One bullet. Three lives. Everyone pays. On an average Los Angeles day, a couple on the verge of divorce and a bullied teenager find their lives desperately changed when the teen's illegal gun accidentally goes off.
Director:
Writers:
Photos and Videos
Cast
| Noah Wyle | ... |
Mark Newman
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| Sharon Leal | ... |
Phoebe
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| Jorge Lendeborg Jr. | ... |
Miguel
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| Xander Berkeley | ... |
Dr. Roberts
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| Elaine Hendrix | ... |
Nurse Marci
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| Malcolm-Jamal Warner | ... |
EMT Jones
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| Joy Osmanski | ... |
Nurse Samantha
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Eve Kagan | ... |
Nurse Gina
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| Dominic Colón | ... |
Garcia
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| Tommy Day Carey | ... |
Turner
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| Rafael Cebrián | ... |
Juan
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| Brad Lee Wind | ... |
Anderson
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| Sarah Clarke | ... |
Dr. Fisher
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| Rest of cast listed alphabetically: | |||
| Peter Banifaz | ... |
Dr. Schiabarassi
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| Christie Burson | ... |
Esther
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| Josh Butcher | ... |
EMT Frank
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| John Ciccolini | ... |
X Ray Tech
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| Kate Connor | ... |
Wife
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| Chris Coppola | ... |
Cat Scan Tech
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Peter Cortes | ... |
Jose
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| Cher Ferreyra | ... |
Anita
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Andy Hirsch | ... |
Husband
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| Alondra Lara | ... |
Rosa
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| Patrick J. Nicolas | ... |
Man
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| Mario Orozco | ... |
Latino Youth
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| Sarah-Nicole Robles | ... |
Girl
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| Maria Russell | ... |
Ramirez
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| Sophia Santi | ... |
Hospital administrator
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| William B. Simmons II | ... |
Baptiste
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Directed by
| Jeremy Kagan | ||
Written by
| Anneke Campbell | ... | (writer) |
| Anneke Campbell | ... | () |
| Jeremy Kagan | ... | (story) |
| Will Lamborn | ... | () (as William Lambom) |
Produced by
| Anneke Campbell | ... | executive producer |
| Luke Daniels | ... | executive producer |
| Kurt Fethke | ... | executive producer |
| Robert A. Halmi | ... | executive producer (as Robert Halmi Jr.) |
| Jeremy Kagan | ... | producer |
| Dave O'Brien | ... | producer |
| Jerry Offsay | ... | executive producer |
| Alan Pao | ... | executive producer |
| Jim Reeve | ... | executive producer |
| Josh Siegel | ... | producer |
| Ric Smith | ... | line producer |
| Noah Wyle | ... | executive producer |
Music by
| Bruce Broughton | ||
Cinematography by
| Jacek Laskus | ||
Editing by
| Norman Hollyn | ||
Editorial Department
| Andrew R. Cohen | ... | assistant editor |
| Liam Johnson | ... | assistant editor |
| J.D. Moore | ... | digital intermediate editor |
| Alan Pao | ... | digital intermediate producer |
| Sebastian Perez-Burchard | ... | colorist |
| Heather Toll | ... | digital intermediate producer |
Casting By
| Kerry Barden | ||
Production Design by
| Chuck Parker | ||
Costume Design by
| Nik Venet | ||
Makeup Department
| Chelsea Orduno | ... | makeup artist |
| Galaxy San Juan | ... | makeup department head |
Production Management
| Jason Furrer | ... | production supervisor |
| Ric Smith | ... | unit production manager |
Second Unit Director or Assistant Director
| Amanda Carrara | ... | second second assistant director |
| Billy Greenfield | ... | first assistant director |
| Joshua Stickler | ... | second assistant director |
Art Department
| Anthony Cafaro | ... | property master |
| Dwight Hwang | ... | storyboard artist |
