Die Schöne und das Biest (2012)
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- 1h 29min
- Family, Fantasy
- 20 Dec 2012 (Germany)
- TV Movie
The story of Beauty and the beast.
Director:
Reviews:
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Complete, Cast awaiting verification
| Maximilian Simonischek | ... |
Biest / Prinz Arbo
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| Cornelia Gröschel | ... |
Elsa
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| Jürgen Tarrach | ... |
Wirt Hugo
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| Karsten Kramer | ... |
Wenzel
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Carolin Walter | ... |
Irmel
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| Christoph Letkowski | ... |
Ritter Bertold
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Wolfgang Edelmayer | ... |
Vogt
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| Johannes Silberschneider | ... |
Pfandleiher
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Nadine Wrietz | ... |
Magd Gertrud
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| Wolfgang S. Zechmayer | ... |
Schäfer
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| Rest of cast listed alphabetically: | |||
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Stanislav Satko | ... |
Knappe (uncredited)
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Directed by
| Marc-Andreas Bochert | ||
Written by
| Marcus Hertneck | ... | (written by) |
| Jeanne-Marie Leprince de Beaumont | ... | (fairy tale) (uncredited) |
| Marcus Hertneck | ... | (writer) |
| Götz Brandt | ... | (co-writer) |
Produced by
| Götz Brandt | ... | associate producer / commissioning editor |
| Michael Cencig | ... | executive producer |
| Martin Choroba | ... | executive producer |
| Alecsander Faroga | ... | line producer |
| Bernadette Schugg | ... | executive producer |
| Thomas Teubner | ... | executive producer / producer |
| Irene Wellershoff | ... | associate producer / commissioning editor |
Music by
| Stefan Maria Schneider | ||
Cinematography by
| Hermann Dunzendorfer | ||
Editing by
| Antonia Fenn | ||
Editorial Department
| Boris Link | ... | colorist |
Casting By
| Uwe Bünker | ... | (uncredited) |
Production Design by
| Judith Saupper | ||
Costume Design by
| Barbara Langbein | ||
Makeup Department
| Christian Augustin | ... | key makeup artist |
| Bianca Bättig | ... | makeup artist |
| Savitry Hehl | ... | makeup artist |
| Antoinette Julien | ... | hair stylist |
| Anna Kießer | ... | makeup artist (as Anna Kiesser) |
| Birger Laube | ... | makeup designer |
| Alisza Pfeifer | ... | makeup artist |
| Svenja Reimer | ... | makeup artist |
| Sybille Schaller | ... | makeup artist |
| Katharina Siebers | ... | makeup artist |
Production Management
| Marcus Boehnke | ... | production manager |
| Florian Michel | ... | unit manager |
| Doris Zechner | ... | set manager |
| Marlene Beran | ... | post-production supervisor (uncredited) |
| Roland Holzer | ... | assistant set manager (uncredited) |
| Florian Kroiss | ... | assistant set manager (uncredited) |
| Sylvia Massnovits | ... | assistant production manager (uncredited) |
Second Unit Director or Assistant Director
| Henrike Wöbking | ... | first assistant director |
Art Department
| Franka Bodner | ... | stand-by props |
| Werner Otto | ... | property master |
| Agi Ariunsaichan Dawaachu | ... | storyboard artist (uncredited) |
| Rudolf Hobsig | ... | set construction (uncredited) |
Sound Department
| Heinz Ebner | ... | sound mixer (as Hainz K. Ebner) |
| Gregor Kienel | ... | boom operator |
| Martin Loecker | ... | re-recording mixer |
| Manuel Eisl | ... | foley editor (uncredited) |
| Miles Kann | ... | foley mixer (uncredited) |
| Sven Mevissen | ... | sound editor (uncredited) |
Special Effects by
