Directed by
| Emma Samms | ||
Writing Credits (in alphabetical order)
| Emma Samms | ... | (story) |
| Emma Samms | ... | (writer) |
| Lucy Whelan | ... | (story) |
Cast
| Jon Culshaw | ... | Pete | |
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Jemma Dene | ... | Young Mal |
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Max Dinnen | ... | Alex |
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Elliot Jones | ... | Doctor |
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Rhodri Marsden | ... | Physics Teacher |
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Romilly Mason Pearson | ... | Young Lucy |
| Grace Molony | ... | Lucy | |
| Georgie Oulton | ... | Mal | |
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Woody Rankin | ... | Will |
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Lucy Scott | ... | Helen |
Produced by
| Charles Haswell | ... | producer |
| Lisa Pierozzi | ... | producer |
| Adam Samuelson | ... | associate producer |
Music by
| Nina Humphreys | ||
Cinematography by
| Carlos De Carvalho | ||
Editing by
| Sarah Brewerton | ||
Production Design by
| Anthony Neale | ||
Set Decoration by
| Merel Graeve | ||
Costume Design by
| Joana Sena | ||
Makeup Department
| Ala Pangracova | ... | hair stylist / makeup artist |
Production Management
| Rebecca Bullen | ... | production manager |
| Alice Greenland | ... | post-production supervisor |
Second Unit Director or Assistant Director
| Laura Moloney | ... | third assistant director |
| James Reid | ... | third assistant director |
| Sam Rook | ... | assistant director / first assistant director |
Art Department
| Jack Jephson | ... | art department assistant / assistant art director |
| Peter Nation-Grainger | ... | property master / props |
Sound Department
| Joe Fletcher | ... | supervising sound editor |
| Rikki Hanson | ... | boom operator |
Special Effects by
| Steve Paton | ... | special effects technician (as Stephen Paton) / special effects (as Stephen Paton) |
Stunts
| Harriet Haswell | ... | stunt driver |
Camera and Electrical Department
| Tom Aldcroft | ... | helicopter cinematographer |
| Richard Copeman | ... | assistant camera |
| Steve Cortie | ... | gaffer |
| John Donne | ... | grip |
| Michael Farrell | ... | grip |
| Tony Goulding | ... | gaffer |
| Ian Jackson | ... | assistant camera |
| Ray Meere | ... | assistant camera |
| Jamie Monks | ... | grip |
| Phil Murray | ... | grip |
| Charlie Noble | ... | digital imaging technician |
| Alice Pennefather | ... | electronic press kit |
| Terry Robb | ... | gaffer: splinter unit |
| Kat Spencer | ... | assistant camera |
| Alex Tate | ... | grip |
| Robert Toft | ... | video operator |
Animation Department
| Jenny Lee | ... | animator (as Jenny Pharis) |
Script and Continuity Department
| Cottia Thorowgood | ... | script supervisor |
Additional Crew
| Julie Dene | ... | stills photographer |
| Alice Pennefather | ... | electronic press kit |
| Woody Rankin | ... | production assistant |
| Will Samuelson | ... | specialist film pilot |
| Lucy Saunders | ... | production assistant |
| Domonic White | ... | electronic press kit |
Thanks
| Sarah Brewerton | ... | the producers wish to thank |
| Sarah Butterfield | ... | the producers wish to thank |
| Carlos De Carvalho | ... | the producers wish to thank |
| Andy Dragazis | ... | the producers wish to thank |
| Claudia Hoover | ... | the producers wish to thank |
| Nila Karadia | ... | the producers wish to thank |
| Lucy Mason Pearson | ... | special thanks |
| Nick Mason Pearson | ... | special thanks |
| Lynne Samuelson | ... | the producers wish to thank |
| Will Samuelson | ... | special thanks |
| Harrie Wilcock | ... | the producers wish to thank |