It's been months since Jafar Panahi, stuck in jail, has been awaiting a verdict by the appeals court. By depicting a day in his life, Panahi and Mojtaba Mirtahmasb try to portray the deprivations looming in contemporary Iranian cinema.
In a secluded house by the sea with the curtains shut, a screenwriter hides from the world with only his dog as company. The tranquility is abruptly broken one night by the arrival of a ... See full summary »
When a young girl becomes lost in the hustle and bustle of Tehran, her journey turns into a dazzling exercise on the nature of film itself. In this ingenious and daringly original feature, ... See full summary »
Mina Mohammad Khani,
When you are a filmmaker and you are not allowed to direct movies any more, you have to retrain. So why not become a taxi driver? Or better, why not pretend you are a taxi driver and make a film despite everything? This is what Jafar Panahi has done. Now he invites you to get into his cab for the price of a cinema ticket, to ride through the streets of Tehran and discover its people in the persons of his various passengers. Written by
Shortly after the film's premiere at Berlin was announced, Panahi released an official statement in which he promised to continue making films despite the ban and said "Nothing can prevent me from making films since when being pushed to the ultimate corners I connect with my inner-self and, in such private spaces, despite all limitations, the necessity to create becomes even more of an urge." See more »
They work in a way that let us to know they are watching us.Their tactics are obvious.First, they write you up a police record. Suddenly, you are accused of being an agent for Mossad, The CIA, or MI6. Then they tack on something about your morals, your lifestyle. They make your life into a prison.Although you are released from prison, but the outside world is only a bigger prison.They make your nearest friends into your worst enemies.After that you think all you can do is either leave the ...
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Panahi was banned from making films for 20 years by the Iranian Government in 2010 but who then responded by making idiosyncratic 'films' with no actors and no end credits and then smuggling them out of the country.
In Tehran Taxi, Panahi masquerades as a taxi driver and picks up a range of curious passengers throughout Tehran; from a couple of old ladies nursing a goldfish in a bowl, a mugger, a flower seller and a traffic accident victim.
It's an unusual style, but one made familiar by dash-cams across the world and both the subject matter and style of interlocking stories reminded me of Jim Jarmush's 1991 film 'Night on Earth'.
Panahi isn't a comedian, but his style is lighthearted. The fact he is a film maker rather than a real taxi driver also means that he doesn't know many directions around the city and he further bemuses passengers when he refuses to take payment at the end of the ride. Equally though film paints an interesting picture of the everyday lives of the passengers and the buzz of the city going on on the streets of Tehran outside of the taxi's window.
Tehran Taxi is an excellent film. Sit back and enjoy the ride!
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