|Page 1 of 20:||          |
|Index||199 reviews in total|
The screenwriter who gave us "Sicario" and "Hell or High Water" has
come back with "Wind River" which he also directed and I am now
convinced more than ever that Taylor Sheridan is one of the best
storytellers of our time. There's something about his thrillers that
are just so cunning and sharp and profound, like a great American
classic, even novelist Dennis Lehane probably couldn't come up with
materials that are as skillfully played as this. And with "Wind River"
Sheridan's personal artistry mission to do some effort to right the
wrongs that the system has committed against the Native Americans,
The story is about a rookie FBI agent (Elizabeth Olsen) who teams up with a tracker/hunter (Jeremy Renner) with a tragic past in order to investigate the murder of a local girl on a remote Native American Reservation.
Sheridan has tackled themes surrounding the Native Americans before but with this latest one, it's not so much that he's preaching about it but he ties it into this entire fabric of community where you sense the clash between outsiders and locals, between whites and natives, so there's a level of frustration about that arises from this murder investigation that brings up all kinds of cultural suspicions, on top of which there's also a game of jurisdictions. It's a complex yet cleverly woven thriller that starts out as a whodunit and evolves into a thirst for retribution. And the fact that it's set in a very cold harsh environment just adds to the film's chilling effect.
In many ways, Elizabeth Olsen performs here like Jodie Foster's Clarice Starling where at some points you kinda know that Olsen's character may be out of her elements, but at the same time that factor actually gives her a good vantage point. Jeremy Renner plays his character like an old timer western hero who knows the ins and outs of everything, a man of few words but gets tough when needed. Their dynamic is not some kind of odd couple cop duo, this is more like each of them trying to prove themselves while bringing justice to the family of the unfortunate girl. And the way Sheridan crafts the mystery from a small radius to a much larger scheme is one that will have you hooked. "Wind River" is highly suspenseful, it's a perfect thriller.
-- Rama's Screen --
There has been next to no fanfare for the release of this murder mystery. Which is surprising, considering the talent involved in front of the camera (Jeremy Renner, Elizabeth Olsen) and behind it (writer-director Taylor Sheridan). Fresh from joining the ranks of top-tiered screenwriters after the amazing one-two punch of Sicario and Hell or High Water, Sheridan continues his stellar run with a heart-wrenching study of loss and grief wrapped in a taut crime thriller narrative. Also having a crack at directing, Sheridan allows the snowy Wyoming setting to completely envelope the characters in a world that feels like it has no exits, both physically and emotionally. When this Native American community is hit with a homicide it feels like another tragedy in a long line of tragedies; their shock is replaced with deeper sorrow, their outrage is replaced with solemn defeat. Entering the scene like a fish out of water, Olsen's junior FBI agent Jane Banner must traverse the tricky cultural complexities if she's to understand the clues in front of her. Luckily she has Renner's local hunter Cory Lambert to assist, himself battling with a past family disaster. Renner and Olsen are both in terrific form, the former hiding his grief under a stoic veneer, the latter balancing big-city attitude with a genuine desire to find justice for the victim. Veteran character actor Gil Birmingham is also superb as a father unsure of how to deal with his earth-shattering loss. If this all sounds a bit heavy, well it is, but Sheridan's careful to inject a healthy dose of suspense and mild action to keep the drama gripping rather than overbearing; the finale in particular turns the movie on its head in an unpredictable but extremely effective manner. An intelligent, slow burning and provocative viewing that enthrals from start to finish, Wind River is an understated gem that deserves an audience.
I was lucky enough to see this at the Nantucket Film Festival back in
June and I thought it was excellent. And based on the response of the
people around me in the packed theater, I wasn't the only one. The
applause at the end was loud and long. The movie ended up coming in
second at the festival, right behind behind The Big Sick.
I enjoyed it as much as, if not more than, Hell or High Water. Definitely more than Sicario.
The scenery, the score, the dialogue and the acting were all on point. Some of Jeremy Renner's best work. He's been spending so much time playing spy and superhero lately that I think people tend to forget that he was nominated for Hurt Locker and The Town. His performance here is even better.
When actors decide they want to make the transition to the other side
of the camera and direct films, it can be a dicey proposition. It makes
me even more nervous when said actor to director decides they don't
have the acting out of their system and want to keep acting, but with
"Wind River," Taylor Sheridan (best known for "Sons of Anarchy," but
also the writer of both "Sicario" and "Hell or High Water" with this
completing his American Frontier Trilogy) separates himself in order to
focus on directing a wonderful based-on-a-true-story tale.
