A veteran tracker with the Fish and Wildlife Service helps to investigate the murder of a young Native American woman, and uses the case as a means of seeking redemption for an earlier act of irresponsibility which ended in tragedy.
WIND RIVER is a chilling thriller that follows an FBI agent (Elizabeth Olsen) who teams up with a local game tracker with deep community ties and a haunted past (Jeremy Renner) to investigate the murder of a local girl on a remote Native American Reservation in the hopes of solving her mysterious death. Written by
Jeremy Renner's character uses a pair of Swarovski EL binoculars (an accurate representation of a predator hunter's quality optic, costing approximately $3,000) in a Badlands case with a quick-release magnetic closure. The binoculars appear to be the general purpose EL 42 model. Although similar to range finding models, from the lack of the range finding prism/laser (normally located on the bottom of each barrel), it appears they are the non-range finding type. This is best seen when Renner's character is showing the FBI agent where to look for snowmobile tracks on the mountain at 44:38. The small half-inch white marks on the front of the barrels are for optional protective flaps. See more »
When Cory is looking through the pictures in Natalie's room near the end of the film, he sees a picture of Natalie and Emily in graduation gowns. Yet, Cory had said earlier in the film that Emily had died three years earlier at the age of sixteen. Natalie doesn't look substantially younger in this photo than she did in other parts of the film, so this would appear to be a high school graduation photo for a high school graduation Emily didn't live to see. See more »
You don't catch wolves looking where they might be, you look where they've been.
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Heat to the Cold Sheridan's fantastic crime thrillers work beyond change in weather
After the southern heat of Hell or High Water, Taylor Sheridan gives us the cold wintery thriller Wind River.
In the frosty Wind River Indian Reservation of Wyoming, the body an 18 year old Native American girl is discovered by Wildlife service agent Cory Lambett (Jeremy Renner). Lambett with his knowledge of the mountain assists foreign FBI agent Jane Banner (Elizabeth Olson) to track down the killer, but also his own personal reasons wants to find the killer in an attempt to wrestle his own demons.
Inspired by true cases of missing native American girls, Wind River has cold hearted passion in its story-telling. A very melancholy murder mystery drama exploring grief and vengeance but also the neglect of the Native Americans in the mountain regions in the USA.
During a time this week while I was pondering the significance of different crime thrillers, with also the approach of the The Snowman in November, Wind River is real important stand out. The film itself although is about a murder is more centred on the atmosphere and location. Repetitive vibes of a hellish land resonate throughout the film. This mostly breathed life by the chilly aerial shots of the cold mountain land, identifying misery through the snow breeze and wind (an atmospheric format that was similar expressed in Hell or High Water). The most haunting aspect is the character brought to Wind River by Nick Cave and Warren Elis eerie soundtrack, echoing the dark past of the freezing land.
What leads us into the desolate mystery of Wind River is Jeremey Renner superb performance as the experienced hunter possessed by the past but also enriched with perception of his home land and its welcome. Renner very much appears as himself, however is a perfect casting choice with his neutral expression hiding his deeper emotions. Opposite is Elizabeth Olson, the most convincing FBI agent I've seen on screen for a while. But her city slicker style does not prepare her for the divergent law enforcement experience in the isolated Wyoming. These two leads are the perfect casting, with a enigmatic presence that makes you completely believe in them.
While Wind River has deeper meaning at its centre, Sheridan knows how to thrill his audience in quiet sensational but violent sequences. Loud sound effects of the gun shots bring light to the silent landscape that the characters dwell, and present a sense of realism to the experience.
Sheridan's third feature in his trilogy of modern American law enforcement, following, Sicario, Hell or High Water, has shown his strength in creating masterful crime thrillers with much to reflect about the real world. This capacity has also lead stronger confidence his potential prospects in directing a Bond film. 9.2/10
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