Retreating from life after a tragedy, a man questions the universe by writing to Love, Time and Death. Receiving unexpected answers, he begins to see how these things interlock and how even loss can reveal moments of meaning and beauty.
In 1942, a Canadian intelligence officer in North Africa encounters a female French Resistance fighter on a deadly mission behind enemy lines. When they reunite in London, their relationship is tested by the pressures of war.
WWII American Army Medic Desmond T. Doss, who served during the Battle of Okinawa, refuses to kill people, and becomes the first man in American history to receive the Medal of Honor without firing a shot.
Over the holidays, Ned (Bryan Cranston), an overprotective but loving dad and his family visit his daughter at Stanford, where he meets his biggest nightmare: her well-meaning but socially awkward Silicon Valley billionaire boyfriend, Laird (James Franco). The rivalry develops,and Ned's panic level goes through the roof when he finds himself lost in this glamorous high-tech world and learns that Laird is about to pop the question. Written by
20th Century Fox
When Kevin and Ned are trying to hack into Laird's computer, Ned tries various passwords. Each time, the words he is typing appears on screen as text. In reality, for security reasons, all passwords appear on screen as a series of asterisks. See more »
Routine, by-the-numbers tale of a man, repelled by his college-aged daughter's boyfriend, attempting to show her what a loser he is. It turns out, however, the boyfriend is an internet multimillionaire, and an obnoxious, loud, profanity-laden one, at that. There is nothing even remotely likable about his character, so it is easy to understand why Cranston doesn't like him.
Little, if anything, we've not seen before (except for the dead moose in a pool of urine, in one of the more disgusting moments) its talented cast carries the film, and its half dozen laughs, and ham-fisted product placement (Subway, Applebee's) The audience I saw this with had a few laughs, but also long, quite stretches in between, so I suppose I'm not the only one unimpressed with this one.
Keenan's genuinely bizarre, guru character was more puzzling than funny, as were his sideburns, the oddest sideburns since Tony The Pimp, from Demons.
While we're on the topic of puzzling things, why did we have to endure five minutes of Brian Cranston sitting on the toilet, try to figure how to use the bidet? Kiss' cameo at the end seemed surreal, like even they were unsure of why they were in the movie.
Released at Christmastime, but barely a Christmas movie, although one of the funnier scenes involved searching for a Christmas tree.
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