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Christine (2016)

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The story of Christine Chubbuck, a 1970s TV reporter struggling with depression and professional frustrations as she tries to advance her career.

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374 ( 704)
5 wins & 20 nominations. See more awards »

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Cast

Cast overview, first billed only:
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George
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Jean
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Peg
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Steve (as Tim Simons)
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Andrea
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Bob Andersen
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Doctor Parsons
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Mitch
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Gail
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Capt. Frank Basil
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Miranda
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Crystal
David Foster ...
Bandaged Man
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Storyline

The story of Christine Chubbuck, a 1970s TV reporter struggling with depression and professional frustrations as she tries to advance her career.

Plot Summary | Add Synopsis

Taglines:

In keeping with Channel 40's policy of bringing you the latest in 'blood and guts', and in living color, you are going to see another first... Christine.

Genres:

Biography | Drama

Motion Picture Rating (MPAA)

Rated R for a scene of disturbing violence and for language including some sexual references | See all certifications »

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Details

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Release Date:

14 October 2016 (USA)  »

Also Known As:

Кристин  »

Box Office

Opening Weekend:

$13,418 (USA) (14 October 2016)

Gross:

$298,484 (USA) (6 January 2017)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Screenwriter Craig Shilowich was drawn to the story of Christine Chubbuck because like her, he had gone through depression in his late teens and early twenties. See more »

Goofs

The Sony television in Christine and her mom's living room is a model clearly from no earlier than the late 1970s. See more »

Quotes

Michael: look Chubbuck, just make your stories juicy!
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Crazy Credits

The credits don't roll, but are in still form. See more »

Connections

Featured in Film '72: Episode #46.2 (2017) See more »

Soundtracks

Annie's Song
Written by John Denver
Performed by John Denver
Published by Kobalt Music Publishing America
Courtesy of RCA Records
By arrangement with Sony Music Licensing
See more »

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User Reviews

 
the latest in blood and guts
3 November 2016 | by (Dallas, Texas) – See all my reviews

Greetings again from the darkness. On July 15, 1974, television news reporter Christine Chubbuck read a prepared statement and then committed suicide on-air by putting a gun to her head and pulling the trigger. You may not recognize her name, but you have likely heard the story … it's no urban legend. Director Antonio Campos and writer Craig Shilowich offer up a biopic with some insight into Ms. Chubbuck's personal and professional life so that we might better understand what drove her to such a public and tragic end.

Rebecca Hall takes on the titular role (don't mistake this for the 1983 John Carpenter/Stephen King film), and despite her usual stilted on screen mannerisms, she delivers what is an emotionally raw and nuanced performance that is the best of her career … and one that keeps us glued to a story of which we already know the ending. We see a woman dedicated to her vision of the profession, while being maddening to those who know her, love her, and work with her. She has an awkward intensity that compounds her lack of social skills and an ongoing struggle with depression. Somehow, Ms. Hall allows us to understand the personal and professional struggles and how things could have spiraled into hopelessness for Christine.

The commentary on the early days of tabloid journalism ("If it bleeds, it leads") is especially interesting given how the current Presidential campaigns have been covered more than 40 years after the film is set. One might also note the parallels to the character of Howard Beale in Network (1976) … though Christine Chubbuck was less vociferous and never took to yelling "I'm mad as hell, and I'm not going to take it anymore" while on camera (though she evidently felt that way).

Support work comes from Tracy Letts as the frustrated news director, Michael C Hall as the mixed-signals anchorman on whom Christine has a quiet crush, J. Smith-Cameron as her mother and housemate, Maria Dizzia as her friend and co-worker, and Timothy Simons as the misunderstood and ignored weatherman.

The film clearly makes the point that Christine was a misfit in her work and personal life, and though some of the timeline and known specifics are either re-worked or ignored for artistic purposes, Ms. Hall must be commended for highlighting the effects of depression. Even the best meaning friends and family can unintentionally make things worse. We see a clip of Walter Cronkite's actual report of her death, and Christine's own words – "The latest in blood and guts" – were actually ahead of her time.


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