Where to Invade Next (2015)
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- R
- 2h 0min
- Documentary, Comedy
- 25 Feb 2016 (Germany)
- Movie
To learn what the USA can learn from other nations, Michael Moore playfully "invades" them to see what they have to offer.
Director:
Writer:
Awards:
- 4 wins & 13 nominations.
- See more »
Reviews:
Photos and Videos
Cast
| Michael Moore | ... |
Self
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Johnny Fancelli | ... |
Self
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Christina Fancelli | ... |
Self
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Lorena Lardini | ... |
Self
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Luigi Lardini | ... |
Self
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Annarita Lardini | ... |
Self
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Claudio Domenicali | ... |
Self
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Salvatore Bernaducci | ... |
Self
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Valérie Rano | ... |
Self
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Krista Kiuru | ... |
Self - Finnish Minister of Education
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Pasi Majasaari | ... |
Self - High School Principal
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Anna Hart | ... |
Self - First Grade Teacher
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Leena Liusvaara | ... |
Self - School Principal
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Arttu Taipale | ... |
Self - Finnish Student, year abroad in U.S.
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Meghan Smith | ... |
Self - teacher, U.S. Native
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Pasi Sahlberg | ... |
Self - Education Policy Advisor, Finland
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Matej Zebovec | ... |
Self
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Sean Nolimal | ... |
Self
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Leeanna Whirl | ... |
Self
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Ivan Svetlik | ... |
Self
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Jenny Tumas | ... |
Self
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Borut Pahor | ... |
Self
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Indra | ... |
Self
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Madeline | ... |
Self
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Sabine | ... |
Self
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Thomas Sattelberger | ... |
Self
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Ralf Heyen | ... |
Self
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Ole Niethammer | ... |
Self
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Annika Schmidt | ... |
Self
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Sami Ahmed | ... |
Self
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Nelson Ribeiro | ... |
Self
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Rui Marta | ... |
Self
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Nuno Capaz | ... |
Self
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Rune | ... |
Self
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Bekim | ... |
Self
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Wojciech | ... |
Self
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Trond | ... |
Self
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Tom Eberhardt | ... |
Self
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Fidan | ... |
Self
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Victor | ... |
Self
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Jens Christian Syverstad | ... |
Self
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Trond Blattmann | ... |
Self
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Rim Ben Aissa | ... |
Self
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Amel Smaoui | ... |
Self
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Rachid Ghannouchi | ... |
Self
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Halla Tómasdóttir | ... |
Self
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| Vigdís Finnbogadóttir | ... |
Self
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Hafdis | ... |
Self
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Rannveig | ... |
Self
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Margret | ... |