| Tissi Brandhofer | ... | special effects supervisor (uncredited) |
Visual Effects by
| Joachim Berger | ... | visual effects (as Joe Berger) |
| Michael Grossauer | ... | visual effects |
| Guenther Mitterhuber | ... | visual effects |
Stunts
| Monika Fiserova | ... | stunt coordinator (uncredited) |
| Peter Hric | ... | horse master (uncredited) |
| Milan Hrvol | ... | stunt rider (uncredited) |
| Roman Jankovic | ... | stunt double: Christoph Letkowski (uncredited) |
| Michael Sandala | ... | horse wrangler (uncredited) |
| Michal Vesely | ... | stunt double (uncredited) |
Camera and Electrical Department
| Gerrit Armonies | ... | first assistant camera |
| Alexander Boboschewski | ... | "b" camera/steadicam operator |
| Hermann Dunzendorfer | ... | camera operator |
| Christoph Grasser | ... | second assistant camera |
| Herbert Kohlhammer | ... | gaffer |
| Gerhard Riesenhuber | ... | digital imaging technician |
| Bernhard Blecha | ... | electrician (uncredited) |
| Oliver Brosenbauer | ... | steadicam operator (uncredited) |
| Adrian Jager | ... | grip (uncredited) |
| Andre Mayerhofer | ... | electrician (uncredited) |
| Matthias Mitter | ... | "b" camera first assistant (uncredited) |
| Michael Mrkvicka | ... | still photographer (uncredited) |
| Alexander Preisch | ... | key grip (uncredited) |
| Wency Santana | ... | electrician (uncredited) |
Music Department
| Saschka-Jekatherina Haberl | ... | violin |
| Daniel Freundlieb | ... | additional music (uncredited) |
Script and Continuity Department
| Alexandra Selikowsky | ... | script supervisor (uncredited) |
Transportation Department
| Gerhard Hagemeier | ... | transportation captain (uncredited) |
| Zdenko Pintaric | ... | driver (uncredited) |
Additional Crew
| Carolin Walter | ... | choreographer |
| Jenny Wätzig | ... | production coordinator |
| Christine Klinger | ... | set runner (uncredited) |
| Judith Machat | ... | production accountant (uncredited) |
| Cornelia Schacht | ... | assistant to producer (uncredited) |
Production Companies
Distributors
- ZDFneo (2012) (Germany) (tv)
- Justbridge Entertainment (2012) (Germany) (DVD)
- Midship (2015) (Japan) (DVD)
- One Gate Media (2024) (Germany) (DVD)
- Schweizer Radio und Fernsehen (SRF) (2015) (Switzerland) (tv) (SRF2)
Special Effects
- aikon media & technology (visual effects)
Other Companies
- RTR Fernsehfonds (funding)
- Land Niederösterreich (funding)
- Land Salzburg (funding)
- Bayerische Theaterakademie August Everding (makeup partners)
- Catering by Donatas (catering)
- Cine Impuls (post-production)
- Cine-Mobil (makeup)
- DHS Filmservice (wardrobe trailer)
- Howden Caninenberg (legal)
- Stöger Kameras (camera equipment)
Storyline
| Plot Summary |
There is only one way to break the spell which has turned the prince into a horrible beast: a beautiful girl has to fall in love with the creature. As time is running out, the beast abducts the girl Elsa and takes her prisoner. He puts all his efforts into charming the girl. Elsa does not accept her fate, and the beast is not at all a gentleman with fine manners. The transformative power of love, which frees Elsa of her feelings of guilt towards her parents and which returns the beast to his former humanity, is at the heart of the film. Aimed at a family audience, the film's eerie scenes are balanced with humor and poetry. |
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| Parents Guide | Add content advisory for parents » |
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Did You Know?
| Trivia | One of the most common untranslated words in the subtitles of this movie is "zusammenflicken" which might be assumed to mean "snarl" or "growl" but actually means "patch/mend together" which obviously makes no sense and is humorous nonetheless. See more » |
| Movie Connections | Version of Beauty and the Beast (1899). See more » |