- 3 nominations.
- See more »
Photos and Videos
Cast
Katrina Bowden | ... |
Sandra
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Krew Hodges | ... |
David
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Nixon Hodges | ... |
David
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Damon Dayoub | ... |
Carl
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Brandon W. Jones | ... |
Ted
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Ashley Madekwe | ... |
Jessa
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Jay Hayden | ... |
Roy Lacombe
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Andrea Ellsworth | ... |
Young
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Lauren McKnight | ... |
Carefree
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Justine Wachsberger | ... |
Happy
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David H. Stevens | ... |
Badass
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Demetrius Daniels | ... |
Cashier
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Sila Agavale | ... |
Man With The Hat
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Katherine Kelly Lang | ... |
Lilith (voice)
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Directed by
Ivan Silvestrini |
Written by
Mauro Uzzeo | ... | (story) & |
Roberto Recchioni | ... | (story) |
Ivan Silvestrini | ... | (screenplay) & |
Mauro Uzzeo | ... | (screenplay) & |
Elena Bucaccio | ... | (screenplay) & |
Stefano Sardo | ... | (screenplay) |
Produced by
Roberto Amoroso | ... | executive producer |
Giovanna Arata | ... | Sky producer |
Claudio Falconi | ... | producer |
Lorenzo Foschi | ... | producer |
Ricky Lloyd George | ... | line producer |
Bettina Godi | ... | supervising producer |
Nils Hartmann | ... | executive producer |
Katherine Kelly Lang | ... | associate producer |
Davide Luchetti | ... | executive producer / producer |
Giovanni Mattioli | ... | co-producer |
Guy Moshe | ... | producer |
Antonio Navarra | ... | co-producer |
Andrea Nocetti | ... | Sky producer |
Sonia Rovai | ... | executive producer |
Vincenzo Sarno | ... | co-producer |
Matthew G. Zamias | ... | producer |
Music by
Diego Buongiorno | ... | (music by) |
Cinematography by
Michael FitzMaurice |
Editing by
Lorenzo Muto |
Editorial Department
Michele De Angelis | ... | on-line editor |
Claudio Del Bravo | ... | colorist |
Ashley Monti | ... | assistant editor |
Giorgia Petrazzini | ... | assistant editor |
Casting By
Daniel Hubbard | ||
Katie Piel | ... | (u.s casting) |
Production Design by
Lorenzo Ceccotti | ||
Chris Scharffenberg |
Art Direction by
Chris Scharffenberg |
Costume Design by
Anina Pinter |
Makeup Department
Sabrina Cruz Castro | ... | makeup department head (as Sabrina Castro) |
Production Management
Diego Loreggian | ... | legal adviser soundtrack |
Justin Oberman | ... | unit production manager |
Second Unit Director or Assistant Director
Daniel Aspromonte | ... | first assistant director |
Darren Chase | ... | second second assistant director |
Andrea Giacomini | ... | second unit director |
Art Department
Lorenzo Ceccotti | ... | graphic designer |
Michael P. Nagy | ... | set dresser |
Brad Salo | ... | property master |
Sound Department
Omar Abouzaid | ... | dialogue editor |
Valerio Brini | ... | re recording mixer |
Kreigh Carter | ... | boom operator |
Mauro Eusepi | ... | foley artist |
Marco Stephen Labruna | ... | foley artist assistant (as Marco Labruna) |
Lilio Rosato | ... | sound editor / supervising sound editor |
Sandro Rossi | ... | re-recording mixer / sound effects editor |
Michele Saldarella | ... | adr recordist |
Special Effects by
Russ Adams | ... | special effects |
Visual Effects by
Gabriele Chiapponi | ... | generalist |
Cristian Giuseppone | ... | visual effects artist |
Federico Gnoli | ... | visual effects producer |
Diana Iashkunova | ... | modeling / texturing |
Marco Panci | ... | visual effects artist: cg artist |
Alessandro Poli | ... | animator |
Roberto Proietti | ... | digital compositor: Frame by Frame |
Alessio Simondi | ... | visual effects artist: cg artist |
Gianluca Sulsenti | ... | visual effects |
