Directed by
Frank Barry |
Writing Credits (in alphabetical order)
Frank Barry |
Cast (in credits order)
Dianne Glass | ... | Old Mary | |
Maggie Meyer | ... | Young Mary | |
Sarah Joy Stoker | ... | Mona | |
Norm Karlik | ... | Butcher | |
Agnes Walsh | ... | Butcher's Mom | |
Ivor Sharp | ... | Young Man | |
Craig Hubley | ... | Big Bad Man | |
Rest of cast listed alphabetically: | |||
Anna Connolly | ... | Young Girl | |
Sinead Connolly | ... | Young Girl | |
Tia Connolly | ... | Witch | |
Alison Corbett | ... | Witch | |
Silas Corbett | ... | Baby | |
Jack Duff Jr. | ... | Dancing Boy | |
Darren Ivany | ... | Tough Guy #2 | |
Don Maher | ... | Tough Guy #1 | |
Daphne Stockley | ... | Witch |
Produced by
Brad Gover | ... | producer |
Jill Knox-Gosse | ... | line producer |
Music by
Jason Paul Hayward |
Cinematography by
Scott McClellan | ... | director of photography |
Editing by
Lyly Fortin |
Production Design by
Jenn Brown |
Set Decoration by
Glenn Barrett | ||
Mark Northcott |
Makeup Department
Daphne Stockley | ... | hair / make-up |
Production Management
Gaelen Patrick Condon | ... | unit manager (as Patrick Condon) |
Second Unit Director or Assistant Director
Mark Hoffe | ... | third assistant director |
Walter Lawlor | ... | second assistant director (as Walter Laylor) |
Justin Simms | ... | first assistant director |
Art Department
Andy Pyne | ... | props master |
Sound Department
Phillip Cairns | ... | sound mixer |
Harvey Hyslop | ... | sound mixer |
Mark Neary | ... | boom operator |
Hilary Thomson | ... | foley artist |
Matthew Thomson | ... | sound editor (as Matthew Thompson) |
Visual Effects by
Linda Snelgrove | ... | vfx |
Camera and Electrical Department
Jay Andrews | ... | key grip |
Andrew Best | ... | gaffer |
Sid Collins | ... | camera assistant trainee |
Jay Hamel | ... | second assistant camera (as Jason Hamel) |
Tommy Humphries | ... | best boy electric (as Thomas Humphries) |
Micah Martin | ... | grip |
Stephen McCarthy | ... | best boy grip |
Tim Murphy | ... | genny operator electric |
Mark O'Neill | ... | first assistant camera |
Rhonda Pelly | ... | stills photographer |
Costume and Wardrobe Department
Heather Power | ... | wardrobe assistant |
Charlotte Reid | ... | wardrobe |
Heidi Wagner | ... | wardrobe assistant |
Kelly Warren | ... | wardrobe |
Editorial Department
Steve Cook | ... | colourist / online editor |
Location Management
Liam Small | ... | Locations Manager |
Script and Continuity Department
Natalia Hennelly | ... | script supervisor |
Additional Crew
Tony Butt | ... | catering |
Dave Cox | ... | data management technician |
Steven Berard Gosse | ... | craft (as Steve Gosse) |
Thanks
Rob Blackie | ... | special thanks |
Tony Butt | ... | special thanks |
Debbie Clarke | ... | special thanks |
Ron Coady | ... | special thanks |
Mike Connolly | ... | special thanks |
Shawn Connolly | ... | special thanks |
Tia Connolly | ... | special thanks |
Kenny Corrigan | ... | special thanks |
Allison Duff | ... | special thanks |
Jack Duff | ... | special thanks |
Sean Duffy | ... | special thanks |
Donna Gover | ... | special thanks |
John Gover | ... | special thanks |
Chris Halliday | ... | special thanks |
Dana Hiller | ... | special thanks |
Roger Maunder | ... | special thanks |
John Patton | ... | special thanks |
Juleah Patton | ... | special thanks |
Liz Solo | ... | special thanks |
Wayne Stone | ... | special thanks |
Graham Wells | ... | special thanks |