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A Cure for Wellness (2016)

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An ambitious young executive is sent to retrieve his company's CEO from an idyllic but mysterious "wellness center" at a remote location in the Swiss Alps, but soon suspects that the spa's treatments are not what they seem.



(screenplay), (story by) | 1 more credit »
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Cast overview, first billed only:
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An ambitious young executive is sent to retrieve his company's CEO from an idyllic but mysterious "wellness center" at a remote location in the Swiss Alps. He soon suspects that the spa's miraculous treatments are not what they seem. When he begins to unravel its terrifying secrets, his sanity is tested, as he finds himself diagnosed with the same curious illness that keeps all the guests here longing for the cure. Written by 20th Century Fox

Plot Summary | Plot Synopsis

Motion Picture Rating (MPAA)

Rated R for disturbing violent content and images, sexual content including an assault, graphic nudity, and language | See all certifications »

Parents Guide:



Official Sites:

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Release Date:

17 February 2017 (USA)  »

Also Known As:

La cura siniestra  »

Box Office


$40,000,000 (estimated)

Opening Weekend:

$5,004,463 (USA) (17 February 2017)


$8,103,139 (USA) (17 March 2017)

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:


Aspect Ratio:

1.66 : 1
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Did You Know?


Gore Verbinski's first film since The Mexican (2001) in which the music is not composed by Hans Zimmer. See more »


The blood on Lockhart's shirt changes. See more »


Lockhart: She's your daughter
[Hannah looks in shock at Volmer]
Volmer: You think she's better off in your world?
[peels back the skin off his face]
Volmer: Let ME SHOW YOU What The Outside World IS CAPABLE OF
[Hannah screams on seeing his badly burnt features]
See more »

Crazy Credits

The 20th Century Fox fanfare is silent and the logo fades out early. See more »


References Baron Blood (1972) See more »


Symphony No. 1 in C Major, Op. 21: II. Andante Cantabile Con Moto
Composed by Ludwig van Beethoven
Performed by the London Symphony Orchestra, Conducted by Josef Krips
Courtesy of Countdown Media
See more »

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User Reviews

Eels Well that Ends Well
18 March 2017 | by (United Kingdom) – See all my reviews

"A Cure for Wellness" is the latest film from Gore Verbinski, who has delivered an entertainingly mixed bag of movie goodies over the years from the original (western) version of "The Ring"through three of the first five "Pirates of the Caribbean" films (for the love of God, please STOP!) to 2013's entertaining if bonkers reworking of "The Lone Ranger". Here he is returning to more of the psychological horror of "The Ring" but well mixed with a spoonful of Hitchcockian 'Jimmy Stewart, man out of place' intrigue and a heavy dose of baroque Hammer Horror over-indulgence.

Dane DeHaan – Harry Osborn in the Andrew Garfield "Spiderman" reboot – is a work obsessed investment banker called Lockhart who is coerced by his board into travelling to Switzerland to bring back a senior board member – Pembroke played by Harry Groener – who is a lynchpin in a major merger deal. Pembroke is attending a castle retreat for recuperation but the idyllic rest-home cum spa is not all that it seems to be. As well as having a tragic history, none of the guests ever seem to want to leave it and the villagers are openly hostile to the staff (think "Beauty and the Beast" pitchfork -wielding mode).

Lockhart doesn't in fact spend the 30 minutes he originally intends to at the castle but much longer, for reasons that are deer to my hart (#dreadfulplayonwords). While there, Lockhart meets the mysterious and waif-like teenager Hannah (the appropriately named Mia Goth, actually aged 24) who is described by the institution's director (Harry Potter's Jason Isaacs) as "special".

Who is she? What is going on? Where does the creepy gardener/porter go with a trolley each night?

I must admit a certain amount of chill runs through my body when I sit in a (UK) cinema and see the big red "18" certificate logo appear. I personally find most "15" certificate films quickly reach, and often exceed, my tolerance for acceptable levels of screen violence. However, this was a film where the horror was more at a psychological level rather than a physical level: I think it primarily earned its "18" certificate for a disturbing scene of rape / attempted rape (we could argue the semantics) that is singularly unpleasant. Here again though, I was more disturbed by the context of the act than what actually gets shown.

Cinematically the film has some beautifully rendered moments (by cinematographer Bojan Bazelli, a regular Verbinski collaborator): one of the early scenes of a train rushing in mirrored glory through the Swiss Alps (see below) is just gorgeous. Elsewhere, there are numerous staged shots that again reflect Hitchcock influences, although the mother peering through the magnifying glass unfortunately reminded me strongly of Peter Cushing's hilarious cameo in the Zucker brother's spoof Hitchcockian war film "Top Secret"!

The script by Justin Haythe ("Revolutionary Road", "The Lone Ranger") postulates a clever sub-text to the film: that, as human mice running on the wheel of employment, we are all desperately sick and should be seeking a cure. The fact that the cure is not what it seems is secondary to that message. Haythe's script works successfully in building the tension, helped by an annoyingly catchy music-box melody by composer Benjamin Wallfisch. The action reaches a moment of bleak despair as our hero sits with Hannah by a pool overlooking a spectacular Swiss sunset. "Great…" I thought "… a nicely cryptic and non-Hollywood ending". Unfortunately the moment passes, and the film then descends into a rather torrid and silly final act that pisses away much of my goodwill towards the film (and rating stars with it). This also results in the film – at 146 minutes – being about 20 to 30 minutes too long, and a much tighter treatment could have elevated this to a potential classic.

DeHaan equips himself well in the lead role, and his striking visual appearance is well used. He reminded me strongly at times of the test-tube love-child of a young DiCaprio and Benicio Del Toro, if you can genetically imagine such a thing! Also making a welcome appearance is Celia Imrie as a puzzle-fanatic who knows something's afoot but can only seem to verbalise that through her puzzle answers.

Even though this is classed as a horror film – so you should know what to expect – I do like to sometimes issue warnings for those who might have particular past experiences or phobias that might make a film unwatchable: those related to this film are the aforementioned rape scene; those with odontophobia (the fear of dentists) and those with anguillophobia (the fear of eels), the latter caused presumably by too early an exposure to the horrors of "The Little Mermaid"!

"A Cure for Wellness" – shot, by the way, at the Castle Hohenzollern in Baden-Württemberg, Germany – will probably appeal to lovers of Gothic horror, but its over-indulgences are likely to both frustrate and entertain you in equal measure.

(For the graphical version of this review, and to comment on it, please visit bob-the-movie-man.com).

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