Self
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| Jón Gnarr | ... |
Self
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Ólafur Þór Hauksson | ... |
Self
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Rod Birleson | ... |
Self
(as Rod)
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Directed by
| Michael Moore | ||
Written by
| Michael Moore | ... | (written by) |
Produced by
| Rod Birleson | ... | executive producer |
| Carl Deal | ... | producer |
| Devorah DeVries | ... | coordinating producer |
| Tia Lessin | ... | producer |
| Michael Moore | ... | producer |
| Dorin Razam-Grunfeld | ... | line producer |
| Nan Sandle | ... | consulting producer |
| Mark Shapiro | ... | executive producer |
| Will Staeger | ... | executive producer |
Cinematography by
| Rick Rowley | ... | co-director of photography |
| Jayme Roy | ... | co-director of photography |
Editing by
| Pablo Proenza | ||
| Woody Richman | ... | (as Todd Woody Richman) |
| Tyler H. Walk | ||
Editorial Department
| Allie Ames | ... | digital intermediate conform editor |
| Lauren Belfer | ... | archival research |
| Nate Brown | ... | post-production assistant |
| Jeff Cornell | ... | digital intermediate conform editor |
| Chad D'Entrone | ... | assistant editor |
| Christina Delerme | ... | digital intermediate producer |
| Christine Fall | ... | archival producer |
| Joey Handy | ... | digital intermediate producer |
| Suzannah Herbert | ... | assistant editor |
| Keith Jenson | ... | digital intermediate conform editor |
| Andrew Kovacic | ... | assistant editor |
| Jessica Laudicina | ... | assistant editor |
| Jack Lewars | ... | digital intermediate colorist |
| Christa Majoras | ... | assistant editor |
| Ryan McMahon | ... | digital intermediate conform editor |
| Benjamin Murray | ... | supervising conform editor |
| Anne Yao | ... | first assistant editor |
Production Management
| Rhonda L. Moore | ... | post-production supervisor |
Art Department
| Zartosht Soltani | ... | graphic designer |
Sound Department
| Rich Bologna | ... | sound editor |
| Alex Carpenter | ... | foley artist |
| Bob Chefalas | ... | re-recording mixer |
| Xylina Golding | ... | assistant to the C.O.O. |
| Maegan Hayward | ... | post production sound facility c.o.o. |
| Craig Kyllonen | ... | sound editor |
| Francisco La Torre | ... | sound recordist |
| Ted Mahoney | ... | post production sound facility producer |
| Branka Mrkic | ... | supervising dialogueadr editor |
| Jacob Ribicoff | ... | sound designer, supervising sound edotor, sound re-recording mixer |
| Hilary Stewart | ... | location sound recordist |
| Eric Strausser | ... | assistant sound editor |
| Eric Thomas | ... | sound mixer: NY |
| Paul Tirone | ... | sound re-recordist |
| Roland Vajs | ... | re-recording mixer / sound effects editor |
Camera and Electrical Department
| Justin Hartough | ... | camera operator/digital imaging technician |
| Bárbara Isidro | ... | camera operator: "b" camera, Portugal |
| Mathieu Ravey | ... | assistant camera / camera operator |
| Håvard Schei | ... | still photographer |
| Tia Shuyler | ... | additional camera |
| Walter Thomson | ... | still photographer |
Animation Department
| Tibo Charroppin | ... | animator |
Location Management
| Omar Colado | ... | location manager (uncredited) |
Music Department
| Dan Evans Farkas | ... | music editor |
| Joshua Fielstra | ... | composer: additional music |
| Heather Kreamer | ... | music supervisor |
| Dani Macchi | ... | composer: additional music |
Transportation Department
| Manfred Krejcik | ... | production driver |
Additional Crew
| Emmanuel Denizot | ... | French subtitles |
| Brynja Dögg Friðriksdóttir | ... | production assistant: Iceland |
| Carolina Gimenez | ... | office production assistant |
| Jennifer Jennings | ... | field coordinator |
| Barbara Karen | ... | production accountant |
| Miriam Leshimpiro | ... | office production assistant |
| Daniel Lupa-Chazan | ... | production accountant |
| Amilia Matthews | ... | social media |
| Roman Remer | ... | production assistant: germany |
| André Silva Santos | ... | production assistant: portugal |
| James Singleton | ... | production coordinator |
| Madeline Steinberg | ... | production office assistant |
| Isold Uggadottir | ... | Field Coordinator: Iceland |
| Lavell Wells | ... | post-production coordinator |
| George Young | ... | production accountant |
