At the beginning of the 20th Century Egon Schiele is one of the most provocative artists in Vienna. His life and work are driven by beautiful women and an era that is coming to an end. Two ...
See full summary »
This movie, set in the 19th and 20th Century, follows the life of the german artist Paula Modersohn-Becker. It especially focuses on her most productive years in Worpswede (Germany) and ... See full summary »
A very romantic comedy on the edge of the abyss: in the middle of the deepest life crisis, the Holocaust researcher Toto is assigned an assistant for the congress preparation - Zazie, of ... See full summary »
Jan Josef Liefers
Before Dawn charts the years of exile in the life of famous Jewish Austrian writer Stefan Zweig, his inner struggle for the "right attitude" towards the events in war torn Europe and his search for a new home.
A Roma boy is placed in a mental hospital and experiences the Nazi euthanasia program. Aware of what was happening and attached to friends, the lad attempts to sabotage the program. The ... See full summary »
A historical drama traces the lifelong friendship between two renowned 19th century French artists - painter Paul Cézanne (Guillaume Gallienne) and writer Emile Zola (Guillaume Canet) - ... See full summary »
Three couples who are friends decide to all become parents at the same time. They are more on the young side age-wise, professionally successful and cool. Both idealistic and materialistic,... See full summary »
When Georg loses his job, he conceals the fact from his younger wife Johanna, who wants a child with him. Instead, he embarks upon a campaign of revenge against his former boss and begins to renovate a roller-coaster with an old school friend.
At the beginning of the 20th Century Egon Schiele is one of the most provocative artists in Vienna. His life and work are driven by beautiful women and an era that is coming to an end. Two women will have a lasting impact on him - his sister and first muse Gerti, and 17 year old Wally, arguably Schiele's one true love, immortalized in his famous painting 'Death and the Maiden'. Schiele's radical paintings scandalize Viennese society while daring artists like Gustav Klimt and art agents alike are sensing the exceptional. But Egon Schiele is also prepared to go beyond his own pain and to sacrifice Love and Life for his Art. Art that inspires us up to this day.
During several closeups it can be seen that Noah Saavedra (Egon) and Valerie Pachner (Wally) are wearing contact lenses. The distinctive transparent rings around the irises are clearly showing. See more »
"Egon Schiele: Tod und Mädchen" is a co-production between Germany and Luxembourg that resulted in a 110-minute German language movie from this year (2016). The director and co-writer is Austrian filmmaker Dieter Berner and with the script he got a nice deal of help from prolific Austrian actress Hilde Berger. I mentioned the Austrian impact several times already and this also impact also results in the language in here being Austrian German, a dialect of standard German and I as a German had occasionally difficulties to understand all the dialogues. But it is not so bad that you need subtitles either. There are also very brief inclusions of French language for example and you also won't need subtitles for these parts either. This is the story of Egon Schiele, a successful Austrian artist early in the 20th century. Despite his untimely death under the age of 30, his name is still known to many today, especially those with an interest in the world of painters. The title character is played by actor Noah Saavedra in what is easily his career-defining performance so far. He played a very small part in the latest James Bond movie "Spectre" as well. But in this movie we have here he is in basically every scene from start to finish.
The title could also be "Egon and his women" as the movie is packed with young attractive females crossing Schiele's professional (and inevitably also his personal) path. These would be Moa, Edith, Wally, Gerti, Adele and others and the good thing is that despite this quantity of women, all of them have their very individual strengths in which ways they add to the film. If there is any suspense in this film, then it is which of these women actually married Schiele eventually and she is also the one that died right next to him as we find out right at the beginning. One of the film's strengths is that it is a biopic. It is based on real events and real characters. Of course, parts were added for dramatization purposes I am sure, but this is not a problem at all. I am sure the crucial elements, such as the child abuse trial, are all based on facts. The film needed a little while to really start becoming interesting, but this may be just my personal bias as I have little to no interest in the world of painters. But it is even more impressive that Berner managed a film that still entertained me well, probably because the focus is on Schiele's personal life and yet it still never loses the professional life from the plot. It succeeds in both areas and the filmmaker nicely walked the fine line here. It is not so personal that it could have been about everybody and it is not so artistic that it really just would have been for art lovers. Really well done. More impressively, the film comes close to the two-hour mark and it almost flew by in my opinion. Yes none of the performances (including the lead) were majorly impressive, but they all were also fairly decent. Maybe Maresi Riegner was the best from the bunch. And there was even one really touching moment, namely when we find out about Wally's death (strangely not about his wife's death, which is not half as touching). The title is also a good reference, not just in terms of Schiele's most known work, but also in terms of the two different times when the film plays. All in all, this is one of the best period pieces from 2016 I have seen so far, maybe even the best. I was certainly positively surprised with this one and I found it clearly superior to the much older film starring Mathieu Carrière as Schiele. This 2016 movie is absolutely worth checking out, even for people with little interest in art and painters like myself, or maybe especially for those. One final note: I think they missed the perfect opportunity here to give us the ending credits the moment when we see Schiele dead, but that's just a minor criticism. The very brief epilogue afterward was unnecessary and did not add anything really.
3 of 3 people found this review helpful.
Was this review helpful to you?