Directed by
Isabelle Sieb |
Writing Credits (in alphabetical order)
Nat Luurtsema |
Cast (in credits order)
Lu Corfield | ... | Hester | |
Phoebe Nicholls | ... | Miranda | |
Nat Luurtsema | ... | Rose | |
Michael Poole | ... | Gramps | |
Al Roberts | ... | Solicitor (as Alastair Roberts) | |
Karen Ash | ... | Nurse (as Karen Williams) | |
John McHale | ... | Old Man |
Produced by
Celine Haddad | ... | executive producer |
Diarmuid Hughes | ... | producer |
Ed Simmons | ... | line producer |
Music by
Stephanie Taylor | ... | composer |
Cinematography by
Eben Bolter |
Editing by
Mark Trend |
Casting By
Lucy Rands |
Production Design by
Jacqueline Abrahams | ... | (production design) |
Art Direction by
Ruta Daubure |
Costume Design by
Tabitha Doyle |
Makeup Department
Chloe Edwards | ... | hair stylist / makeup designer |
Production Management
Annabel Bates | ... | production manager |
Second Unit Director or Assistant Director
Alexander Gudmestad | ... | first assistant director |
Art Department
Louis Rizzo-Naudi | ... | art department assistant (as Louis Rizzo Naudi) |
Sound Department
Tom Pallant | ... | boom operator |
Adam Clayton Williams | ... | sound recordist |
Visual Effects by
Max Horton | ... | colourist |
Camera and Electrical Department
Marco Alonso Monedero | ... | lighting technician |
Bradley Andrew | ... | clapper loader |
Matt 'Frodo' Ball | ... | grip |
Andrew Bradley | ... | second assistant camera |
Rogan Brown | ... | key grip |
Torquil Fleming-Boyd | ... | steadycam op |
Nick Galbusera | ... | lighting technician |
A.J. Golesworthy | ... | focus puller |
Karl Man | ... | gaffer |
Julian Zarzoso-Lowe | ... | camera trainee |
Costume and Wardrobe Department
Crystel Tottenham | ... | costume assistant |
Editorial Department
Chris Young | ... | on-line editor |
Script and Continuity Department
Martina Vazzoler | ... | script supervisor |
Additional Crew
Archie Pearch | ... | production assistant |
Tom Stone | ... | production assistant |
Tom Stone | ... | production assistant |
Thanks
Adam Gerace | ... | thanks |