In the forests of the Pacific Northwest, a father devoted to raising his six kids with a rigorous physical and intellectual education is forced to leave his paradise and enter the world, challenging his idea of what it means to be a parent.
In a dystopian near future, single people, according to the laws of The City, are taken to The Hotel, where they are obliged to find a romantic partner in forty-five days or are transformed into beasts and sent off into The Woods.
It's the kind of film that you'll be talking about years from now
While Taika Waititi takes over Hollywood with his next two projects: THOR 3: RAGNORAK (2017) and a sequel to his funniest film to date WHAT WE DO IN THE SHADOWS (2014), hysterically entitled WE'RE WOLVES, his latest "little film that could" should put Sam Neil back on the map with a wonderfully gracious performance.
This magical realist New Zealand adventure drops an unloved, rebellious, little fat kid into the wild, wild southwest and I'm here to say that this was the feel good film of Sundance this year. Luckily writer/director Waititi has held onto his unique dry-humor, which dates back to his debut feature EAGLE VS. SHARK (2007) as well as his underrated second film BOY (2010). But this krazy kids flick is not just satisfied with referencing all of the 1980s films its creator grew up loving: The movie itself is an actual throwback to the kind of children's fare that were laced with some very heavy adult issues like Walter Murch's RETURN TO OZ (1985) and Nicolas Roeg's THE WiTCHES (1990). Make sure to catch this truly loving film upon its initial theatrical release. It's the kind of experience that you'll be talking about years from now, perhaps even sharing with children of your own.
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