Along India's Ganges River, four people face prejudice, a strict moral code and a punishing caste system as they confront personal tragedies.Along India's Ganges River, four people face prejudice, a strict moral code and a punishing caste system as they confront personal tragedies.Along India's Ganges River, four people face prejudice, a strict moral code and a punishing caste system as they confront personal tragedies.
- Awards
- 26 wins & 29 nominations total
Richa Chadha
- Devi Pathak
- (as Richa Chadda)
Pankaj Tripathi
- Sadhya Ji
- (as Pankaj Tripathy)
Saurabh Choudhary
- Piyush Agarwal
- (as a different name)
Featured reviews
Thanks to Bollywood for making such kind of movie. An abstract, artistic and full of emotions which portrays real life of Banaras. Film touches delicate issues of life and depicts how expression of those emotions could be dangerous especially in a small town in India. Story revolves around two youths when their life gets changed by death of someone close. But at the end, they understand the cycle of life and death and just tries to move on their life (which I suppose happened, because there's no proper ending of this movie and it was intentional!) Dialogues and songs are completely resonate with the theme of movie. Overall one of the epic movie of recent times with realistic story which leaves viewers to think about the ending and life!! A must watch non commercial realistic movie!
FIPRESCI, Un Certain Regard and standing ovation at Cannes, standing ovation in Ahmadabad and now a standing ovation in Bangalore, Neeraj Ghaywan's Masaan is a film that deserves high accolades for its exceptionally well written screenplay and execution. This year has been good for Indian cinema with some of the best films like "Court", "Killa" and "Kaaka Mottai" hitting the screens. Masaan joins this list of elite films. These films do not have big stars, big investments but the honesty in film-making and the content that they carry is something that Indian cinema has not attempted before, even attempted not this subtle. "More subtle, more the impact" seems to be the mantra of these films. From larger than life narratives these films bring in the shift to depict stories of ordinary people in mundane situations and their reactions. There is a kind of honesty and faith in the film which one can easily get engaged to. This not only brings the freshness breaking the stereotypical norms also gives out thoughts through the different layers the narrative has. The stories that narrate the connect of human emotions need to be explored more. "Masaan" deals with the connects of relationship in a very mature and subtle way. It keeps away from the usual melodrama. It thrives of modernism though tied with traditional values. "Its a bold film with values rather than bold visuals".. Each one of the characters has a story with real life turmoils. Some of the scenes are brilliant. Thanks to the film-making brilliance. Such experiments have an overwhelming and everlasting impact on the audience. You realize how cinema can be used as a powerful medium. You train yourself to care about good cinema watching films like "Masaan"and i think this is something such kind of films do beyond what they are normally expected to. The joy of having watched a satisfactory film is one of the best feelings any film-lover will want to have. It has become a rare phenomenon in Indian cinema. Commercial cinema has really cared about reaching the 100 Crore mark rather than providing satisfactory cinema. On one end we have the high grosser films and the other we have films like "Masaan" which mainly get tagged as "festival" films and in between films like "Piku" which is good cinema with a commercial appeal. I feel its time to get these festival films a commercial space. Its wrong for a good film to be bound only by festivals, it needs support from the theaters and mainly from the audience to thrive commercially. This would definitely help bring in a change of sense of cinema and help Indian Cinema grow.
