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The Circle (2017)

PG-13 | | Drama, Sci-Fi, Thriller | 28 April 2017 (USA)
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A woman lands a dream job at a powerful tech company called the Circle, only to uncover an agenda that will affect the lives of all of humanity.

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(screenplay), (screenplay) | 1 more credit »
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Cast

Cast overview, first billed only:
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Mae
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...
...
...
...
...
Beck
...
Dan
...
Jared
Roger Joseph Manning Jr. ...
Beck Bandmate
Joey Waronker ...
Beck Bandmate
...
Beck Bandmate
Nick Valensi ...
Beck Bandmate (as Nicholas Valensi)
...
Ty
...
Partier
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Storyline

When Mae is hired to work for the world's largest and most powerful tech and social media company, she sees it as an opportunity of a lifetime. As she rises through the ranks, she is encouraged by the company's founder, Eamon Bailey, to engage in a groundbreaking experiment that pushes the boundaries of privacy, ethics and ultimately her personal freedom. Her participation in the experiment, and every decision she makes, begin to affect the lives and future of her friends, family and that of humanity.

Plot Summary | Plot Synopsis

Taglines:

Secrets are lies.Sharing is caring.Privacy is theft. See more »

Genres:

Drama | Sci-Fi | Thriller

Motion Picture Rating (MPAA)

Rated PG-13 for a sexual situation, brief strong language and some thematic elements including drug use | See all certifications »

Parents Guide:

 »
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Details

Language:

Release Date:

28 April 2017 (USA)  »

Also Known As:

Melinda's Song  »

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Box Office

Budget:

$18,000,000 (estimated)

Opening Weekend USA:

$9,034,148, 28 April 2017, Wide Release

Gross USA:

$20,476,391, 2 June 2017
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Opening bridge shot is Dumbarton Bridge in Northern California near Silicon Valley. Fake image of the Circle building located on the Coyote Point recreation park. See more »

Goofs

Emma Watson's "American" accent fluctuates into her native British a lot, especially tonally. See more »

Quotes

[last lines]
Mae: Hello.
See more »

Crazy Credits

A dedication to Bill Paxton at the closing credits which reads: "For Bill". See more »

Connections

Referenced in PWN: Just the Worst Movies - PWN #16 (2017) See more »

Soundtracks

Assiyo Bellema
Traditional
Courtesy of APM Music
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User Reviews

It'll make you think long and hard about how much to put on FACEBOOK!!!
4 May 2017 | by See all my reviews

"Knowing is good, but knowing everything is better." Bailey (Tom Hanks)

How much information is too much? The Circle shows in a direct and melodramatic form that the saturation point is here. Mae (Emma Watson) is hired by a tech-centered firm, an amalgam of Apple, Facebook, and the CIA. Their inclusion-full-knowledge mantra culminates in Mae's agreeing to have complete transparency, a Truman Show for our time.

Bailey is the Steve-Jobs guru, whose weekly assembly for the campus is a model of group think and cultism, launching from the newest technology to the newest invasion of privacy. The willingness of the audience to embrace everything from the unethical farming of information to his obviously self-serving anecdotes suggests Jim-Jones cool-aid-audience imbibing.

The film is an attention-getting, absorbing object lesson in neglecting critical thinking.

The film's provocative theme about full disclosure includes the implied dialectic between the common good and privacy. Knowing where criminals are, such as in our sex-offender laws, is good in the case of creeps but scary when innocent citizens are the object.

Two incidents close to the protagonist illustrate the effects of private invasion, one for survival, the other for denying the efficacy. The former is about saving Mae from drowning because of surveillance and the other about the world seeing her aging parents having sex. No one could wish not to have life-saving surveillance; no one could want parental transparency 24/7.

The Circle is frequently simplistic, e.g., having records that allow automatic registration for voting but also require voting, ignores invasion of privacy and personal choice.

None of this polemic completely negates the efficacy of social media and constant contact. However, transparency, the film suggests, invades and makes circus-like a privacy our Constitution implies.

The camera spends too much time on Mae's bland, wondering stare and meaningless conversations that would be better spent arguing the mission of the Circle. At least it's a start toward better regulation of social information both public and private.


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