An Irish immigrant lands in 1950s Brooklyn, where she quickly falls into a romance with a local. When her past catches up with her, however, she must choose between two countries and the lives that exist within.
After five-year-old Jack and his mother escape from the enclosed surroundings that Jack has known his entire life, the boy makes a thrilling discovery.
Newsroom drama detailing the 2004 CBS 60 Minutes report investigating then-President George W. Bush's military service, and the subsequent firestorm of criticism that cost anchor Dan Rather and producer Mary Mapes their careers.
Director:
James Vanderbilt
Stars:
Cate Blanchett,
Robert Redford,
Dennis Quaid
The true story of how the Boston Globe uncovered the massive scandal of child molestation and cover-up within the local Catholic Archdiocese, shaking the entire Catholic Church to its core.
Director:
Tom McCarthy
Stars:
Mark Ruffalo,
Michael Keaton,
Rachel McAdams
Steve Jobs takes us behind the scenes of the digital revolution, to paint a portrait of the man at its epicenter. The story unfolds backstage at three iconic product launches, ending in 1998 with the unveiling of the iMac.
Director:
Danny Boyle
Stars:
Michael Fassbender,
Kate Winslet,
Seth Rogen
A recently unemployed single father struggles to get back his foreclosed home by working for the real estate broker who is the source of his frustration.
Director:
Ramin Bahrani
Stars:
Andrew Garfield,
Michael Shannon,
Laura Dern
The foot soldiers of the early feminist movement, women who were forced underground to pursue a dangerous game of cat and mouse with an increasingly brutal State.
Director:
Sarah Gavron
Stars:
Carey Mulligan,
Anne-Marie Duff,
Helena Bonham Carter
The story of the five-day interview between Rolling Stone reporter David Lipsky and acclaimed novelist David Foster Wallace, which took place right after the 1996 publication of Wallace's groundbreaking epic novel, 'Infinite Jest.'
Director:
James Ponsoldt
Stars:
Jason Segel,
Jesse Eisenberg,
Anna Chlumsky
Lily Tomlin stars as Elle who has just gotten through breaking up with her girlfriend when Elle's granddaughter Sage unexpectedly shows up needing $600 bucks before sundown. Temporarily broke, Grandma Elle and Sage spend the day trying to get their hands on the cash as their unannounced visits to old friends and flames end up rattling skeletons and digging up secrets.
The car that Elle (Lily Tomlin) and Sage (Julia Garner) drive in for much of the movie is a 1955 Dodge Royal that is actually owned by Lily Tomlin. Tomlin told USA Today that she bought it in 1975 for $1,500. She said, "It's not a prize car. It's not a car that people yearn for. But it has a nice look to it. . . . The car is almost a character in the movie. I knew I kept that car for a reason." See more »
Goofs
At one point, as Elle and Sage are walking away from Olivia, Sage calls her "Vi," the name of Elle's dead partner. See more »
Wait for cable. This Paul Weitz film has had some mixed, but mostly positive reviews, and we gave it a chance based on the cast line-up: Lily Tomlin, Marcia Gay Harden, Sam Elliott. As it turns out, the best, most persuasive performance comes from pale-as-paper Julia Garner, who plays Tomlin's 18-year-old granddaughter, Sage. Her role mostly requires looking on in dismay as the "grown-ups" whom she hopes will help her rant viciously at each other and dredge up decades-old animosities. By staying out of it, she is revealed as Sage the wise, not Sage the turkey-and-dressing ingredient. People vary sharply in what they find funny. Alas, I don't find a firehose delivery of insults and putdowns more than boring. Tomlin's character, poet Elle Reid, is unnaturally prickly and, faced with the pregnancy of her high school student granddaughter, she's not even sympatheticor discreet. "She's already pregnant," she announces to a young man who glances Sage's way. The movie's plot revolves around Elle and Sage's attempts to scare up $600 for an abortion, scheduled for 5:30 pm the day the movie takes place. This is not a gleeful situation, either. I'm a fan of Tomlin's acting, but laudatory reviews to the contrary, she doesn't seem really engaged with this highly predictable material. The ill-conceived (you should pardon the expression) and flimsy device of the appointment deadline puts manic urgency into the pair's approaches to a succession of unlikely loan prospects. Tomlin's interaction with the loser boyfriend is unbelievable in every particular, and nothing written for Tomlin's character suggests she has a poetic bone in her body or the necessary mental discipline and insight for that craft.
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Wait for cable. This Paul Weitz film has had some mixed, but mostly positive reviews, and we gave it a chance based on the cast line-up: Lily Tomlin, Marcia Gay Harden, Sam Elliott. As it turns out, the best, most persuasive performance comes from pale-as-paper Julia Garner, who plays Tomlin's 18-year-old granddaughter, Sage. Her role mostly requires looking on in dismay as the "grown-ups" whom she hopes will help her rant viciously at each other and dredge up decades-old animosities. By staying out of it, she is revealed as Sage the wise, not Sage the turkey-and-dressing ingredient. People vary sharply in what they find funny. Alas, I don't find a firehose delivery of insults and putdowns more than boring. Tomlin's character, poet Elle Reid, is unnaturally prickly and, faced with the pregnancy of her high school student granddaughter, she's not even sympatheticor discreet. "She's already pregnant," she announces to a young man who glances Sage's way. The movie's plot revolves around Elle and Sage's attempts to scare up $600 for an abortion, scheduled for 5:30 pm the day the movie takes place. This is not a gleeful situation, either. I'm a fan of Tomlin's acting, but laudatory reviews to the contrary, she doesn't seem really engaged with this highly predictable material. The ill-conceived (you should pardon the expression) and flimsy device of the appointment deadline puts manic urgency into the pair's approaches to a succession of unlikely loan prospects. Tomlin's interaction with the loser boyfriend is unbelievable in every particular, and nothing written for Tomlin's character suggests she has a poetic bone in her body or the necessary mental discipline and insight for that craft.