Photos and Videos
Cast
Abbey Lee | ... |
Theo
|
|
Clarence Williams III | ... |
Bob
|
|
Mary Woronov | ... |
Today Theo
|
|
Cameron Gentry | ... |
Yesterday Bob
|
|
Janet Belt | ... |
Sister 1
|
|
Pam Moloe | ... |
Sister 2
|
|
Jean Bly | ... |
Self
|
|
Jack Two Horse | ... |
Self
|
Directed by
Sean Baker |
Written by
Sean Baker | ... | (written by) |
Produced by
Sean Baker | ... | producer |
Chris Bergoch | ... | producer |
Will Byrne | ... | associate producer |
Julie Cummings | ... | associate producer |
Darren Dean | ... | producer |
Laura Lamy | ... | associate producer |
Humberto Leon | ... | creative director |
Carol Lim | ... | creative director |
Sophie Metzker | ... | executive producer |
Joao Moraes | ... | co-producer (as João Moraes) |
Brian Phillips | ... | executive producer |
Samantha Quan | ... | associate producer |
Shih-Ching Tsou | ... | producer |
Music by
Stephonik | ... | (as Stephonik Youth) |
Cinematography by
Alexis Zabe |
Editing by
Sean Baker |
Editorial Department
Randy Bowen | ... | assistant editor |
Luke Cahill | ... | colorist |
Matt Radecki | ... | post-production supervisor |
Richard Sanchez | ... | post production consultant |
Production Design by
Stephonik | ... | (as Stephonik Youth) |
Art Direction by
Mari Yui |
Costume Design by
Heidi Bivens |
Makeup Department
Fara Homidi | ... | makeup artist |
Nathan Nguyen | ... | hair stylist assistant |
Holli Smith | ... | hair stylist |
Production Management
Julie Cummings | ... | unit production manager |
Second Unit Director or Assistant Director
Julie Cummings | ... | first assistant director |
Sound Department
Jeremy Grody | ... | re-recording mixer / sound designer |
Chris Quilty | ... | location sound recordist / sound mixer |
Special Effects by
Aaron Moorhead | ... | digital effects |
Steve Newquist | ... | special effects |
Camera and Electrical Department
Randy Bowen | ... | dit |
Nghia Khuu | ... | gaffer |
Andrew Kungl | ... | drone operator |
David Olaoniye | ... | assistant camera |
Augusta Quirk | ... | still photographer |
Costume and Wardrobe Department
Heidi Bivens | ... | wardrobe stylist |
Karina Malkhasyan | ... | seamtress |
Angela Varela | ... | stylist assistant |
Music Department
Jack Norton | ... | composer: additional music |
Kitty Norton | ... | composer: additional music |
Additional Crew
Will Byrne | ... | production coordinator |
Alex Coco | ... | production assistant |
Ally Dent | ... | production assistant |
Sarah el Khawand | ... | production assistant (as Sarah Khawand) |
Colton Mehrhof | ... | production assistant |
Tas Pelikan | ... | production assistant |
Hannah Peterson | ... | production assistant |
Scott Sheeran | ... | production assistant |
Kristen Wair | ... | production assistant |
Thanks
Jack Norton | ... | thanks |
Production Companies
Distributors
Special Effects
Other Companies
- Different by Design (on-line facility)
- Film Emporium (production insurance)
- Simple DCP (DCP creation)
- Sound Logic Post (post production sound)
Storyline
Plot Summary |
In 2016, between Tangerine (2015) and The Florida Project (2017), the French luxury fashion house Kenzo commissioned Sean Baker to showcase the brand's 2016 spring/summer collection. Against the backdrop of the off-grid desert community of Slab City, California, Sean Baker uses Apple's iPhone 6s and iPhone 6s Plus, equipped with the Filmic Pro app and Moondog Labs' anamorphic lenses, to capture a day in the life of Abbey Lee's Theo. Through a series of encounters with authentic residents of the isolated desert outpost, Sean Baker paints a vivid, sun-kissed tableau of original Americana, highlighting Kenzo's bold prints and luxurious designs. Written by Nick Riganas |
Genres | |
Parents Guide | Add content advisory for parents » |
Additional Details
Runtime |
|
Official Sites | |
Country | |
Language | |
Color | |
Aspect Ratio |
|
Filming Locations |
Did You Know?
Trivia | Sean Baker used the iPhone 6s and iPhone 6s Plus with the app FiLMiC Pro to shoot Snowbird. In an interview with Fast Company Sean Baker says that "tools such as Filmic Pro-an app that allows filmmakers to control things such as white balance, focus, and exposure-and adaptive lenses made by Moondog Labs, which allow for wide-angle filming, have matured significantly, making the process of making a movie with an iPhone a much more seamless effort." See more » |
Soundtracks | Hop-A-Roo See more » |