| Victor Pétur Ólafsson | ... | production assistant |
Thanks
| Kate Bass | ... | thanks |
| Benjamin O'Keefe | ... | special thanks |
Production Companies
Distributors
- Chrysalis Films (2016) (France) (theatrical)
- Diamond Films (2016) (Argentina) (theatrical)
- Dutch FilmWorks (DFW) (2016) (Netherlands) (theatrical)
- Finnkino (2016) (Finland) (theatrical)
- Kadokawa (2016) (Japan) (theatrical)
- Kinepolis Film Distribution (KFD) (2016) (Belgium) (theatrical)
- NOS Audiovisuais (2016) (Portugal) (theatrical)
- Neon (2016) (United States) (theatrical)
- Nexo Digital (2016) (Italy) (theatrical)
- Odeon (2016) (Greece) (theatrical)
- Paradise Group (2016) (Russia) (theatrical)
- Scanbox Entertainment (2016) (Sweden) (theatrical)
- Shaw Organisation (2016) (Singapore) (theatrical)
- Spot On Distribution (2016) (Switzerland) (theatrical)
- Alive Vertrieb und Marketing (2016) (Germany) (Blu-ray) (release through)
- Alive Vertrieb und Marketing (2016) (Germany) (DVD) (release through)
- Anchor Bay Entertainment (2016) (United States) (Blu-ray)
- Anchor Bay Entertainment (2016) (United States) (DVD)
- Avalon (2016) (Spain) (DVD)
- Canvas (2016) (Belgium) (tv)
- Dogwoof (2016) (United Kingdom) (Blu-ray)
- Dogwoof (2016) (United Kingdom) (DVD)
- Dutch FilmWorks (DFW) (2016) (Netherlands) (DVD)
- Falcom Media (2016) (Germany) (DVD) (through Alive Vertrieb und Marketing)
- Falcom Media (2016) (Germany)
- France Télévision Distribution (2016) (France) (DVD)
- Front Row Filmed Entertainment (2016) (United Arab Emirates) (Middle East, North Africa & Iran)
- Ideal Cinema (2016) (Iran)
- Kurmaca Film (2015) (Turkey)
- Pancinema (2016) (South Korea)
- Scanbox Entertainment (2016) (Norway) (Blu-ray)
- Scanbox Entertainment (2016) (Finland) (Blu-ray)
- Scanbox Entertainment (2016) (Finland) (DVD)
- Solar Pictures (2016) (Philippines)
- Yleisradio (YLE) (2018) (Finland) (tv)
Special Effects
Other Companies
- Framepool (stock footage)
- Soundtrack New York (adr facility)
- Soundtrack New York (post-production sound services)
Storyline
| Plot Summary |
To show what the USA can learn from rest of the world, director Michael Moore playfully visits various nations in Europe and Africa as a one-man "invader" to take their ideas and practices for America. Whether it is Italy with its generous vacation time allotments, France with its gourmet school lunches, Germany with its industrial policy, Norway and its prison system, Tunisia and its strongly progressive women's policy, or Iceland and its strong female presence in government and business among others, Michael Moore discovers there is much that American should emulate. Written by Kenneth Chisholm (kchishol@rogers.com) |
| Plot Keywords | |
| Taglines | Michael Moore's most dangerous comedy See more » |
| Genres | |
| Parents Guide | View content advisory » |
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Box Office
| Opening Weekend United States | $564,575, 19 Feb 2016 |
Did You Know?
| Trivia | During the Norway segment, it is stated that mass murderer Anders Behring Breivik, who was responsible for several terrorist attacks in 2011 that killed 77 Norwegians, was sentenced to a minimum of 10 and a maximum of 21 years in prison. It is also mentioned that 21 years imprisonment is the maximum penalty in Norway, regardless of how many casualties there were. Although this is true, it should be added that Breivik was specifically sentenced to containment. Containment or preventive detention means that although the initial sentence is 21 years, the imprisonment can be extended indefinitely, as long as the convict is considered a danger to society, so in practice this probably means life imprisonment. See more » |
| Goofs | When listing what the French get extra for their tax money besides basic services, on screen text states 4 weeks paid vacation. The French have a minimum of 5 weeks paid vacation and 11 legal holidays a year. See more » |
| Movie Connections | Featured in Documentary (2016). See more » |
| Crazy Credits | At the end of the credits, we see a woman scaling a flagpole and cutting down a Confederate Battle Flag, while we hear a pair of men (presumably some sort of law-enforcement officers) requesting that she stop. Accompanying that scene are the words of Moore's battle cry: "Hammer. Chisel. Down." See more » |
| Quotes |
Michael Moore:
I am an American. I live in a great country, that was born in genocide and built on the backs of slaves. See more » |