Critic Reviews

67

Metascore

Based on 45 critic reviews provided by Metacritic.com
100
Confidently dovetailing three strands that depict present and past reality, as well as a dark fictional detour that functions as a blunt real-life rebuke, the film once again demonstrates that Ford is both an intoxicating sensualist and an accomplished storyteller, with as fine an eye for character detail as he has for color and composition.
100
Some of the scenes in the LA art world are a bit broad. But this is a terrifically absorbing thriller with that vodka-kick of pure malice.
91
Nocturnal Animals is an impressively ambitious effort, one part mean Texas thriller, one part middle-age melodrama, and makes for a meta-textual riddle that is almost as pleasurable to reflect on as it to actually watch.
91
With everything going on, Nocturnal Animals is the sort of narrative and tonal minefield that a lesser director could easily have gotten lost in. Ford allows us to consider and cherish each unique thread and wonder just how it could all possibly come together.
91
Nocturnal Animals is an impressively ambitious effort, one part mean Texas thriller, one part middle-age melodrama, and makes for a meta-textual riddle that is almost as pleasurable to reflect on as it to actually watch.
90
Ford is a true moviemaker - a social observer who's a junkie for sensation and narrative. He has structured Nocturnal Animals beautifully, so that the past feeds into the present, and fiction into reality.
85
Nocturnal Animals packs a real punch and confirms that “A Single Man” was no fluke.
75
The Playlist
Ford's attempt to synthesize the two halves of his film into a coherent whole is what sells it all short.
70
As a screenwriter, Ford has made some brave choices in a difficult, complex adaptation. As a director, though, he veers between delivering far too much, and yet not quite enough.
60
CineVue
It's gorgeous, lush and fun, but there's an underlying silliness to the endeavour which, despite occasional archness, constantly threatens to trivialise events.
40
It's the fashion designer's second movie after his 2009 debut A Single Man, and this is a far more ambitious film, with its sprawling cast, various periods, layered storytelling and musings on life and art. But it's also far less endearing and coherent, and feels almost unbearably cruel and cynical.

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