| Steven Manganaro | ... | lead man |
| Philip Steiger | ... | set dresser |
Sound Department
| Sean M. Baker | ... | dialogue editor |
| Peter Bawiec | ... | sound designer |
| Jan Bezouska | ... | sound designer |
| Joseph R. De Guzman | ... | dialogue editor |
| Spencer Flynn | ... | boom operator |
| Gabriel Fragoso | ... | sound mixer |
| Ryne Howard | ... | foley artist |
| Joshua Perkins | ... | foley artist |
| Michael J. McDonald | ... | re-recording mixer / supervising sound editor |
| Jason Milversted | ... | dialogue editor |
| Josh Murphy | ... | foley artist |
| Brahm Patel | ... | foley recordist |
| Ray Quintana | ... | adr recordist / dialogue editor / foley editor / m&e mixer |
| Patty Ramirez | ... | post audio booking |
Visual Effects by
| May Satsuki Asai | ... | title artist |
| Chad E. Collier | ... | data manager: Mammal Studios |
| Janice Barlow Collier | ... | pipeline technical assistant: Mammal Studios |
| Evan Hirschberg | ... | compositor: Mammal Studios |
| Gregory D. Liegey | ... | visual effects supervisor: Mammal Studios |
| Daniel Svaboe | ... | digital compositor |
Stunts
| Matthew R. Anderson | ... | stunt coordinator |
Camera and Electrical Department
| Jonathan Bruno | ... | camera operator |
| Gareth Paul Cox | ... | camera operator: a camera |
| Lyndel Crosley | ... | dailies colourist / digital imaging technician |
| Diana Eliazov | ... | camera operator: "a" camera |
| Erdem Ertal | ... | steadicam operator |
| Jerry Franck | ... | steadicam operator |
| Geoff Goodloe | ... | first assistant camera: day player |
| Asia Heredia | ... | first assistant camera |
| Jonathan Medina | ... | second assistant camera |
| J.C. Spike Osorio | ... | lighting technician |
| Joseph C. Petkwitz | ... | gaffer |
| Danny Sosa | ... | key grip |
| Andy Weiss | ... | best boy grip: day player |
Casting Department
| Kelly Hunt | ... | extras casting: lead |
| Rich King | ... | extras casting |
Music Department
| Ross Gasworth | ... | musician: cello |
| Max Lombardo | ... | music sound design |
| Joel Sill | ... | music supervisor |
Script and Continuity Department
| Amanda Griswold | ... | script supervisor |
Transportation Department
| Matthew Ballard | ... | transportation coordinator |
| Julius M. Fletcher | ... | transportation captain |
Additional Crew
| Kim Carney | ... | production coordinator |
| Ozcar Chagolla | ... | social media |
| Kris King | ... | payroll accountant |
| Ian Kronenberg | ... | craft chef |
| Andrew Sitter | ... | set production assistant |
| Mike Tristano | ... | master armorer |
| Clay Van Sickle | ... | armorer |
| Kok-yee Yau | ... | production executive: Great Point Media |
| David R. Higgins | ... | archival photos and footage (uncredited) |
Thanks
| Theodore Martland | ... | thanks |
Production Companies
Distributors
- Paladin (2017) (United States) (theatrical)
- Eagle Films (2017) (Non-US) (Middle east)
Special Effects
- Mammal Studios (visual effects)
Other Companies
- ABS Payroll & Production Accounting Services (payroll services)
- Chapman/Leonard Studio Equipment (camera dollies)
- Chapman/Leonard Studio Equipment (hydrascope telescoping crane arm)
- Chapman/Leonard Studio Equipment (remote camera systems)
- Endcrawl.com (end titles made with)
- Freeway CAM B.V. (collection account management)
- Great Point Media (funding)
- IndieClear (script clearance)
- Rex Post (ADR)
- Tunnel Post (digital intermediate)
Storyline
| Plot Summary |
Mark (Noah Wyle) and Phoebe are in the midst of a breakup. Miguel, a bullied teenager, gets an illegal gun and accidentally shoots Mark. In real time we now experience the consequences of getting shot. Using multiple screen techniques, we viscerally go through everything the couple goes through, and at the same time see how the boy tries to avoid getting caught. The story tracks the events of what the medical profession calls the "golden hour" with all efforts of EMTs and ER teams attempting to save Mark's life. We share Mark's shock, pain, anger, fear, humor, guilt, grief and desire for vengeance and potential redemption, and we watch how this all effects his troubled relationship with his wife. We also track the struggles Miguel has facing his responsibility for the shooting. After that hour of terror, we discover these three characters 5 months later and experience how their lives have been turned upside down, leading to a confrontation with the three of them when Miguel asks for forgiveness for what he did and Mark, paralyzed and embittered, considers revenge. Written by Jeremy Kaagn |
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