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Where to Invade Next (2015)

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To learn what the USA can learn from other nations, Michael Moore playfully "invades" them to see what they have to offer.


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3 wins & 11 nominations. See more awards »



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Credited cast:
Rest of cast listed alphabetically:
Krista Kiuru ...
Herself, Finnish Minister of Education
Tim Walker ...
Himself, American teacher in Finland


To show what the USA can learn from rest of the world, director Michael Moore playfully visits various nations in Europe and Africa as a one-man "invader" to take their ideas and practices for America. Whether it is Italy with its generous vacation time allotments, France with its gourmet school lunches, German with its industrial policy, Norway and its prison system, Tunisia and its strongly progressive women's policy and Iceland and its strong female presence in government and business among others, Michael Moore discovers there is much that American should emulate. Written by Kenneth Chisholm (kchishol@rogers.com)

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Prepare to be liberated See more »



Motion Picture Rating (MPAA)

Rated R for language, some violent images, drug use and brief graphic nudity | See all certifications »


Official Sites:

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Release Date:

25 February 2016 (Germany)  »

Also Known As:

Where to Invade Next  »

Filming Locations:


Box Office

Opening Weekend:

$564,575 (USA) (19 February 2016)


$3,820,195 (USA) (22 April 2016)

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Production Co:

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Technical Specs



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Did You Know?


The portion of this film at 1:42:49 to 1:42:59 is much louder than the remainder. See more »


After Moore's meeting with the President of Slovenia, Moore "accidentally" says Slovakia when he's interviewed. It can be inferred that this is a joke, similar to his earlier joke about a lot of Slovenian mail arriving in Slovakia. See more »

Crazy Credits

At the end of the credits, we see a woman scaling a flagpole and cutting down a Confederate Battle Flag, while we hear a pair of men (presumably some sort of law-enforcement officers) requesting that she stop. Accompanying that scene are the words of Moore's battle cry: "Hammer. Chisel. Down." See more »


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User Reviews

Your enjoyment will be in 100% accordance with your appreciation of Michael Moore
4 November 2015 | by (Rochester, NY USA) – See all my reviews

It was worth waiting nearly three hours in a rush line to catch a screening of this film at TIFF. Mike was there, and when he mentioned before the screening that he made this movie entirely with his own money because he wanted 100% control of it, my expectations were immediately elevated.

And definitely rewarded. Whatever your favorite Moore outing is, I can tell you that this film compares favorably to it. But what really made this a memorable experience for me was that after the movie, Moore invited the entire audience to a ticket-holders Q & A with drinks and refreshments at a pub close by. I had to skip the next movie on my docket in order to attend, but I sure wasn't going to miss this!

The movie might be called "Non-American Exceptionalism." In it, he "invades" a host of (mostly European) countries to "capture" their best ideas. These ideas turn out to be systems – be they economic, institutional, educational, penal, etc. – where desirable ends that could never be realized in America are par for the course. It can be a prosperous factory in Italy where the workers are well-paid and get fantastic benefits … it can be the cost-effective school lunch program in France where kids get chef-made gourmet meals every day … it can be the free college in Slovenia ... you get the gist. While Moore doesn't pretend that these countries have no problems (watch the right-wing media say otherwise), his examples certainly seem to be "winners" that he invites scrutiny of.

What's likely to be most controversial about this movie is one of the conclusions he draws: that systems seem to work better when women are involved in the decision-making process. When I asked him at the Q & A how he thought Fox was going to spin this film, he said that with the female-friendly theme, they'll probably say that it's a campaign commercial for Hillary. (For the record, his hero female politician is Elizabeth Warren).

Obviously, your potential enjoyment of this film is completely Moore-dependent. If you've ever enjoyed one of his provocateur films, you can put this one down as a sure thing; if you're one of his detractors, this will make you resent him all the more. Seeing this as a member of the former group and getting to attend a one-of-a-kind Q & A afterward definitely made this one of my all-time TIFF outings.

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