Jeremy Renner plays Cory Lambert, a tracker who works for the Fish and Game Commission in Wyoming who gets caught up in the investigation of the murder of a young Native American woman on a local reservation during a series of brutal snowstorms. He partners with FBI agent Jane Banner (Elizabeth Olsen) as they try to navigate the elements and even the law as it pertains to the reservation itself and a very thin law enforcement department headed up by Gen (Graham Greene).
I know there is not much to the above summary, but that is all you really need to know about this film, besides the fact that I REALLY enjoyed it as one can do with the material involved. Make no mistake: this is a dark film that deals with very haunting subject matter, so there is quite a bit of weight to it, but Sheridan treats this story with the highest level of respect by allowing his very well written script to drive it while still shooting it beautifully. To see such beautiful landscaping (actually shot in Utah) take my breath away while still understanding the danger of what the elements bring from the wildlife to the weather and even the inhabitants add a great layer to the story, but what takes it to the next level is the score from Nick Cave and Warren Ellis (not THAT Warren Ellis) that frames each and every scene perfectly without giving what is coming up ahead.
From a performance standpoint, I really dug the way that both Renner and Olsen dialed it WAY back within their characters with Renner keeping Lambert simple and focused on the task at hand and Olsen showing how Banner is just trying to do the right thing while attempting to understand the situation she in AND asserting the authority she has representing the Bureau. Greene gives great balance and levity to their dynamic while keeping his character involved as a reminder of the heightened sensitivity of their situation.
The Weinsteins' eye for film strikes again here, and I am also looking forward to where Sheridan's career behind the camera goes as well. For this being the second time he has helmed a film, this is incredibly impressive and should at least be on your "need to check out" list if not all the way to "must see".
"Wind River" (2017 release; 107 min.) brings the story of Wildlife
Officer Cory Lambert. As the movie opens, reminding us "Inspired By
Actual Events", we briefly see a woman running for her life in the
snow. We then are introduced to Lambert, who is hunting down wolves.
Lambert visits his ex, where he picks up his young son for the day.
Lambert then visits the parents of his ex, as their life stock has been
attacked, possibly by a lion. In the course of starting his
investigation, Lambert finds the frozen body of the woman we saw
running for her life. Because it looks like a possible homicide, an FBI
agent is called. At this point we're 10 min. into the movie, but to
tell you more of the plot would spoil your viewing experience, you'll
just have to see for yourself how it all plays out.
Couple of comments: this movie marks the second directing stint of highly praised writer (and erstwhile actor) Taylor Sheridan, whose previous two movies, 2015's "Sicario" and last year's "Hell or High Water", were among the top movie of the year for me. "Wind River" is for me one of the most anticipated movies of the year, period. With "Wind River", Sheridan goes in a very different direction again as compared to "Sicario" and "Hell or High Water", digging into a murder mystery, set in an Indian reservation in snow-covered Wyoming. Jeremy Renner brings perhaps his finest performance of his career as the Wildlife hunter/tracer Cory Lambert, who himself carries a heavy secret. Elizabeth Olsen is Jane Banner, the wide-eyed inexperienced FBI agent who is in way over her head but is determined to do what is right. "You are looking for clues but you are missing all the signs", remarks Lambert early on, and she begs him to help her. And there are plenty of potential suspects--it's not a coincidence that this is set in a community that has more than its share of crime and misery. Sheridan leads with confidence as the tension in the movie rarely lets up. Bottom line: this is another nice movie from Tayalor Sheridan, who in just a matter of a few years has become one of Hollywood most accomplished writer-directors. Can't wait for his next movie, "Soldado", a sequel to "Sicario", to be released next year.
"Wind River" opened this weekend at my local art house theater here in Cincinnati on not one, but two screens, a rarity. The Saturday matinée screening where I saw this at was attended very nicely for a matinée. I imagine that "Wind River" will benefit from the strong word-of-mouth that this will surely generate. If you are in the mood for a top-notch mystery drama with some stellar performances, you cannot go wrong with "Wind River" be it in the theater, on VOD or eventually on DVD/Blu-ray. "Wind River" is HIGHLY RECOMMENDED!
