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Taxi Tehran (2015)

Taxi (original title)
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Jafar Panahi is banned from making movies by the Iranian government, he poses as a taxi driver and makes a movie about social challenges in Iran.

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5 wins & 6 nominations. See more awards »

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Storyline

When you are a filmmaker and you are not allowed to direct movies any more, you have to retrain. So why not become a taxi driver? Or better, why not pretend you are a taxi driver and make a film despite everything? This is what Jafar Panahi has done. Now he invites you to get into his cab for the price of a cinema ticket, to ride through the streets of Tehran and discover its people in the persons of his various passengers. Written by Guy Bellinger

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Comedy | Drama

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Release Date:

15 April 2015 (France)  »

Also Known As:

Jafar Panahi's Taxi  »

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Box Office

Opening Weekend:

$166 (USA) (5 February 2016)

Gross:

$321,642 (USA) (22 April 2016)
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1.78 : 1
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Trivia

The film is completely set in one car and the cameras never leave it. See more »

Quotes

Nasrin Sotoudeh: They work in a way that let us to know they are watching us.Their tactics are obvious.First, they write you up a police record. Suddenly, you are accused of being an agent for Mossad, The CIA, or MI6. Then they tack on something about your morals, your lifestyle. They make your life into a prison.Although you are released from prison, but the outside world is only a bigger prison.They make your nearest friends into your worst enemies.After that you think all you can do is either leave the ...
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Connections

References Midnight in Paris (2011) See more »

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User Reviews

 
A Highly Emotionally Satisfying Miniature
7 December 2015 | by (Singapore) – See all my reviews

Acclaimed Iranian director Jafar Panahi drives a cab through the streets of Teheran. The changing passengers speak out openly what is on their mind. A female teacher and a young man discuss death penalty, a bootlegger offers the new season of "The Walking Dead" and some Woody Allen movies, two old women want to transport their goldfish in a glass bowl to a holy place, a young woman wants to transport her much older husband who has been injured in an accident, and a cheeky little girl explains the rules of Iranian filmmaking and her entitlement to a frappuccino.

A highly emotionally satisfying miniature. On the surface it feels small and funny, but underneath it is seething in anger and defiance at the Iranian government. One of the stuff that makes the movie so unusual is that it is so difficult to pinpoint whether everything is planned or caught in the spur of the moment. Especially the final scene which kept my mind wondering. I really like this a lot. More so when I found out about the sad state of affairs for Jafar Panahi. He is actually banned from making movies for 20 years because he was deemed to have crossed the "sordid realism" line drawn by the Iranian government. How he subtly pokes fun at the authorities is hilarious and yet warm. The whole 80+ min film feels like a window into another world, a world not unlike ours, especially when Eric Khoo's most recent film is deemed "unscreenable". One of the most important films I have seen this year. Now I feel like hunting down The White Balloon, Closed Curtains and This Is Not a Film.


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Are any of the films main protagonists not acting? arkid77
Where the hell do I watch this? hauzer
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Sordid Realism ImManeesh
Any Los Angeles Screenings??? mangaku1
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