Find out why the birds are so angry. When an island populated by happy, flightless birds is visited by mysterious green piggies, it's up to three unlikely outcasts - Red, Chuck and Bomb - to figure out what the pigs are up to.
When Jacob discovers clues to a mystery that stretches across time, he finds Miss Peregrine's Home for Peculiar Children. But the danger deepens after he gets to know the residents and learns about their special powers.
Samuel L. Jackson
In a city of humanoid animals, a hustling theater impresario's attempt to save his theater with a singing competition becomes grander than he anticipates even as its finalists' find that their lives will never be the same.
When the newly crowned Queen Elsa accidentally uses her power to turn things into ice to curse her home in infinite winter, her sister, Anna, teams up with a mountain man, his playful reindeer, and a snowman to change the weather condition.
Storks deliver babies...or at least they used to. Now they deliver packages for global internet giant Cornerstore.com. Junior, the company's top delivery stork, is about to be promoted when he accidentally activates the Baby Making Machine, producing an adorable and wholly unauthorized baby girl. Desperate to deliver this bundle of trouble before the boss gets wise, Junior and his friend Tulip, the only human on Stork Mountain, race to make their first-ever baby drop - in a wild and revealing journey that could make more than one family whole and restore the storks' true mission in the world. Written by
In addition to being Nicholas Stoller's first animated film, this is also his first film not to be released by Universal Pictures, instead being handled by Warner Brothers Pictures. See more »
While Henry and Nate are working together on renovating their house roof, Henry accidentally throws a sledge hammer off the roof. No one climbs down the ladder to retrieve it. Yet, shortly after Henry convinces Sarah that they must bond with their son and Sarah decides to join them in renovating the roof, she grabs the sledge hammer which magically reappears. See more »
Storks, since the beginning of time we have been tasked with delivering babies to people. No matter how hard or painful or boring it got, we would never stop delivering babies. Thank goodness we don't have to do that anymore!
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Part of the closing credits appears in a montage of baby photos. See more »
I found STORKS in the way that you're supposed to find underrated/cult classics: by accident. When it was released, I bought into the collective sigh of underwhelm that most critics expressed and that was my mistake. It's easy to understand why the critical community didn't like it: in an era where Pixar, Disney and even Dreamworks keep churning out magnificently multi-layered heart-warmers that set the bar stratospherically high, STORKS doesn't register all that well. We've been spoiled by excellence. As a result, we've lost the ability to enjoy the simple pleasures of pure entertainment.
And that's what STORKS delivers better than babies or packages: entertainment.
You might have noticed people commenting on how forced and thin the storyline is and how uneven it feels, and those complaints are accurate. The plot is extremely thin (virtually an extended sitcom-sized premise stretched into an epic road-trip format), and the story moves so quickly that it goes too far too fast with nary any breathing room to savor the experience or give the characters the tension or time to build any real catharsis or change. But the characters are so authentic to themselves that you know just about everything you need to know about them from their first scenes.
I think the main reason STORKS gets such middling reviews in print and here on IMDb is because it's an old-fashioned type of comedy: a screwball-slapstick hybrid. The emphasis on sight gags, pain-humor, and wackiness has generally been avoided in animated films as passe and vulgar--low comedy. The rapid-fire snark between the main characters of Tulip and Junior hearken back to the old Howard Hawks workplace comedies of the 1930s, which is definitely an acquired taste in the post-narrative style of humor found in kids entertainment today--where non-sequiturs and punchlines exist in a vacuum and visual comedy is derived from abstraction rather than plasticity. But the comedic energy and the variety of jokes from modern "Office"-style cringe (Pigeon Toady) to the machine-gun-speed HIS GIRL FRIDAYy-style verbal sparring (Tulip & Junior), absurdism (the wolves), post-modern meta-humor (the boy and his parents) to classical WB slapstick of yesteryear, and the film is riotously funny because of it. At the end of the day, that's what STORKS wants to be: FUNNY.
STORKS is not a great film. It's not a masterpiece like TOY STORY or UP. It won't win any Oscars and it won't be everyone's cup of tea. But there's an excellent chance that it will live on as a multi-generational favorite for the same reasons as dumb-fun-with-a-heart-of-gold treasures like SPACEBALLS, DUMB & DUMBER, THE NAKED GUN, and NATIONAL LAMPOONS CHRISTMASs VACATION:
Because you can watch it 1,000 times and it will NEVER stop being funny.
So try it out. There's a 50-50 chance you'll be among the ones who can't stop watching it.
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