Can a single film give us all so many messages, some so universal that it touches all of us as Human beings?Death is as certain as our birth.All of us of whatever culture or faith we are born or bred in know that basic fact.It does not need a thinker or great education. But a film and its audio visual story telling has such an impact that few film like this one can reveal to you all about living even as One faces death all the time or suddenly at any time unexpected.How like flow of river Ganga which begins as many rivers but merges at a geographical place in India the characters of the film begin far apart from each other.The stage is set all along the river and camera captures it in pain, suffering, will to live on and beauty it shares with those who resides along her banks. The spasm of a growing up youth beyond genders and culture or geography is well captured by first part of the film.Two different approaches to Courtship and eventual beginning of a unit of civilization-The family is revealed.One is daring and experimental walking the talk till its unexpected turn and the Other soft and smooth slowly inter twining relationship which too faces its test.Suddenness of turn of events in both stories shake you up and tests the will power of the protagonists.How they climb the uphill climb challenge that the life suddenly throws against them leaves us with immense faith in the flow of time ,life and ability of the Human beings to live on despite it all.The river along is the perfect analogy that any one can relate it all with.The ghats and life of the most ancient city in the world-Kashi,Benares ,Varanasi is captured with caring camera work.Despite the stage where last rites by Fire are performed as a routine occupation by few of its actors the life of courtship ,education, finding job, friendship between genders and within themselves all blossom in front of you.How friends are add ons to the family helping one in many ways during all times is what we all can relate to.How one has to walk out of it all as life moves on too we all know.Barriers of age,culture,ethos,caste and economic difficulties are multiplied by by gross inhuman injustice of corruption and exploitation from those who are our protectors.How in our utopia we all dream of fair-play justice, freedom to be oneself and power to explore all aspects of life as we want!The central characters have acted so well with such finis in direction of each frames and scenes that we all feel the ups and downs in their lives as if our own for 109 minutes we share with them till screen is lit.What else is life but certainty of death looming large silently unseen over it.Still we all live ,enjoy its each moment,and have ability to heal the wounds and learn to live on as a river does.Film will reinforce a belief that Life will help you ,the world will conspire to help you if you help yourself and continue the journey called Life.Walk On despite it all..
Masaan is a story set in real Benaras which is better known as Kashi. Why did I mention real Benaras? This film makes you meet the other side of Kashi which is more active in the night than the day, the cremation Ghats where the dead bodies are burnt as per Hindu rituals. The cremation Ghats of Kashi has been mostly portrayed in films and serials as a mystic place but here the director, a débutant Neeraj Ghyawan and co-writer Varun Grover portrays the cremation Ghats as a usual business place where the bodies are burnt after dying. But, the film has a hidden treasure beyond the burning of the bodies in the cremation ghats. It's the burning of people griefs and the courage to let go their guilt to celebrate a new life.
The urge of arriving in life is portrayed by each central character of the film – Richa Chadha as Devi, Sanjay Mishra as Devi's father and Vicky Kaushal as Deepak. While Devi wants to get out of the narrow mindedness of the city and attain more liberty in the form of experiencing love and pleasure, the other character Deepak wants to break his shackles of being a pyre burning lower caste youth of becoming a civil engineer and dreams of marrying his upper caster girlfriend.
Sanjay Mishra runs a small shop at the cremation ghat and is trying to rejuvenate the cold relationship with his daughter and in order to protect her from a scandal; he breaches his own moral principles when he forces a child who works in his shop to take part in the dangerous game of collecting coins from the Ganges. The story brings twist in the each character's lives when they are forced to do a soul searching. Their soul searching brings dark moments in the film when you feel sad about their lives. But wait, there is light after the dawn and no grief is permanent. The films at the end leaves you with a message that Masaan is not only about burning the physical bodies but also about letting go your grief and making your soul guilt free.
The film is beautifully written with a strong message and a good débutant director attempt towards the serious sensible storytelling cinema. The music by Indian Ocean gels with the characters lives and the city's backdrop. The lyrics and music of the songs 'Tu Kisi Rail si gujarti hai' based on Dushyant Kumar's poetry and Man Kasturi re' are simply magical and has lifetime music value. All credits to the Director Neeraj Ghyawan who has been trained under Anurag Kashyap and the co-writer Varun Grover for such a beautiful story. Both the seasoned and the débutant actors have worked hard on their characters and that is evident from their acting.
I want to end this review for Masaan with these few lines in Hindi.. Jo Man ko Chu Jaye Use khubsurat ahsas kehte hai, Jo Atma ko Chu Jaye Use Masaan Kehte hai !
