Uwais plays a young man who washes ashore, an amnesiac with a serious head injury whose past comes back to haunt him shortly after being nursed back to health by a young doctor. Violence ensues. Sweet, sweet violence.
In a twisted social experiment, 80 Americans are locked in their high-rise corporate office in Bogotá, Colombia and ordered by an unknown voice coming from the company's intercom system to participate in a deadly game of kill or be killed.
In the high-stakes world of political power-brokers, Elizabeth Sloane is the most sought after and formidable lobbyist in D.C. But when taking on the most powerful opponent of her career, she finds winning may come at too high a price.
Cat claws are joined by rock, brick, hammer, wrench, tire iron and more as a pair of self-important and toxic narcissists sink their fangs into each other. Ashley and Veronica are from opposite sides of the political spectrum yet both share an unquenchable hatred for anyone who attacks their image. Veronica (Sandra Oh) is a caustic and drunken gold digger married to a businessman making insane profits from a war in the Middle East. She encourages her son to be anything other than a useless artist. Ashley (Anne Heche) is a sadistic painter whose apocalyptic view of war tolerates no blasphemies, including and not limited to the "false color" blue. Her partner is a clueless snob who, like herself, rejects anything that isn't a carbon copy of her own fluctuating views. Ashley and Veronica are former college acquaintances, now in their forties, who meet at a party. Soon they enter into a bitter, knock- down and bone- crushing brawl in the stairwell. This won't be the only fight. In their all-consuming rivalry they risk losing everything. The heat of a fire consumes all the fuel and air before it dies.
Catfight is fueled by dark humor and a realistic portrayal of narcissistic personality disorder. Narcissists believe that money, success and power entitles them to treat others like trash. Yet narcissists are useful to the world because they see through all its fallacies (the greatest sinners make the best preachers). Ashley and Veronica are self-absorbed, have no empathy for others and treat their assistants more like servants and machines than persons. They are too broken to reveal their wounds to others though, which is why they never truly heal.
The violence in Catfight is really brutal and vastly different from other cinematic fight scenes. The female on female fighting is just one aspect that makes the fight scenes different. Other nuances include creative brawling tools and settings, compelling themes and characters, and great acting. Anne Heche and Sandra Oh are versatile, capable actors that are adept at this type of satire. Catfight's director, in the question and answer session after the film, said that Anne and Sandra had different, but equally effective, styles of preparing for the scenes. One actor was methodical in planning and preparation, and the other was energized by each passing moment. World premiere seen at the 2016 Toronto International Film Festival.
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