Hostile

Hostile is actually a good movie, but you have to make it to the end to figure that out. There is not nearly enough backstory to make much sense of things, and the ending, although touching, doesn't make logistical sense. Maybe fate? My suggestion? Lower your expectations. Don't analyze it too much. And expect a love story more than anything else. You do that, you'll enjoy this movie.

6/10- Comes together nicely (although not logically)

Most movies if you don't get me within the first 10 minutes, I'm out. First of all I'm a fan of dystopian and post apocalypse movies, so it got my attention for over 10 minutes, there were deep sigh moments (the can we get the story moving sighs), but it kept me watching, and after a certain point I felt committed to see it through to the end. While I was watching I'm thinking to myself, is it so bad that I'm watching or is it just good enough to keep me watching, whether it's the former or the latter, I didn't regret the watch, but I wish I would've watched a better movie with that time, talk about opportunity costs!!! If you're watched out on the latest or streaming and you want to watch something for the sake of watching, this isn't a bad fare, keep in mind it's a low budget movie with decent writing and decent acting and the story keeps going just enough for you to not bail out.

I love a good post apocalyptic thriller so I was looking forward to this one. It starts really well, and then quickly becomes odd, then frustrating, then just plain eye-roll worthy.

The entire movie jumps back and forward between timelines but does so in a way that feels very jarring. The entire relationship between the two leads felt unrealistic... so many plot points and character decisions just became too much of a stretch for me. I can suspend my disbelief to a certain point but c'mon guys...

I really wanted to like it, it was shot beautifully, the creatures were genuinely creepy, and it had potential.

Points for originality, I definitely wasn't expecting what I saw (though I did call the 'twist' about 20 minutes before it happened). The message that the writer tries to leave us with is a nice one but feels out of place in this genre and left me with too many questions.

No lie...I was really enjoying this movie right up until the ending. The post apocalyptic movie genre has always intrigued me mainly because I like to judge the decision making processes (or lack thereof) of the protagonists as they dart from one sticky situation to the next. The one common denominator in nearly every single one of these flicks is "OMG! Did you really think going into the dilapidated farm house by yourself and without a weapon or flashlight was going to turn out well?" This movie was no different. Our protagonist played by Brittany Ashworth immediately hit the right notes by coming off as capable, confident, and extremely self sufficient in the desolate landscape she was forced to survive in...and then she rolled her "Mad Max" Battlewagon when a "pre-end of the world photo" she obviously treasured blew out the window, and got a compound leg fracture in addition to an upside down hunk of useless metal, AND was stranded alone. Of course she'd be alone! But to her credit she did a good job fighting off the "things" you'd expect in a world gone to Hades. Then there was that ending. Oh boy. Up until then, not a bad run and I think most people would like it. Grade: B.

The apocalypse happened. "How" morphs itself into "What Now?"

Behind a plethora of sweeping landscape shots depicting the years following an apocalyptic event, Mathieu Turi's feature debut Hostile gives us the story of Juliette (Brittany Ashworth) and her struggle to survive.

Sounds cliche, right?

Wrong. It took a while to digest this film as initially I had written it off as "just another post-apocalyptic film." Let's face it, there are so many in this genre.

The film centers around Juliette and her struggle to stay alive following a debilitating car accident while on a scavenging mission. She must not only survive the barrenness of nature while badly injured, but a threat far more sinister.

We're offered abbreviated glimpses into her life pre-apocalypse as she longs for the days before everything went sideways. During these sequences is when Ashworth really gives a believable depth to her character. There's a palpable honesty in her interaction with the people in her previous life's sphere - most notably the sophisticated and charming Jack (Gregory Fitoussi).

Juliette's memories throughout the film not only to provide a contrast to her current situation but also provide a good break in the inescapable dread of being surrounded by unknown dangers.

The tension in the film is abundant and while the idea of the damsel Juliette needing to be saved borders on tongue-in-cheek, the climactic confrontation is equal parts tense and emotional.