The urge of arriving in life is portrayed by each central character of the film – Richa Chadha as Devi, Sanjay Mishra as Devi's father and Vicky Kaushal as Deepak. While Devi wants to get out of the narrow mindedness of the city and attain more liberty in the form of experiencing love and pleasure, the other character Deepak wants to break his shackles of being a pyre burning lower caste youth of becoming a civil engineer and dreams of marrying his upper caster girlfriend.
Sanjay Mishra runs a small shop at the cremation ghat and is trying to rejuvenate the cold relationship with his daughter and in order to protect her from a scandal; he breaches his own moral principles when he forces a child who works in his shop to take part in the dangerous game of collecting coins from the Ganges. The story brings twist in the each character's lives when they are forced to do a soul searching. Their soul searching brings dark moments in the film when you feel sad about their lives. But wait, there is light after the dawn and no grief is permanent. The films at the end leaves you with a message that Masaan is not only about burning the physical bodies but also about letting go your grief and making your soul guilt free.
The film is beautifully written with a strong message and a good débutant director attempt towards the serious sensible storytelling cinema. The music by Indian Ocean gels with the characters lives and the city's backdrop. The lyrics and music of the songs 'Tu Kisi Rail si gujarti hai' based on Dushyant Kumar's poetry and Man Kasturi re' are simply magical and has lifetime music value. All credits to the Director Neeraj Ghyawan who has been trained under Anurag Kashyap and the co-writer Varun Grover for such a beautiful story. Both the seasoned and the débutant actors have worked hard on their characters and that is evident from their acting.
I want to end this review for Masaan with these few lines in Hindi.. Jo Man ko Chu Jaye Use khubsurat ahsas kehte hai, Jo Atma ko Chu Jaye Use Masaan Kehte hai !
I don't have to explain why you should watch this movie.
There are so many aspect of this movie which will touch you. Reality, true cinematography, story acting.
People from Banaras, Allahabad, UP will feel more touched due to so many reality scene shot on true spots.
For some people it may be a little sad and heart touching movie, but rest assure, it will leave a mark in your memories.
Perfect and right actors choose, like super Sanjay Mishra, Richa Chadda etc. To really enjoy this movie, watch it undisturbed, end to end, without chit chat, I am saying this because you need to connect to the move and very light emotional plots, which you will miss in small chit chat.
There are so many aspect of this movie which will touch you. Reality, true cinematography, story acting.
People from Banaras, Allahabad, UP will feel more touched due to so many reality scene shot on true spots.
For some people it may be a little sad and heart touching movie, but rest assure, it will leave a mark in your memories.
Perfect and right actors choose, like super Sanjay Mishra, Richa Chadda etc. To really enjoy this movie, watch it undisturbed, end to end, without chit chat, I am saying this because you need to connect to the move and very light emotional plots, which you will miss in small chit chat.
Did you know
- TriviaThe ghats used in shooting were not the original ghats where these rituals happen but were some virgin ghats which were modified to represent the original ghats of Varanasi.
- GoofsWhen Deepak takes a print-out of Shaalu's Facebook profile, the friendship status says 'Friends' when it should be 'Friend Request Sent' because Shaalu has not yet accepted her friend request.
- Quotes
Devi Pathak: Do you live alone?
Sadhya Ji: No, I live with my dad. My dad lives alone.
- ConnectionsReferenced in Mirzapur (2018)
- SoundtracksTu Kisi Rail Si
Written by Varun Grover (Adapted from a Poem by Dushyant Kumar)
Music composed by Indian Ocean
Performed by Swanand Kirkire (vocals) & Indian Ocean
Bass by Rahul Ram
Guitars by Nikhil Rao
Drums and percussion by Amit Kilam
- How long is Masaan?Powered by Alexa
Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Fly Away Solo
- Filming locations
- Varanasi, India(Referred to Benares)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross worldwide
- $651,748
- Runtime1 hour 49 minutes
- Color
- Aspect ratio
- 1.85 : 1
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