Crime dramas have always been one of my favorite genres of filmmaking,
especially the ones that take themselves seriously and pose interesting
questions about life. Wind River takes the genre up in the cold, snowy
tundra of the Wind River Indian Reservation in Wyoming. Gritty, brutal,
and well-timed action, Wind River builds a simply structured crime film
into an important conversation about missing persons with a great
storyteller and one great cast.
Coming from writing the likes of Sicario and Hell or High Water, Taylor Sheridan is really making a career for himself. It's hard to imagine it's the same guy who made those short acting cameos in Veronica Mars back in the day, but Sheridan is separating himself from the pack in terms of his writing skills. I won't say that Wind River reaches the heights that either of his other two writing efforts did, but the sheer power of the subject matter of this film may take this film into Oscar season.
Jeremy Renner stars as Corey Lambert, a man with a tragic past, teams with Jane Banner (an FBI agent played by Elizabeth Olsen) to solve a murder. It's easy to label Banner as the "out of place woman who needs the help of a hardened man", because it can appear that way at first glance. But I'll view it as two people who cross paths with each other and end up working together to better their current situations. It also doesn't hurt that both Renner and Olsen have pre- established chemistry from the Marvel films, and dynamite together on screen.
However, I do believe that Sheridan could have done a slightly better job of directing the tone of Wind River. There were times where it seemed the actors were giving endearing performances and monologues, only to be sometimes interrupted by a subtle joke or a lighthearted comment. I think that just a minor change in direction of his actors would have changed those moments for the better. With that said, Sheridan's brutal touch of action when the film calls for it is impressive to say the least. It's those moments that helps put a realistic layer to Wind River.
Overall, Wind River is a grounded but moving take on murder, rape, and missing persons cases. Solid performances, sharp script, and nuanced storytelling, Wind River is a fascinating crime drama.
"Wind River" is a gripping murder mystery-thriller written and directed
by Taylor Sheridan (Best Original Screenplay Oscar nominee for "Hell or
High Water") starring Jeremy Renner, Elizabeth Olsen and Graham Greene,
featuring an unusually strong supporting cast that includes many fine
Native American actors.
Renner and Olsen play a U.S. Fish and Wildlife Service tracker and an FBI agent, respectively, attempting to solve the murder of a young woman whose body is discovered by Renner under mysterious circumstances as he patrols the Wind River Indian Reservation in Wyoming.
The film scrupulously avoids clichés and is tightly edited with nary a wasted moment, yet never feels rushed or artificial in performance or plot. Everyone and everything is there for a reason, and best of all, the audience is given credit for being able to keep up and connect the dots.
The violence, which is absolutely necessary, is kept at a bare minimum as a narrative device, explaining and clarifying rather than assaulting the senses.
Every character, even the most heinous, is portrayed as a fully developed human being rather than as stereotype.
We learn how the Native American culture is victimized in a way that takes us inside their world and their souls, but the journey is skillfully handled and never heavy handed.
The photography is perfectly rendered, celebrating the icy Wyoming scenery in a muted style consistent with the mood of the story.
Renner, Olsen and Greene are excellent and believable, but in no small way this is an ensemble piece whose potency and effectiveness derive from the palpable passion and belief of everyone in front of and behind the camera.
This is an engrossing story well worth your time and money, and kudos to everyone involved for having faith that a discerning audience will find and appreciate it.
If you've seen any of Taylor Sheridan's previous work, you probably
noted that he has a certain style. He tells stories about ways of life
in dilapidated regions of the country. He blurs the lines between "good
guys" and "bad guys," instead framing the status of the selected region
as the truest villain. What's right and wrong, considering all the
unique variables of each story, is not always clear. At least, that was
case in Sicario and Hell or High Water.
In Wind River, the region is still presented with all the strain that is causes on the lives of its residents, but a much more obvious villain is revealed before the movie is over.
Hell of High Water frames the crumbling economy of a certain Texas region as the real source of evil, rather than any characters. Whereas in Wind River the source of evil is definitely the rapist. I mean, the rapist attempts to blame the cold and silence, but his actions were clearly much worse than bad weather.
Sheridan's previous films also left doubt about who were the heroes, who the audience should be rooting for. This time it was much less ambiguousthey were the people searching for the rapist.
An emerging theme in Sheridan's movies appears to be Tarantinoesque eruptions of violence, sometimes near the conclusion. They don't always reach the levels of the Django Unchained shootout, but Sheridan clearly isn't shy about showcasing the unforgiving damage that can be inflicted by firearms.
