In the forests of the Pacific Northwest, a father devoted to raising his six kids with a rigorous physical and intellectual education is forced to leave his paradise and enter the world, challenging his idea of what it means to be a parent.
The story of Richard and Mildred Loving, an interracial couple, whose challenge of their anti-miscegenation arrest for their marriage in Virginia led to a legal battle that would end at the US Supreme Court.
An elderly Margaret Thatcher talks to the imagined presence of her recently deceased husband as she struggles to come to terms with his death while scenes from her past life, from girlhood to British prime minister, intervene.
Richard E. Grant
Florence Foster Jenkins, an heiress form NYC always wanted to be a concert pianist and play Carnegie Hall. An injury in her youth deterred that dream. So she sets out to sing her way to Carnegie Hall knowing the only way to get there would be "Practice Practice Practice". Her husband supports her venture and the true story of Florence Foster Jenkins playing Carnegie Hall becomes a truly historic event. Written by
There's something rather wonderful about people who manage to do things incredibly badly - William MacGonagall, the world's worst poet, and Eddie the Eagle Edwards, the world's worst ski-jumper, spring to mind; but Florence Foster Jenkins is in the pantheon as the world's worst singer. I have a CD of the few recordings she made, and not the least remarkable aspect of Meryl Streep's performance is that she superbly captures La Jenkins' extraordinary singing voice. This, however, is only one part of a beautiful performance, in which Streep gives us a touchingly vulnerable Jenkins. I saw this film expecting to laugh - and indeed there are some great comic moments. What I didn't expect, however, was to find myself sympathising with the title character so much, to the extent that I found myself rooting for her - not to give a magnificent recital, but at least to BELIEVE that she had. Hugh Grant plays Jenkins' sort-of husband (they never actually married in real life, though the film implies that they did) and manager. It's a fine performance, and he's lost none of his ease with comic scenes. He also has some heartwarmingly touching scenes in which he gives Jenkins the (platonic) love she is so desperate for, and when he tries to shield her from the truth. Even so, I was never quite sure how to reconcile this side of his character with the double-life he leads without Jenkins' knowledge. Simon Helberg is excellent as Jenkins' much put-upon accompanist, and Nina Arianda provides a good turn as a gold-digger who displays some unexpected heart. Highly recommended.
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