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Mother! (2017)

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A couple's relationship is tested when uninvited guests arrive at their home, disrupting their tranquil existence.

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40 ( 10)
1 win & 11 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
...
Him
...
Man
...
...
Younger Brother
...
...
Cupbearer
...
Damsel
...
Consoler
...
Bumbler
Raphael Grosz-Harvey ...
Philanderer
...
Fool
Abraham Aronofsky ...
Wanderer
...
Idler
...
Whisperer
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Storyline

Amidst a wild flat meadow encircled by an Edenic lush forest, a couple has cocooned itself in a secluded grand mansion that was not so long ago burned to the ground, devotedly restored by the supportive wife. Within this safe environment, the once famous middle-aged poet husband is desirous of creating his magnum opus, however, he seems unable to break out of the persistent creative rut that haunts him. And then, unexpectedly, a knock at the door and the sudden arrival of a cryptic late-night visitor and his intrusive wife will stimulate the writer's stagnant imagination, and much to the perplexed wife's surprise, the more chaos he lets in their haven, the better for his punctured male ego. In the end, will this incremental mess blemish irreparably the couple's inviolable sanctuary? Written by Nick Riganas

Plot Summary | Plot Synopsis

Taglines:

seeing is believing

Genres:

Drama | Horror | Mystery

Motion Picture Rating (MPAA)

Rated R for strong disturbing violent content, some sexuality, nudity and language | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

| |  »

Country:

Language:

Release Date:

15 September 2017 (USA)  »

Also Known As:

Day 6  »

Filming Locations:

 »

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Box Office

Budget:

$33,000,000 (estimated)

Opening Weekend USA:

$7,534,673, 17 September 2017, Wide Release

Gross USA:

$17,800,004, 26 October 2017
See more on IMDbPro »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The following statement by Darren Aronofsky was released a week before the premiere: "It is a mad time to be alive. As the world population nears 8 billion we face issues too serious to fathom: ecosystems collapse as we witness extinction at an unprecedented rate; migrant crises disrupt governments; a seemingly schizophrenic US helps broker a landmark climate treaty and months later withdraws; ancient tribal disputes and beliefs continue to drive war and division; the largest iceberg ever recorded breaks off an Antarctic ice shelf and drifts out to sea. At the same time we face issues too ridiculous to comprehend: in South America, tourists twice kill rare baby dolphins that washed ashore, suffocating them in a frenzy of selfies; politics resembles sporting events; people still starve to death while others can order any meat they desire. As a species our footprint is perilously unsustainable yet we live in a state of denial about the outlook for our planet and our place on it. From this primordial soup of angst and helplessness, I woke up one morning and this movie poured out of me like a fever dream. All of my previous films gestated with me for many years but I wrote the first draft of Mother! (2017) in 5 days. Within a year we were rolling cameras. And now two years later, it is an honor to return to the Lido for the world premiere. I imagine people may ask why the film has such a dark vision. Hubert Selby Jr., the author of Requiem for a Dream (2000), taught me that through staring into the darkest parts of ourselves is where we find the light. "Mother!" begins as a chamber story about a marriage. At the center is a woman who is asked to give and give and give until she can give nothing more. Eventually, the chamber story can't contain the pressure boiling inside. It becomes something else which is hard to explain or describe. I can't fully pinpoint where this film all came from. Some came from the headlines we face every second of every day, some came from the endless buzzing of notifications on our smartphones, some came from living through the blackout of Hurricane Sandy in downtown Manhattan, some came from my heart, some from my gut. Collectively it's a recipe I won't ever be able to reproduce, but I do know this serving is best drunk as a single dose in a shot glass. Knock it back. Salute!" [Aug. 2017] See more »

Goofs

The first time Mother calls 911 and hangs up after it was answered, the 911 dispatcher doesn't attempt to call back. In reality, 911 would immediately call back on a hang up call. See more »

Quotes

[first lines]
Mother: [after waking up] Baby?
See more »

Crazy Credits

At the end of the credits a steady heartbeat is heard See more »


Soundtracks

The End of the World
Written by Sylvia Dee and Arthur Kent
Vocals by Patti Smith
Produced by Tony Shanahan
Patti Smith appears courtesy of Columbia Records
See more »

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User Reviews

 
Aronofsky's mother! will be hated by many, but loved by a precious few
16 September 2017 | by See all my reviews

100

Horrifying. Just.. horrifying. Aronofsky really got me with this one. Not only did he manage to grab me on an intellectual level, but also on an emotional one. This movie is going to be hated by many, I know that now. But for me, this is, hands down, the movie of the year. Every shot, cut, and scream is perfectly constructed to make an immersive atmosphere that never relents in it's uncomfortable feeling, and the acting is seriously award worthy. Javier Bardem is absolutely wonderful, and Jennifer Lawrence... oh man... her performance is absolutely top notch. At first I couldn't quite relate to her character, but as the film progressed, her mindset became my mindset, and we essentially merged into one force of fear and terror that was absolutely unstoppable until the ending. I cannot praise her performance enough in this review. Her emotions leaked from every frame she was in, and it broke my heart and scared me witless the whole way through the film. Aronofsky's pacing is immaculate as well, the whole movie feeling not a second too slow or quick, the events rolling on naturally and in a way that felt very satisfying. The whole way through, I was riveted and invested by the acting and cinematography, which is definitely Aronofsky's best I've seen so far. The entire film is gripping, horrifying, heartbreaking, and absolutely wonderful. Nothing about this movie pulled me out of it. Watching this in a theater was like being in a bomb shelter while the world ended, every sound apocalyptic and every camera shake filling my view. If you can, watch this on the biggest screen you can with the best surround sound you can afford. If you only watch one movie this year, make it this one. This movie is incredible. This is why I study the movies.


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