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A teenager facing an unplanned pregnancy seeks help from her acerbic grandmother, a woman who is long estranged from her daughter.

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Nominated for 1 Golden Globe. Another 3 wins & 8 nominations. See more awards »

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Cast

Cast overview, first billed only:
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...
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Sage
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Young Man
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Chau
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Cam
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Aaron Bilyeu ...
Tattoo Artist
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Bonobo Customer
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Karl
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Ian
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Wendy
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Jill
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Storyline

Lily Tomlin stars as Elle who has just gotten through breaking up with her girlfriend when Elle's granddaughter Sage unexpectedly shows up needing $600 bucks before sundown. Temporarily broke, Grandma Elle and Sage spend the day trying to get their hands on the cash as their unannounced visits to old friends and flames end up rattling skeletons and digging up secrets.

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Genres:

Comedy | Drama

Motion Picture Rating (MPAA)

Rated R for language and some drug use | See all certifications »

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Details

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Release Date:

18 September 2015 (USA)  »

Also Known As:

Aprendendo Com a Vovó  »

Box Office

Budget:

$600,000 (estimated)

Opening Weekend:

$115,540 (USA) (21 August 2015)

Gross:

$6,980,421 (USA) (26 February 2016)
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Company Credits

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Technical Specs

Runtime:

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Aspect Ratio:

1.78 : 1
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Did You Know?

Trivia

The car that Elle (Lily Tomlin) and Sage (Julia Garner) drive in for much of the movie is a 1955 Dodge Royal that is actually owned by Lily Tomlin. Tomlin told USA Today that she bought it in 1975 for $1,500. She said, "It's not a prize car. It's not a car that people yearn for. But it has a nice look to it. . . . The car is almost a character in the movie. I knew I kept that car for a reason." See more »

Goofs

When Sage and her grandma are talking next to the tree, during one shot a black body mic wire is visible on the right side of Sage's blouse. In between takes it is covered up. See more »

Quotes

Elle Reid: What's he gonna say, 'Sage's grandma beat me up?'
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Soundtracks

Open Roads
Written and Performed by Stacy Randol
Courtesy of Crucial Music Corporation
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User Reviews

 
Wonderful, timely film!
24 October 2015 | by (United States) – See all my reviews

Wow, what a breath of fresh air in the cesspool of recent films (okay, a few other exceptions.) As feminists, we roared. As parents, we nodded in recognition. As grandparents, we cheered at the clever handling of generational misunderstandings. As story-lovers, we appreciated a satisfying ending with validating resolutions. Especially liked the mirror rebuke of the 'Juno' film's preschool handling of full-range women's health care. Why does the right-wing hate women so much, and why do we tolerate that?

Paul Weitz, please write and direct some more films for these actors. We approve of this film!


13 of 23 people found this review helpful.  Was this review helpful to you?

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