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Mother! (2017)

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A couple's relationship is tested when uninvited guests arrive at their home, disrupting their tranquil existence.

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40 ( 10)
1 win & 11 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
...
Him
...
Man
...
...
Younger Brother
...
...
Cupbearer
...
Damsel
...
Consoler
...
Bumbler
Raphael Grosz-Harvey ...
Philanderer
...
Fool
Abraham Aronofsky ...
Wanderer
...
Idler
...
Whisperer
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Storyline

Amidst a wild flat meadow encircled by an Edenic lush forest, a couple has cocooned itself in a secluded grand mansion that was not so long ago burned to the ground, devotedly restored by the supportive wife. Within this safe environment, the once famous middle-aged poet husband is desirous of creating his magnum opus, however, he seems unable to break out of the persistent creative rut that haunts him. And then, unexpectedly, a knock at the door and the sudden arrival of a cryptic late-night visitor and his intrusive wife will stimulate the writer's stagnant imagination, and much to the perplexed wife's surprise, the more chaos he lets in their haven, the better for his punctured male ego. In the end, will this incremental mess blemish irreparably the couple's inviolable sanctuary? Written by Nick Riganas

Plot Summary | Plot Synopsis

Taglines:

seeing is believing

Genres:

Drama | Horror | Mystery

Motion Picture Rating (MPAA)

Rated R for strong disturbing violent content, some sexuality, nudity and language | See all certifications »

Parents Guide:

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Details

Official Sites:

| |  »

Country:

Language:

Release Date:

15 September 2017 (USA)  »

Also Known As:

Day 6  »

Filming Locations:

 »

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Box Office

Budget:

$33,000,000 (estimated)

Opening Weekend USA:

$7,534,673, 17 September 2017, Wide Release

Gross USA:

$17,800,004, 26 October 2017
See more on IMDbPro »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Originally titled Day 6. See more »

Goofs

The first time Mother calls 911 and hangs up after it was answered, the 911 dispatcher doesn't attempt to call back. In reality, 911 would immediately call back on a hang up call. See more »

Quotes

[first lines]
Mother: [after waking up] Baby?
See more »

Crazy Credits

At the end of the credits a steady heartbeat is heard See more »

Connections

Referenced in The Andrew Klavan Show: Freedom's Greatest Enemy (2017) See more »

Soundtracks

The End of the World
Written by Sylvia Dee and Arthur Kent
Vocals by Patti Smith
Produced by Tony Shanahan
Patti Smith appears courtesy of Columbia Records
See more »

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User Reviews

 
Mother Of Intentions
17 September 2017 | by See all my reviews

Try to imagine Darren Aronfski with all his talent, preparing Mother in silence working with great actors, re-polishing the script and without the weight of a huge budget. I'm sure Roman Polanski had pressure from the studio to make concessions here and there but look at Rosemary's Baby and tell me. What concessions? I heard Martin Donovan, the director of Apartment Zero, a few months ago, explaining why he hasn't made an American film in 20 years. It was an explanation I'll never forget. He didn't blame anyone or anything, there was no blame of any kind but a deep and I should say, humble reflection and the fruit of his reflection was expressed, beautifully, in his excitement as he prepares his next film. I remembered his words as I watched Mother! Try to imagine Darren Aronfski with all his talent, giving time for the baby to be totally form and ready to be born. Working with great, new, unknown actors, without pyrotechnics but just the truth within the symbols (if any) - I love Jennifer Lawrence and I would have loved to see her play this role at the time of Winter's Bone - regardless of her youth. I believe that small private dreams/nightmares should be told with a feeling of privacy. Think Roman Polanski himself played the meek tittle character in The Tenant and the journey in Mia Farrow's eyes throughout Rosemary's Baby, Colin Firth's invisibility in Apartment Zero. In Mother there is also a Luis Bunuel touch from The Exterminating Angel but in Bunuel we live the surreal mystery with all our five senses. In Mother, we keep questioning, at a distance. No matter how close you come with the camera. Jennifer Lawrence is lovely but she starts with fear in her eyes and she stays there throughout. Javier Bardem is a sloppy variation of John Cassavetes in Rosemary's Baby. Ed Harris, as usual, superb as the Sidney Blackmer of the situation and Michelle Pfeiffer, who provides the biggest and most welcome surprise in a character clearly based on Ruth Gordon's Minnie in the same Polanski masterpiece. For all of the above I felt, sitting through Mother! A long and irritating experience. Now, I'd like to set a complaint about this, who shall I call?


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