Chiara Trinchera | ... | digital compositor |
Andrea Vincenti | ... | FrameByFrame |
Stunts
Jeff Chumas | ... | Co-Coordinator / stunt coordinator |
Eliza Coleman | ... | stunt coordinator |
Whitney Coleman | ... | stunt coordinator |
Marissa Labog | ... | stunt performer |
Camera and Electrical Department
Joseph Canon | ... | first assistant camera |
Ambar Capoor | ... | 2nd unit dp |
Michelle Diaz | ... | second assistant camera |
Cameron FitzMaurice | ... | drone pilot |
Judd Hillman | ... | gaffer |
Lisa Konecny | ... | digital imaging technician |
Timothy Reynolds | ... | grip |
Stefania Rosini | ... | still photographer |
Peter Rybchenkov | ... | grip |
Jonathan Sizemore | ... | lighting technician |
Shawn Turner | ... | lighting technician |
Mercedes Williamson | ... | data wrangler |
Casting Department
Claire Robinson | ... | casting assistant |
Scott Wagstaff | ... | casting assistant |
Costume and Wardrobe Department
Brigitta Barko | ... | assistant costume designer (as Brigitta Barkó) |
Location Management
Kelly Stowell | ... | location manager |
Script and Continuity Department
Carol A. Compton | ... | script clearance |
Additional Crew
Walter Arrighetti | ... | cto |
Brandice Brown | ... | head animal trainer |
Maloree Campbell | ... | animal trainer |
Benedetta Comito | ... | assistant to producer: Davide Luchetti |
Jason Kelly | ... | production staff |
Sam Perez | ... | production assistant |
Scott Schaffer | ... | clearances |
Thanks
Megan Lin | ... | special thanks |
Gary Tieche | ... | special thanks |
Production Companies
Distributors
- AMG Entertainment (2017) (Japan) (theatrical)
- Vision Distribution (2017) (Italy) (theatrical)
- Amazon Prime Video (2016) (United States)
- Busch Media Group (2024) (Germany) (Blu-ray)
- Busch Media Group (2024) (Germany) (DVD)
- Uncork'd Entertainment (2017) (United States)
Special Effects
- Frame by Frame (visual effects)
Other Companies
- Arrow Media Services (Digital asset servicing, DVD authoring and production services)
- Caption Easy (Closed Captioning)
- IndieClear (script clearance)
- Keslow Camera (camera equipment provided by)
- Picturesque Films (executive production)
- Team5 Aerial Systems (specialized camera platforms provided by)
Storyline
Plot Summary |
The former hipster singer Sandra quits her career when she has the baby David. Her husband, the also singer Carl, gives the safest car in the world, Monolith, to her. When he travels to Los Angeles, Sandra decides to visit her parents with David. Monolith's artificial intelligence Lilith helps Sandra to drive in a safe way. When Sandra suspects that Carl may be cheating on her in Los Angeles, she decides to head with David to the City of Angels, and gives her cell phone to entertain David, despite Carl's warning that the car may be controlled by the cell phone. Sandra decides to smoke a cigarette, and overrides Lilith's sensors turning the car into manual. Out of the blue, she hits a deer in a shortcut and leaves the car to see the damage. David locks the car using the cell phone turning into the safest mode, the vault mode, and is trapped inside. Now Sandra needs to find a way to save her son. Written by Claudio Carvalho, Rio de Janeiro, Brazil |
Plot Keywords | |
Taglines | The Safest Car Ever Conceived is Now the Ultimate Death Trap See more » |
Genres | |
Parents Guide | View content advisory » |
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Additional Details
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Box Office
Budget | $1,000,000 (estimated) |
Did You Know?
Trivia | The vehicle that was the basis for the Monolith is a 5th generation Ford Explorer. See more » |
Goofs | When Sandra is shown driving on open roads in the exterior shots, in the interior shots the outside area is residential with buildings. See more » |
Movie Connections | Referenced in Frightfest 2016: In Conversation With (2016). See more » |
Quotes |
Sandra:
Hi um, thank god! I had an accident and my son is locked in the car I need help. [the auto recording of the phone operator continues] Sandra: No what? No no! Fuck! [Sanda hits the power station phone and hangs up] See more » |