Complaints, I have a few. On more than one occasion, I legitimately could not understand what a character had said, so I was left wondering if I missed something important. I'm not sure if this manner of speaking was a choice made by the actors or if this was a decision made by Sheridan to establish a certain tone. Either way, I could have used less mumbling.
The other complaint that I have, and this is more serious, the middle third of the movie felt like it contained a lot of empty moments. This may or may not have been related to the times that I couldn't understand what a character said. Still, the movie could have used a bit of its fat trimmed. It wasn't as crisp and clean as Hell or High Water and Sicario. And I know I keep comparing this movie to Sheridan's others, but that's bound to happen when a writer sets the bar so high with two gems.
On the whole, I consider this a success for Sheridan in his directorial debut. I'd happily watch another story of his about justice and an overlooked culture.
Taylor Sheridan's achievement in this film lies in his success in
crafting an old school crime drama that doesn't try to re-invent the
wheel but instead relies on good old-fashioned storytelling. Jeremy
Renner and Elizabeth Olsen are both exceptional as a dissimilar pair
who out of sheer happenstance form an alliance to solve the mystery of
a young woman's brutal death on an Indian reservation. Renner is a U.S.
Fish and Wildlife Service tracker. Olsen is an FBI agent sent on an
assignment very much alone.
The narrative remains low-key but gradually builds toward its gripping conclusion. We come to learn quite a lot about Renner's character through his backstory. He's quite understated and effective in this role. Olsen enters the picture as an outsider to the bleak region of despair that the American wilderness is portrayed as here. She must learn quickly in order to do her job or leave a possible crime completely unsolved.
Because this film deals with life on an Indian reservation, much of the social and economic woes might seem unfamiliar at first, but the film does a good job of providing a snapshot of the hardship that pervades in this part of the country and the difficulty that law enforcement has in conducting even a workmanlike investigation. Sheridan depicts a world that is sympathetic and troubled at the same time, masking its tears with courage and doggedness. Recommended to everyone.
*** This review may contain spoilers ***
A female FBI agent teams with a veteran game tracker to investigate a
bizarre murder on a remote Indian reservation. Director Taylor
Sheridan. Stars Jeremy Renner and Elizabeth Olsen as the FBI agent.
Viewed at Cannes, 2017, where it won the Best director award in the Un
Certain Regard sector.
Rape and murder on the reservation with Jeremy Renner really coming into his own as a not particularly handsome leading man. Very strong as the predator hunter with high powered rifle on high speed snowmobile. The picture opens with a long sequence of a woman running barefoot across a vast nighttime snowscape until she finally drops dead. Eventually we will find out that she was brutally gang raped and was fleeing for her life. Reservation great white hunter, Renner, starts an informal investigation on his own. An FBI agent, (Olsen) is called in to assist with the investigation. A junior woman agent is all the FBI cares to spare for this case, obviously regarded as unimportant because who. cares about Indians! But, since only the FBI has police authority on Indian reservation territory they have to make at least a token contribution to the investigation
At the end of this snowy subzero nail biter, Renner having tracked down the main rapist subjects the now wounded and fleeing central SOB to a most satisfying form of vigilante justice -- making him crawl on his belly bloodied and barefoot in the snow to a hideous painfully slow death -- the same kind of death the multiple rape victim at the beginning had to endure. The fetching female FBI agent called in on the case (Elizabeth Olsen) provides a slightly romantic angle to an otherwise edgy all male Indian reservation thriller. Beautiful snowy mountain photography throughout is more than noteworthy. Overall one of the best films of the Cannes week.
Kudos to director Taylor Sheridan and all others involved in this remarkable outdoor production. This Weinstein brothers prod was filmed in Utah although the setting is supposedly Wyoming on the Wind River Reservation. An added reality perk, real Indians, not Hollywood palefaces, portray the Native American characters. And do it so well!
The Wind River Indian Reservation is an Indian reservation for the Eastern Shoshone and Northern Arapaho tribes of Native Americans in the central western portion of the U.S. state of Wyoming. The entrance to the Wind River Reservation is the small town of Lander, Wyo. which is actually seen in one brief scene, but the magnificent mountain snowscapes we see are all in Utah. Geographical poetic license. Highly recommended off-beat scenic thriller with highly satisfying retribution at the end.
|Page 1 of 20:||          |
|Plot summary||Plot synopsis||Ratings|
|Awards||External reviews||Official site|
|Plot keywords||Main details||Your user reviews|
|Your vote history|