7.4/10
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Good Time (2017)

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After a heist goes awry, a bank robber spends a night trying to free his mentally handicapped brother from being sent to Riker's Island prison.
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4 wins & 24 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
...
...
Crystal (as Taliah Lennice Webster)
...
...
Dash the Park Security Guard
...
Caliph
Peter Verby ...
Saida Mansoor ...
Agapia Nikas
Gladys Mathon ...
Annie
Rose Gregorio ...
Loren Ellman
...
Eric the Bail Bondsman
Astrid Corrales ...
Bail Bondsman's Assistant
Rachel Black ...
Rachel the Public Defender
Hirakish Ranasaki ...
Trevor
Maynard Nicholl ...
Donnie
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Storyline

Motivated by an almost ferocious love for his intellectually disabled brother, Nick, and an explosive mix of desperation and thirst for a better life, the abrasive and fledgeling criminal, Connie, involves his sibling in an ill-conceived bank robbery that swears to be a quick and easy job. Instead, things go utterly wrong, and Nick will wind up in Rikers Island after one unanticipated complication, forcing the desperate but determined Connie to embark on a nightmarish, no-holds-barred quest to bail Nick out. Inevitably, over the course of a long and violent night, Connie will go to great lengths to save Nick from a cruel fate, doomed, however, to do more harm than good. Is it all heading somewhere? Written by Nick Riganas

Plot Summary | Add Synopsis

Taglines:

Are you ready for a Good Time?

Genres:

Crime | Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for language throughout, violence, drug use and sexual content | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

25 August 2017 (USA)  »

Also Known As:

Good Time: Viviendo al límite  »

Filming Locations:

 »

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Box Office

Opening Weekend USA:

$125,101, 13 August 2017, Limited Release

Gross USA:

$2,009,484, 12 October 2017
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

At the end of the film (1hr, 34) the camera slowly pans away from Nicky Nikas (Benny Safdie's character), and a sign saying 'Director' can be seen to the right of him. This is an easter egg pointing to Benny's joint directing credit. See more »

Goofs

During the flashback scene outside White Castle, the Acid Buying Complainer is shown running for along a street and then entering a cab. The street has red colored crosswalks (or bicycle paths) and the cab is green and white. Neither the red path nor any green and white cabs are found in New York City, let alone the Queens, New York area where the film takes place. See more »

Quotes

Crystal: Is your brother okay?
See more »

Crazy Credits

The film's editors receive an unusually prominent credit position: between producers and writers. See more »

Connections

Features Law & Order (1990) See more »

Soundtracks

Gucci Chanel
Written and performed by Nike Boi
Courtesy of Nike Boi
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User Reviews

 
A thrilling, neon-drenched subterranean madcap odyssey anchored by a superbly nervy Robert Pattinson
29 June 2017 | by See all my reviews

The new feature from the Safdie Brothers, Good Time, is utterly incontrovertible proof of Robert Pattinson's talent. A skilled young actor who broke out young, Pattinson, like his equally skilled former co-star Kristen Stewart, has been plagued by his "Twilight" image, and accordingly (and unjustly) derided because of his involvement. The truth is that both Pattinson and Stewart are audacious and feverishly talented young actors, and Good Time will convince all who see it that Robert Pattinson is a fearless and versatile actor.

As an ashen-faced, stubble-laden, nervy-eyed criminal thrust into a constantly escalating trip into the recesses of city nightlife, where stakes are always high, Pattinson relishes in the opportunity to inhabit this character and fully realise all his traits. His pretty-boy-image disappears into an expertly assembled composite of agitated mannerisms and a thick Bronx-like brogue.

The film excels in its visuals. The Safdies adore neon light, which leads to many memorable neon-drenched sequences, such as an extended sequence in a haunted-house theme park that reels in the tension. Much of the film takes place at night, allowing for some atmospheric, neo-noir vibes to come to the fore. What also must be credited is the unrelenting pace of the film, living up to its cheeky title through constantly escalating stakes, a thunderously exciting electronic score and a plot that keeps throwing delightfully absurd and insane twists to keep you constantly engaged. Good Time been likened a lot to Dog Day Afternoon, Sidney Lumet's taut and incredible bank-heist-gone-wrong film, and it's a comparison that is apt, if a bit flattering; the Safdies come close to matching that film's inspired lunacy and delirious tension, through a decidedly more modern aesthetic.

The Safdies directorial style is unique, and I'll be honest it at times got on my nerves. I noticed early on that almost every shot is a close up, often hand-held, which can feel claustrophobic, but also just irritating. That being said, I grew used to the style, and eventually understood its purpose, in buttressing the manic instability of its protagonist, and his morally questionable odyssey. Even so, the style was not always seamless with the narrative. Make sure you don't sit too close to the screen when you watch this film.

Good Time is an exciting, pulsating, modernised noir/New Hollywood thriller that deserves a lot of praise for its terrific suspense and Pattinson's bravura turn.


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