During the early days of World War II, the fate of Western Europe hangs on the newly-appointed British Prime Minister Winston Churchill, who must decide whether to negotiate with Hitler, or fight on against incredible odds.
Set over one summer, the film follows precocious six-year-old Moonee as she courts mischief and adventure with her ragtag playmates and bonds with her rebellious but caring mother, all while living in the shadows of Disney World.
Within days of becoming Prime Minister of Great Britain, Winston Churchill (Gary Oldman) must face one of his most turbulent and defining trials: exploring a negotiated peace treaty with Nazi Germany, or standing firm to fight for the ideals, liberty and freedom of a nation. As the unstoppable Nazi forces roll across Western Europe and the threat of invasion is imminent, and with an unprepared public, a skeptical King, and his own party plotting against him, Churchill must withstand his darkest hour, rally a nation, and attempt to change the course of world history. Written by
During the scene when Churchill is talking on the phone to the U.S. President, FDR tells him that the U.S. can't deliver planes that the U.K. has already paid for because of the arms embargo due to the Neutrality Act. Instead, FDR suggest that the planes be flown to just a mile south of the Canadian border and pulled by horse into Canada for "legal" delivery. One of the main themes of the movie A Yank in the R.A.F. (1941) is a flier who "gets into trouble by flying a new fighter directly to Canada instead of to New York and letting it be towed across as the law demands." See more »
Churchill is seen flying to France is a Douglas C-47 with RAF markings in May 1940. The C-47 did not make its first flight until December 1941 and did not enter RAF service until 1942. See more »
At the Paris Theater premiere in NYC last night, Joe Wright concluded his introduction by saying, "This is a film about resistance." That brought immediate and enthusiastic response from the crowd. Oldman gives a stunning performance, but the entire ensemble is clearly caught up in the relevance of the work, not a false note anywhere. Powerful film celebrating Churchill as in touch with the resilience and grit of working class commoners. The villains here are the snobbish pacifist appeasers. Hard to say what American audiences will make of this. It could go either way. There's enough populist ammunition here to leave a huge chunk of the American political landscape as devastated as the castle in Calais.
42 of 61 people found this review helpful.
Was this review helpful to you?
| Report this