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Jason Bourne (2016)

PG-13 | | Action, Thriller | 29 July 2016 (USA)
2:28 | Trailer

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The CIA's most dangerous former operative is drawn out of hiding to uncover more explosive truths about his past.


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3 wins & 20 nominations. See more awards »


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Cast overview, first billed only:
Ben Stylianou ...
Greek Van Driver
Kaya Yuzuki ...
Lead Hub Tech (as Matthew O'Neil)
Lizzie Phillips ...


Jason Bourne is again being hunted by the CIA. It begins when Nicky Parsons a former CIA operative who helped Bourne, who went under and now works with a man who's a whistle blower and is out to expose the CIA's black ops. Nicky hacks into the CIA and downloads everything on all their Black Ops, including Treadstone which Bourne was a part of. And Heather Lee, a CIA agent, discovers the hack and brings it to the attention of CIA Director Dewey, the man behind the Black Ops. He orders Parsons be found and, hopefully, Bourne, too. Written by rcs0411@yahoo.com

Plot Summary | Plot Synopsis


You know his name See more »


Action | Thriller

Motion Picture Rating (MPAA)

Rated PG-13 for intense sequences of violence and action, and brief strong language | See all certifications »

Parents Guide:



Official Sites:

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Release Date:

29 July 2016 (USA)  »

Also Known As:

Untitled Matt Damon/Bourne Sequel  »

Filming Locations:



Box Office


$120,000,000 (estimated)

Opening Weekend USA:

$60,000,000, 31 July 2016, Wide Release

Gross USA:


Cumulative Worldwide Gross:

See more on IMDbPro »

Company Credits

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Technical Specs



Aspect Ratio:

2.39 : 1
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Did You Know?


Paul Greengrass got his inspiration of car chases from William Friedkin, who made The French Connection (1971), as well as other movies with car chases, like To Live and Die in L.A. (1985), Jade (1995), and The Hunted (2003), which starred Tommy Lee Jones. Jones also worked with Friedkin on Rules of Engagement (2000), before reuniting on The Hunted (2003). See more »


When Bourne gets out of a train in Athens (which looks nothing like the actual ones), there's a sign above his head that completely misspells the word "Peiraias" (Piraeus). See more »


[first lines]
Jason Bourne: [voice over] I remember. I remember everything.
See more »


Featured in Jason Bourne: Bourne in the U.K. (2016) See more »


Extreme Ways (Jason Bourne)
Written, Produced and Performed by Moby
Orchestra Arranged & Conducted by Joseph Trapanese
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User Reviews

This is a good dish of leftovers
28 July 2016 | by See all my reviews

Jason Bourne wants so hard to believe in its own supremacy, forces an ultimatum of thrills and spills, but ultimately lacks identity.

The original trilogy still stands out as one of the most intelligent post-Cold War spy action thrillers and it mostly succeeded in being the last word in the genre. Its huge success and relevance also gave the Bond franchise a big wake-up call. Amnesia-assassin Bourne is the real thang!

So 9 years later, Paul Greengrass and Matt Damon decided it is opportune time to inject a dose of Bourne-adrenaline and his extreme ways into us. The only problem is that instead of innovation and reinvention, it serves up last night's fried rice paradise. One shouldn't mess with paradise! Greengrass regurgitates out plot points from the three predecessors. From Operation Threadstone to Operation Blackbriar, we get yet another black-ops organisation called Ironhand that wants to stay hidden and will whack anyone to Kingdom Come to prevent its knowledge from getting out. It once again exploits Bourne's amnesia as he glimpses yet another piece of his jigsaw mind-puzzle. We get the same old CIA foggies uttering "Where's Bourne?" and everyone wearing pained expressions as Bourne evades everyone in Athens, Berlin, London and Las Vegas. We get yet again a woman who thinks she know best but Alicia Vikander has none of the gravitas of Joan Allen because she is too young to be convincing.

The screenplay does offer up an promising post-Snowden scenario but it still feels a little too familiar. These issues aside the movie is still a pulsating ride. The pace is relentless and Damon's taciturn Bourne still represents a driving force of reckoning. The spycraft and action set-pieces ooze uber-coolness and you will want to see it again just to catch how they did it. However I have one major complaint - I absolutely abhor the schizophrenic editing and jumpy hand-held shots. The camera never stays still for more than two seconds for you to marvel at the fight choreography and the vehicle mayhem-chases. In my book, hand-held shots coupled with split-second cuts are the cheapest type of cheat codes in action thrillers. With these type of cinematic trickery anybody can be a martial arts exponent and a world-class spy. No class.

This is a good dish of leftovers. It may harken you back to the days of the original trilogy but it never truly pushes the character to a new frontier re-examining his psychological state. In the end, a dish of leftovers will still serve its purpose, especially when you are famished.

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