12 years after the tragic death of their little girl, a dollmaker and his wife welcome a nun and several girls from a shuttered orphanage into their home, where they soon become the target of the dollmaker's possessed creation, Annabelle.
A prequel set before the haunting of the Lambert family that reveals how gifted psychic Elise Rainier reluctantly agrees to use her ability to contact the dead in order to help a teenage girl who has been targeted by a dangerous supernatural entity.
An American nanny is shocked that her new English family's boy is actually a life-sized doll. After she violates a list of strict rules, disturbing events make her believe that the doll is really alive.
A man called Paul is working after hours and is murdered by a supernatural entity in the shadow. When his son, the boy Martin, is frightened by the same creature, he sees his mother Sophie talking to an imaginary friend called Diana in the shadow of her room. Martin does not sleep anymore during the night. His older step sister Rebecca who lives alone is summoned by the social assistant. She brings Martin home and recalls her own experience with Diana years ago when she was young. Rebecca and her boyfriend Bret investigate the connection of Sophie with Diana and come up to a scary revelation about their past. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
A sequel to the film was immediately greenlit after the film recouped its budget on its opening weekend alone. See more »
Diana's shadow form appears to be naked, but when we see her body under the UV light, she's always wearing a dress. See more »
[on video call]
Hey, dad. Are you coming home soon?
Yeah, uh, in an hour or so. What's up? Where's mom?
I don't think she's feeling good.
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No person or entity associated with this film received payment or anything of value, or entered into an agreement, in connection with the depiction of tobacco products. See more »
The short is a fantastic example of a clever and well executed idea. It just works, so good, and I was super excited about the feature. So it hurts to say that the feature is far from the clever short.
Why? They milk the concept bone dry in a couple of minutes. You get it all in the intro and everything after the title is just a downward spiral with a bunch of desperate attempts to keep it going. I hoped this could be a great feature version of the weeping angles from Doctor Who. If you haven't seen that you should watch the episode "Blink" right now. http://www.imdb.com/title/tt1000252/?ref_=fn_al_tt_2
Some of my favorite horror movies are the original Chainsaw Massacre, Blair witch project and The Evil Dead. What do they have in common? They leave a lot to your own imagination. You get bits and pieces of explanation but they never give too much. They let you fill in most of the blanks. Lights out wants to explain all of it and centers the whole story about that explanation. In that way they miss the thing that made the concept so good. The fear of the dark and the fear of the unknown. When they take that from us we're left with jumpscares and predictable story lines.
20 of 24 people found this review helpful.
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