While both participating in a production of "Death of a Salesman," a teacher's wife is assaulted in her new home, which leaves him determined to find the perpetrator over his wife's traumatized objections.
A married couple are faced with a difficult decision - to improve the life of their child by moving to another country or to stay in Iran and look after a deteriorating parent who has Alzheimer's disease.
An Iranian man deserts his French wife and her two children to return to his homeland. Meanwhile, his wife starts up a new relationship, a reality her husband confronts upon his wife's request for a divorce.
On the last Wednesday before the spring solstice ushers in the Persian New Year, people set off fireworks following an ancient Zoroastrian tradition. Rouhi, spending her first day at a new job, finds herself in the midst of a different kind of fireworks -- a domestic dispute between her new boss and his wife.
Shirin is supposed to get married in a couple of hours, but she unexpectedly murders a man. The cause of the crime, rooted in her nightmarish childhood, unravels gradually and the real question emerges: Who is the REAL criminal?
This movie is about a strict girls high school whose faculties are all female. After the maternity leave of a chemistry teacher, the principal has to bent the rules for the presence of a male teacher in the girls high school.
Maryam (Negar Javaherian) and Reza (Shahab Hosseini) are different from other people, it's not just a simple difference, but a very big difference. They must try to prove to others they ... See full summary »
Forced to leave their collapsing house, Ranaa and Emad, an Iranian couple who happen to be performers rehearsing for Arthur Miller's "Death of a Salesman" rent a new apartment from one of their fellow performers. Unaware of the fact that the previous tenant had been a woman of ill repute having many clients, they settle down. By a nasty turn of events one of the clients pays a visit to the apartment one night while Ranaa is alone at home taking a bath and the aftermath turns the peaceful life of the couple upside down. Written by
Thousands of people have attended a screening of The Salesman in Trafalgar Square ahead of the Oscars ceremony on 26 February. The screening of the film was scheduled by London Mayor Sadiq Khan and also with the support of actress Keira Knightley in supporting of Asghar Farhadi who had announced that he would boycott the ceremony in the wake of Trump's travel ban. See more »
how it is possible someone (the old man) with heart problems can run away and no one can get this ? See more »
I am struck at the complexity of this film, and the reflective nature of its narrative structure. Action or events as a device to look at our natures, choices, motives, drives and dreams. And let's not stop there. How about actors acting theater scenes, and throw in a play within a play to boot, for good measure.
I know I sound somewhat critical above, and under less skilled hands, such criticism would be warranted. But not here. THE SALESMAN is compelling from beginning to end. And using Arthur Miller's iconic play, THE DEATH OF A SALESMAN, works so well to comment on these character's dreams, failings, nobility and humanity.
A dream -- or rather dreams -- shattered by a single, accidental, innocent incident. At the end of the journey, of our own Odyssey, whether we arise as a hero or a victim depends on our choices, our attitudes, our sheer willfulness for goodness or our tendency for self-destruction. To me, this movie raised these issues, and more. I loved it. Compelling through and through, and from a most-gifted, cinematically articulate director.
Scoring the different elements of the film objectively, 1 to 4:
Script/Story: 4, loved it. And all this set against a backdrop of a crackling, fall building; a house of cards, if you will.
Cinematography/Visual Effects: 3.5. Well shot. Close shots heightened the tension.
Editing: 3.5. Well edited; kept the pacing of a natural thriller, but lacked the cheesiness of one.
Sound Effects: 3, competent sound mixing
Musical Score: 3; frankly do not recall any musical score underscoring the film. This is sad as I should have noticed. Was there one?
Performances: 4, extremely strong performances. Great ensemble work, and standout work by the two leads, and the old man, too. I was particularly touched by the scene between the two men when the lead told the old man to take off his shoes. This scene was so effectively shot. Slow pacing of the camera capturing every quiver of both performances. Wow.
Production Design: Sets, Locations, Costumes, etc.: 2.5; my complaint here deals with the shots from the theater itself where DEATH OF A SALESMAN was being performed. Needed something more here.
Would you recommend this movie to a friend? Absolutely; a fine work of cinema. And extremely provocative. Well written; well shot; well delivered. Most highly recommended. Strong Oscar contender for Best Foreign Language Film.
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