Set on the east coast of New Zealand in 1984, Boy, an 11-year-old child and devout Michael Jackson fan, gets a chance to know his absentee criminal father, who has returned to find a bag of money he buried years ago.
In the forests of the Pacific Northwest, a father devoted to raising his six kids with a rigorous physical and intellectual education is forced to leave his paradise and enter the world, challenging his idea of what it means to be a parent.
Bella and Hector, two reclusive country folk, become foster parents to Ricky, a problem child from the city. After some adjustment, things go reasonably well. However, the death of Bella means Hector now has to look after Ricky, and they didn't get along too well. Moreover, her death causes Child Services to decide to send Ricky back to the orphanage. Ricky refuses to go back and runs away, ultimately sparking a national manhunt for him and Hector. Written by
The song that Ricky was dancing to as he listened to his Walkman was Magic What She Do by Dave Dobyn. See more »
When Kahu asks Ricky about his mom, he picks the photograph he's got of her from his pocket, and it is unfolded. The shot cuts to Kahu receiving the photograph while being folded, and then unfolding it again. See more »
I'll never stop running!
Yeah, and I'll never stop chasing you - I'm relentless, I'm like the Terminator.
I'm more like the Terminator than you!
I said it first, you're more like Sarah Connor, and in the first movie too, before she could do chinups.
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The credits include sections headed "Wildercrew" and "Wildercast", with the latter including the subheading "Wilderdogs". See more »
I saw this movie last night in Hokitika. There was a queue outside, which caused comment enough amongst the locals, as this never happens. The cinema was packed with an amazing demographic of people, for example, on one side of me were toddlers with their Mums, on the other a lone hunter-type and behind me a group of retired farmer ladies. I think this speaks volumes on the draw of this film. To put it simply, it ticks all the right boxes. Everyone in Aotearoa (NZ) will know these characters in some form or another; from the gruff old bushman, to the earthy mother figure and the chillaxed cop. It is that familiarity that makes it more engrossing and funny. But not just here, its mix of subtle bathos and pathos will make it universally appealing, of that I am certain. In short: Good on ya, Taika! 'Marvellous' film!
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