cultures clash. When Emily contracts a mysterious illness, Kumail finds himself forced to face her feisty parents, his family's expectations, and his true feelings.
It's time for a young African-American to meet with his white girlfriend's parents for a weekend in their secluded estate in the woods, but before long, the friendly and polite ambience will give way to a nightmare.
A veteran tracker with the Fish and Wildlife Service helps to investigate the murder of a young Native American woman, and uses the case as a means of seeking redemption for an earlier act of irresponsibility which ended in tragedy.
Set over one summer, the film follows precocious six-year-old Moonee as she courts mischief and adventure with her ragtag playmates and bonds with her rebellious but caring mother, all while living in the shadows of Disney World.
Kumail (Kumail Nanjiani), in the middle of becoming a budding stand-up comedian, meets Emily (Zoe Kazan). Meanwhile, a sudden illness sets in forcing Emily to be put into a medically-induced coma. Kumail must navigate being a comedian, dealing with tragic illness, and placating his family's desire to let them fix him up with a spouse, while contemplating and figuring out who he really is and what he truly believes Written by
Brett Lee Swerbilow (firstname.lastname@example.org)
The screenplay for The Big Sick is written by Emily V. Gordon and her husband Kumail Nanjiani, and is loosely based on the real-life courtship between them before their marriage in 2007. According to Nanjiani, the idea to make a script about them was first inspired by the film's eventual co-producer Judd Apatow when the two met while appearing in a 2012 episode of the You Made It Weird podcast. Developed over the course of three years, the script has been called semi-autobiographical because, in addition to the two lead characters modeled after them, many of the events occurring during Gordon and Nanjiani's relationship are noted as being portrayed to an extent in the film. Though not part of the original script, a real-life incident involving Holly Hunter heckling an unnamed player during a US Open tennis match inspired a similar scene in the film where Nanjiani's character is heckled during one of his stand-up sets. See more »
Kumail tells Emily that 'The Abominable Dr. Phibes' was made in 1969 by MGM. The film was released by American International in 1971. See more »
[Whilst using her phone to book an uber]
Listen, I had a really nice time, thank you very much. I'm just going to like, call an Uber, go home and I hope
[gets interrupted by Kumail's phone alert]
[showing Emily the Uber request]
Your driver will be ready as soon as he puts on his pants.
See more »
In the beginning of the end credits, photos of shown of the real-life inspiration behind the Emily character, as well as the wedding between Emily V. Gordon and Kumail Nanjiani and Nanjiani's real-life parents. See more »
Like most comedies, 'The Big Sick' is powder-puff drama spiced up with some humorous moments. Its plot tells how a Pakistani-American stand-up comedian embarks on a love affair with a blonde psychology student when she heckles him during one of his stage shows. After she discovers his family are pressing him to choose a Muslim bride for a traditional arranged marriage, she breaks up with him but soon afterward falls ill with a serious infection. He realizes he's still deeply involved with her while keeping vigil at her hospital bedside - and when her parents arrive, the three of them attempt to break through some cultural differences.
The characters and story possess some originality and relevance, but the film's effect could have been far more intense if it hadn't focused principally on laughs. Despite the strong emotional content - love, family and ill-health - the film never escapes the clutches of light comedy. The actors deliver respectable performances, but their efforts can't lift the material above the level of a forgettable sit-com. Ken Loach's 'A Fond Kiss' explores similar territory in a far more memorable manner.
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